Ha-Hesder

In a West Bank settlement a Rabbi has risen up to get his own following. It is Rabbi Meltzer's plan to build the temple and he has formed his own military unit under the command of Menachem, on of his disciples. Meanwhile one of Menachem's men, Pini, is called to meet the Rabbi's daughter, Michal, so that their marriage can be arranged. However Michal rejects Pini as she has fallen for Menachem.

Other reviewers here have criticised this film for not giving them the understanding of the politics around the area, however I consider this a very unfair accusation. This film is not about the situation; it may have some subtexts that comment on it but generally the film struck me as a thriller based around several characters. As such (and I can only review it as such) I found it to be quite effective at points but also to be rather slow at others. As a thriller there were plenty of good moments – either tense, running with guns moments or good revelations or twists around the characters; however at other times it was too slow and seemed to drag to include at attempt at subtext or commentary that it didn't need (or certainly didn't do enough with).

Outside of this the story is pretty good even if you ignore some of the character's motivations. I must admit to being a bit lost as to why Michal took the path she did with such vigour while Pini was a mystery to me; but ignoring the weaker turns helped me focus on the dramatic flow, flawed though it was. The direction is good even though the budget clearly would not compare to your average Hollywood thriller. I had never seen any of the cast in anything before and they were pretty average on the whole. The only performances that stood out for me were Avni's Menachem and Volf's Mookie – both had good presence.

Overall this is not a great film but it more or less works as a watchable little thriller based around several characters. The story may have plenty of flaws but it moves along well enough save for a few dull patches. It won't teach you anything about the region and it's occasional attempts to pass comment only serve to take away from the main story which could have been a lot pacier and exciting without Meltzer's preaching.

This movie is a good benchmark to judge other movies: it was ALMOST good and ALMOST poor as it loses the viewer and then ALMOST recovers its mistakes. Relying on subtitles often made the story difficult to understand as they quickly flashed and disappeared. Hence, the visual was more important than interpreting the dialogue. The script's development of ambience and culture and human conflicts are either too skimpy or awkwardly placed in the flow of things. I am of the opinion that only Spanish films compete with the film subtitle speed.

Not having visited Israel, I was as interested in the captured geography and visuals as I was the story. So, I was too often left outside of the vision of the writer. Having said that, it was a ALMOST an average picture that was not that convincing in its telling and managed to get to the ending credits.

The TV guide described TIME OF FAVOUR as thus:

" A rabbi's daughter must choose between the man she loves and the man her father wants her to marry "

So I sat down to watch a movie that I expected to be a romantic drama , and being an Israeli film I also expected to see some secular Vs religious politics . But this isn't what I got . For the most part the story does indeed play out as a love triangle between the rabbi's daughter on one hand and two friends in the IDF on another , but then about two thirds of the way through it becomes clear that this is a political thriller featuring a bomb plot not too different from something Bruce Willis might have appeared in several years ago . When I say becomes clear I mean after one of the character's gets a bloody good kicking off the Shin Bett , up to this point I was asking myself where on Earth the movie was heading

There's two ways of looking at this . One is that TIME OF FAVOR is a highly complex film , the other being that it's a highly unfocused one . I'll give it the benefit of the doubt and say it's complex one . It should also be pointed out that if you have absolutely no knowledge or interest of Israeli politics or culture clash you will be at a loss trying to understand this movie , though it's difficult to imagine someone watching a movie in Hebrew - albeit in subtitles - who doesn't have any interest in Israel

This is the first Israeli film I have seen and I really wanted to get to know more about the citizens via this route. Though I did learn some things, it isn't enough to recommend. The director presumes the audience knows the situation and all the locales. Though I keep up with the news daily, I just couldn't identify with the West Bank settlers. The undertone of religious renegades and dark collusion just wasn't filmed correctly. The scenes kept jumping around and I wanted to call the editor and ask why there couldn't be more of a flow to the sequences. I am looking forward to seeing more Israeli productions. Perhaps I can learn more of that beseiged society that I didn't feel here.

One of the many reasons I appreciated this movie was because it spoke of a certain truth behind the Israeli government; namely, their unique and authentic desire to protect and live side-by-side with their Arab neighbors. Although there may be army generals who could have allowed the explosion under the Dome of the Rock to take place, they no doubt would expect a massive retaliatory attack on Israel by surrounding countries resulting in instability in the region. Political and religious suicide, to be exact. However, I felt that the film depicted the soldiers acting collectively and selflessly to prevent such a tragedy to occur because their job is to protect and defend the Land of Israel, its landmarks, and citizens, including Arab-Israeli citizens.

The under ground activity is very symbolic of the underground politics of the Israel government in its efforts to deal with the political situation of the region. Like the US, there are many times civilian lives have been spared and the heroes are never known nor are the events made public.

It's hard to identify the protagonist, although Menachem is most likely the closest candidate. Depending on who is viewing the film, he may be seen as friend or foe.

The movie plot suffered slightly due to the intermediate love (lust) story involving Pini. Audiences have enough trouble keeping up with their own relationships, it's not necessary to drag them into a failure from the beginning.

Editing and lighting techniques were overlooked but forgiven because the film was shot mostly outdoors. Overall, a very well-done film and deserves 8 of 10 stars.