Nel 1951, uno scrittore di Hollywood inserito in una lista nera viene coinvolto in un incidente d'auto, perde la memoria e si stabilisce in una piccola città dove viene scambiato per un figl... Leggi tuttoNel 1951, uno scrittore di Hollywood inserito in una lista nera viene coinvolto in un incidente d'auto, perde la memoria e si stabilisce in una piccola città dove viene scambiato per un figlio perduto da tempo.Nel 1951, uno scrittore di Hollywood inserito in una lista nera viene coinvolto in un incidente d'auto, perde la memoria e si stabilisce in una piccola città dove viene scambiato per un figlio perduto da tempo.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Recensioni in evidenza
Now something more personal, for this vet of the new war. I loved this piece because it sent a different message, if only I saw it. It showed that not only the people who actually fight in a war, are the heroes. It helped show that everyone involved in any war should be considered a hero. I personally was touched by the mentioning of the Bill of Rights and reminding people, even today, what soldiers like me and many others still fight for.
Anyone who wants to take it literally will totally miss the point;it did not prevent "it's a wonderful life" and "Mr Smith goes to Washington to go straight to the heart;so does "the majestic " :it has a good screenplay which is never boring during 140 min and which features very good ideas:The hero remembering the lines of Dieterle 's "life of Emile Zola" whereas he suffers from amnesia ,the piano boogie which shocks the old music teacher,the way Landau reveals the young man the "truth" in the little graveyard,and how -always the magic of cinema" he recovers his memory...The first part is Martin Landau's triumph:he will move you to tears ;Tornatore's influence again,he really seems to come from "cinema paradisio" .But Jim Carrey in a sober part can succeed in his James Stewartesque act as well. Some will tell you it's passé,corny ,old hat :they are completely right.This movie can only appeal to these who have often a look at the past of the seventh art:I'm one of them and I do like "the majestic".
The town is excited that Luke is back, and Harry decides to bring back his movie theater, the Majestic, to its former glory with Luke's help. Luke becomes involved with the town and its people; and Luke's old girlfriend Adele (Laurie Holden) is back on the scene. Little does Peter know, but the FBI is looking for him. One of his old films jogs his memory, and Peter realizes that he's not Luke after all. And he's wanted in Los Angeles to testify about whether or not he's a Communist.
This is a beautifully done film, released three months after 9/1/2001 and very relevant when seen today. It's about standing up for what you believe in, the power of love, and what's really important in life. Jim Carrey is marvelous as an ambitious young man who finds his heart in Lawson; Martin Landau gives a magnificent performance as Harry, a man who finds a new lease on life.
The Majestic stands as a symbol of a time when we walked into glamorous theaters to attend movies; when we sat wide-eyed in the dark; when films were more of a family affair; when life was more high touch than high tech; and when a person's principles and integrity were more important than anything else. It's good to be reminded of all of that once in a while.
Lo sapevi?
- QuizAt one point, while the characters in the film are examining a store-front display of World War II heroes, a photograph of several men in uniform is shown. This photo is of actual soldiers who fought in World War II, all of whom made their home at the location of the film shoot, Ferndale, California.
- BlooperAdele says that Luke Trimble's name is on the statue in the basement of City Hall; however, the list of names displayed does not show his name.
- Citazioni
[Inside the abandoned movie theater]
Harry Trimble: That's why we call it The Majestic. Any man, woman, child could buy their ticket, walk right in. Here they'd be, here we'd be. "Yes sir, yes ma'am. Enjoy the show." And in they'd come entering a palace, like in a dream, like in heaven. Maybe you had worries and problems out there, but once you came through those doors, they didn't matter anymore. And you know why? Chaplin, that's why. And Keaton and Lloyd. Garbo, Gable, and Lombard, and Jimmy Stewart and Jimmy Cagney. Fred and Ginger. They were gods. And they lived up there. That was Olympus. Would you remember if I told you how lucky we felt just to be here? To have the privilege of watching them. I mean, this television thing. Why would you want to stay at home and watch a little box? Because it's convenient? Because you don't have to get dressed up, because you could just sit there? I mean, how can you call that entertainment, alone in your living room? Where's the other people? Where's the audience? Where's the magic? I'll tell you, in a place like this, the magic is all around you. The trick is to see it.
- Curiosità sui creditiThe Hollywood executives heard in the first scene are briefly heard over the Castle Rock logo. Postcards of Lawson fall down around the opening credits.
- ConnessioniFeatured in HBO First Look: The Majestic (2001)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El Majestic
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 72.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.807.266 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.904.339 USD
- 23 dic 2001
- Lordo in tutto il mondo
- 37.317.673 USD
- Tempo di esecuzione2 ore 32 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1