The Road to Nashville

Surrounded by a thin plot in which Doodles Weaver (a relative of Sigorney Weaver) plays agent Colonel Feetlebaum trying to get the biggest Country music stars for a movie, The Road to Nashville has nearly two hours of just that with among them: Waylon Jennings, Dottie West, Hank Snow, Porter Wagoner, The Carter Family, and Johnny Cash. Oh, and the one above the title, Marty Robbins, sings the most songs here including his classic "El Paso". Highlights for me include Snow's "I've Been Everywhere" which I've heard Cash sing for a commercial not to mention Rick Moranis using the melody for his own version called "I Ain't Going Nowhere", the numbers of Jennings and Wagoner, and hearing the Carters sing Cash's "I Walk the Line" just before they and Johnny segue to "Were You There". It's also interesting to see June Carter talk between those numbers before future husband Johnny takes the stage. Oh, and about Doodles: his spots are alternately amusing and lame though I did like his parody of "Home on the Range". So on that note, The Road to Nashville is worthy of a look for anyone interested in this rare filmed musical revue.

'The Road to Nashville' has a paper-thin plot - Doodles Weaver tries to convince top country acts to appear in a film - but some great musical performances from anyone and everyone who was big in that field of music at the time.

So you'll see Johnny Cash, Kitty Wells, Lefty Frizzell, the Carter Family, Waylon Jennings, Marty Robbins, and many more, singing their best known songs in a mix of styles.

As a music revue, this is hugely enjoyable, but just don't expect anything other than a snapshot of Nashville keepers at the top of their game. For what it is, it is great fun and a real treat, if a little dated.

This a a really fun little slice of 1966 Nashville, great for those of us who like that stuff--some greats at various stages, and a family act that makes me think the rural methamphetamine craze might have started earlier than we thought. But there is also a true gem here. Before bringing out Johnny Cash for a gospel song and another little tune (a real disappointment when you think of what they could have used in this spot--'Ring of Fire' comes to mind), the Carter Family women, June, Anita, Helen, and Mother Maybelle, do a version of 'Walk the Line.' The song itself is a beautiful treat, but June's and Johnny's comments afterward, during this time a couple of years before they married, show some interesting emotion. June's words could be taken to slightly deride the song they've just performed.

I'm doubting that we're going to get a better DVD of this, and it's too bad. The source material is presented from a crappy looking (and sounding) 16MM television syndication print, and the movie itself was originally presented in nice, wide Cinemascope. The lack of widescreen is blatantly obvious here, as the cinematography is all over the place, as is the pathetically primitive panning and scanning. Now grant it, this film was never out to win any "that sho' is purty!" awards, but this print looks like poop. Combine that with some HORRIBLE DVD Compression artifacts, and you're sure to figure out that you've got a long way to go to get to high def here.

Good thing the content is what it is. RTN was one of a series of "jukebox" movies which were being pumped out of Nashville in the 60's, and these films, while rare to see nowadays, give us great looks into the time that was 1960's-era Nashville. You see vintage acts that were being pushed aside by Chet Atkin's and Owen Bradley's Countrypolitan style which was hot at the time, and you see up-and-comers who are obviously here to get any break they can.

Great clips here are a couple of performances by Connie Smith (although that gold suit she has is a tad, well...dated), Johnny Cash and the Carter Family (showing Johnny in the midst of his downward drug-fueled spiral, but still good enough to pull it off musically), and a young very-pre-outlaw Waylon Jennings doing "Anita".

Even the lesser acts are worth it, like Porter Wagoner's Pre-Parton "Girl Singer" Norma Jean doing "I Wouldn't Buy A Used Car From Him", and The Stoneman Family song "Tupelo County Jail" in stage outfits that look somewhere between the lines of The New Christy Minstrels crossed with Laugh-In. (Both of the above mentioned tunes were minor hits around the time this flick was shot, although the DVD didn't even bother to hunt down the actual title to the Stoneman's tune, giving it the cop-out title of "Write Me A Letter").

If you can get passed the cheap bargain-bin quality of the DVD, the music makes it worth every penny.

Road to Nashville is to all intents and purposes a showcase for a selection of country music stars with an extremely flimsy plot that merely takes us from A to B allowing for song after song to be performed. For what it's worth, the story has Doodles Weaver being sent to Nashville to recruit musicians and singers to star in an upcoming movie about country music. But as I say, this is a virtually plot less affair which is aimed squarely at fans of this type of music.

I'm not really much of a fan of the genre myself, so much of the songs I didn't get too much out of. But there were some that did standout for me. The Carter Family sing a song synonymous with Johnny Cash, namely 'Walk the Line', only to then be joined by him for an emotional number entitled 'Were You There'. In this segment his future wife June Carter talks a little between the numbers too. But perhaps the real standout for me was a group I had hitherto never even heard of, The Stoneman Family. They knock out three numbers and the two women in the group easily provide the most energy and distinctive performances in the whole film. Their first song is a crazy up-tempo workout with a pretty maniacal mandolin being played in almost free-style by one of the women; in their final number the other girl takes over and knocks out some serious banjo action while maintaining an intentionally deadpan face the whole time. So, The Stoneman Family? Yeeha!

This film is ultimately a real treat for country and western fans, especially of the mid 60's variety. Some of these artists were very rarely filmed playing their songs, so it serves as a pretty cool document in that sense too. It's not in all honesty really aimed at someone like me who is pretty lukewarm on the genre but I still did get a kick out of some of it nevertheless.