The Hunted - La preda

This is one of those movies that people will either love or hate. It has it's flaws for sure, but this movie speaks to primitive, macho mano-a-mano movie lovers.

How realistic the knife fights are in this movie remains to be seen, although kali, the martial art used as the base for the fight scenes, is a powerful fighting style. But they are exciting to watch, and both Jones and del Toro inhabit their characters with enough gusto and panache that the movie can be very enjoyable to watch.

It definitely won't be everyone's cup of tea, but the Hunted will make lots of action movie and martial arts movie fans pleased and satisfied.

Some movies are made just for action, some just for story.

Unfortunately, the Hunted doesn't seem to fit either category.

There is not much depth to the story here, although they try hard to make it seem that way.

Simply: A killing machine is on the loose, so they send the guy who trained him to get him. No side story needed to forward the plot.

Tommy Lee Jones gives a decent performance as L.T. Bonham, the "hunter". Nothing spectacular, but not bad either.

Benicio del Toro gives a good performance as Aarom Hallam, the killing machine who does not give much purpose as to why he IS a killing machine.

Connie Nielsen and Jose Zuniga are OK as FBI agents Durrell and Moret.

There were some great action scenes, and a few interesting moments. I wouldn't call them extraordinary though.

Over all: OK movie. Watch if you have nothing better to do.

5/10

How could they have made this story better. There wasn't a need for more dialog or love story and the fight scenes were amazingly well done. Tommy Lee Jones and Benicio Del Toro played expertly off one another. I didn't flash onto another film when I was watching this. I was surprised to read a comparison to Rambo. What? How is that even possible. Other than the military theme (which is rather minimal in this film, since Aaron could have easily been CIA, etc.) and people being killed, what is the connection?

While Rambo is gory and violent and rather gratuitous, The Hunted is none of these. The worst we get with the "killings" are a few glimpses of *photos* if the hunters killed at the beginning of the film. I guess this is a thinking man's action film and for those that don't want to think, they will be quick to put it down.

Hey, out there. You guys who slammed this in your reviews, did you see the same film I did? Not real? Improbable? Impossible? Huh. If those of you who found this thought-provoking film about two men on the edge of the social plane, one who is over the edge and the other given the task of hunting the first one down-- both men, socially disaffected and on their own, unbelievable and impossible, give some attention to Alston Chase's article in the June, 200, pp.41-65 of the Atlantic Monthly on Theodore Kaczynski, the Unabomber and the effects of his experiences being part of the ill-conceived and unethical study on human subjects during his undergraduate years there. The formula is simple: Take a bright, talented person who is teetering on the edge of emotional stability, fill them with lots of head stuff about social and environmental corruption, train in the technology of killing people and then, turn them loose. While no one wanted to turn Kaczynski into the unabomber, the circumstances, however well-intended, did. The film story of Aaron Hallum played by the competent Benicio Del Toro and his counterpart, L.T. Bonham, played by Tommy Lee Jones, bring this theme into clear focus. OK, if you are a shoot'em up thriller fan (as I self-confessedly admit to being), you might have missed the car chase, the sex and all that, but gang, it is a gripping and thought-provoking story. Not real? I submit, read the data on Columbine, The Minn Indian Res and the Unabomber and guess again. It's real. Damn real.

Jones and Del Toro show why they are amongst the best of their respective generations. Not only with strong acting, but also for the precisely coordinated and physically demanding fight scenes. While it may be hard to believe that Jones can deliver such impressive action at his age, he is more than believable as the type of grizzled ass-kicker who can square up against Del Toro's world-class assassin. The movie's plot is too simple; its basically two men hunting each other. Still, legendary director William Friedkin delivers a sharp well-paced 90 minute chase through the film's third star, the beautiful city of Portland and the magnificent forestry that surrounds it.