Il risolutore

I personally liked the film. Vin Diesel's performance was the right side of credible. Lerenz Tate was a good choice as a partner, as he provides a solid performance as well and provided the comic relief this sort of film needs. The plot wasn't as lightweight as I thought it was doing to be, the script didn't go too over the top (although there was some moments) and the action was pretty impressive. Not too bad for a Vin Diesel vehicle.

My one problem though is that the ending didn't make sense (why did everyone start fighting when he was walking off at the end?)Frankly, I think it would have been better if they had swapped the end scene with the previous scene at the wife's graveside.

Also, did the makers of 'The Punisher' watch this film beforehand, because they are very similar.

Vin Diesel is MUCH better in this drama/action film then he was in his last action film, "XXX". His performance as a broken man who just lost his wife to drug dealer, & his violent crusade against said criminals, while not original in the least, does captivate you. As far as action movies go, this one can hang with the better of them. The action doesn't mix too well with the drama though...

My Grade: B-

Eye Candy: 2 topless women, 1 erotic dancer (Former Man Show Juggy, Paula Harrison) in see-through cloth

Extras: 7 Deleted Scenes (the first having 1 more topless chick, the 7th being an extended version of the aforementioned Juggy's dance) ; Trailers for (of all things)Run, Ronnie, Run & Highwaymen

Lately, i do not watch too many ‘old-fashioned' action films like this. This has mostly to do with the fact that action films are somehow always the same. The only things that can make an action film decent are not too many corny scenes and some comedic elements. Take for instance Cradle 2 the Grave, which I saw a couple of weeks back. Now the action was pretty OK, there were some funny elements, but there were some stupid things as well (such as a corny ending). Or Bulletproof Monk, which was a bit corny overall. While A Man Apart is certainly not a good film, it is one of the better ‘old school' action films I've seen lately. The acting is decent, there are no corny elements and there is a good mix of emotion / softness and action. The film might not be suited for the big screen, but it does well as a rental (BTW: the film was shot between 2000 and 2001 and got shelved at first). The film certainly has some interesting elements and is better than most of Seagal's or Van Damme's new films. I was not disappointed to have rented it.

6,75 out of 10

When I rate a movie or give my opinion of a movie, I try my best to compare it to other movies like it. For example, if it is a drama about family, I use other dramas about families as a benchmark. "A Man Apart" is definitely a vigilante film. Sean Vetter's (Vin Diesel) wife was murdered and he is out to find the killer. If you want a reference for a vigilante film, see just about any Charles Bronson movie, or some of the movies with Sylvester Stallone, Arnold Schwazzenegger, or Steven Segal. One of my personal favorite vigilante movies is the Denzel Washington starred "Man on Fire".

Comparatively, "A Man Apart" doesn't quite match up. Whether it was how the movie was done, or it was Vin Diesel, I didn't quite feel the pain of Sean when he lost his wife. This type of movie is dependent upon the drive of the main character and getting the audience to understand or feel that same drive. Sure, most of us would understand a man seeking revenge or justice for the wrongful death of his wife, but the character still has to have some type of charisma or believability. Vin Diesel is too one dimensional to show a wide range of emotions, and there weren't enough scenes showing the bond between Sean and his wife for me to be too upset when she was killed. In the end, the movie was about a vigilante seeking justice who I wanted to succeed, but I was still indifferent about.

One of those films which I don't think the current IMDb score (5.4) actually captures.

It's a bit formulaic - ex-bad-boy super-DEA agent gets the bad guy, pays with the life of his nearest & dearest, and goes out for revenge. Even I saw the reveal at the end coming way-off (I rarely do), but I still really enjoyed this film.

I thought it was very well plotted and paced; Vin Diesel played it gruff, but mostly low-key (no huge sobbing moments, or tearful walks on the beach, which was refreshing). His character, along with that of his friend, were fleshed out into more-rounded human beings than the usual action hero & sidekick. The enemies were straight out of 'the Big Book Of Drug Dealers and Cartel lackeys', but Timothy Oliphant was amusing and well played, as ever (also a great turn in The Good Girl).

And I found the violence viscerally satisfying & gritty, without being seriously glorified, or venturing (too far) into Bad Boys style Hollywood explosions, helicopter gunships, LA car chases etc.

Most surprising of all (to me) is that Vin agreed to grow his hair out a little - as you would in an extended hospital stay - and roughen up his otherwise clean shaven / macho male model looks. Wandering around with the goatee, he reminded me more of the guy out of Cypress Hill.

Kudos also goes to the ending. It could have finished two scenes earlier than it did, but the tying up of loose ends wasn't done in an overly sentimental or triumphant way, which was similarly refreshing.

Good screenplay, good acting (in a pretty standard film like this), and mostly avoiding the really obvious clichés of plot & character. I really enjoyed it. On the scale of revenge movies - it's not as good as Mel Gibson's remake of Payback, or The Rock in the remake of Walking Tall. But it would hold its own alongside them in a collector's box set.