Chandni Bar

A riveting, extremely well-acted movie. Also, one of the most depressing I've ever seen. If you're looking for upbeat Bollywood fare, go elsewhere. This is an excellent film, but the main character is put through the ringer time and again, and the story takes you with her.

In the land of Bollywood, where movies are purely escapist fantasies of love everlasting, here is one film that isn't afraid to be realistic. Chandni Bar tells of the plight of young girl from a small town, who goes to sin city Mumbai where she works as a bar dancer to make both ends meet. There are several scenes in this movie which shine with brilliance, and Tabu shines in her role. The rest of the supporting cast also give expert performances, but particular mention must be given to Ananya Khare, whose portrayal of bar dancer Deepa steals the limelight from Tabu whenever both of them are in a scene together. Atul Kulkarni also gives a great performance as Tabu's criminal husband Potya Sawant. The film has a very realistic look in its portrayal of the gritty back alleys of Mumbai.

If you are in the mood for pure escapist fantasy, go watch Kabhi Khushi Kabhie Gham. But once you get sick of the sugary sweet concotions Bollywood has to offer, give Chandni Bar a try. It's deliciously bitter!

Although I rented this movie on Video, I am still very moved by it. It was quite an experience. Hats off to the director and all the actors especially Tabu & Atul Kulkarni are very effective. The director has done a lot of non-routine stuff like the narration, the lights, the bar songs and background music etc. Hopefully the people get the right message the director wants to convey.

"Chandni Bar" is the BEST movie to come out of Bollywood in 4 decades. Its a brave film, speaking unabashedly about the seemy underbelly of Bombay (and YES it is and always will be Bombay to many), about the nexus between crime and the corrupt police in this city, about sin and the hope of redemption dashed by a vicious system. No wonder this was NOT India's entry to the Oscars....our politicians would be loathe to export something that could "create a bad impression" (they sent the ghastly jingoistic "Lagaan" instead). Pity, because, as an example of cinema verite at its grittiest, it would have probably won. Tabu would have definitely been in the running for Best Actress --- her performance is a study in truth and control. I happened to meet her on a plane and asked whether the film was shot more-or-less in sequence; and she answered in the affirmative --- no doubt this helped her create a slowly-intensifying graph of emotion, peaking at her gut-wrenching howls in the final scene. Her subtlety and sensitivity in the role of the dance-hall girl have had few equals seen by this writer in the cinema. Also the film's design, capturing the slums, back-alleys, police-stations and of course the seedy, sexual, smoky, boozy atmosphere of the dance-bar (changing its decor and its music with the passage of time in the plot) has an attention to detail and a REALISM that anyone who has ever been to these places will marvel at. Bravo to all concerned....and now may we PLEASE have this available on DVD?

What worked:

• an inner view of the life of the bar girl in Mumbai; some of the plots seemed stereotypical but indeed true to the fact
• strong screenplay and lead actors

What did not work:

• maybe the ending was necessary the way it was, but we could hope for some alternative endings with something optimistic. However, the ending is still as powerful as it should have been

Final verdict: Recommended.