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Conspiracy - Soluzione finale

Titolo originale: Conspiracy
  • Film per la TV
  • 2001
  • R
  • 1h 36min
VALUTAZIONE IMDb
7,6/10
27.895
LA TUA VALUTAZIONE
POPOLARITÀ
3152
909
Kenneth Branagh and Stanley Tucci in Conspiracy - Soluzione finale (2001)
Home Video Trailer from HBO Home Video
Riproduci trailer0:26
1 video
21 foto
BiografiaDrammaDramma politicoDrammi storiciGuerraStoria

Aggiungi una trama nella tua linguaAt the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.At the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.At the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.

  • Regia
    • Frank Pierson
  • Sceneggiatura
    • Loring Mandel
  • Star
    • Clare Bullus
    • Stanley Tucci
    • Simon Markey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    27.895
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3152
    909
    • Regia
      • Frank Pierson
    • Sceneggiatura
      • Loring Mandel
    • Star
      • Clare Bullus
      • Stanley Tucci
      • Simon Markey
    • 183Recensioni degli utenti
    • 23Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 2 Primetime Emmy
      • 7 vittorie e 21 candidature totali

    Video1

    Conspiracy
    Trailer 0:26
    Conspiracy

    Foto21

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    Interpreti principali33

    Modifica
    Clare Bullus
    • Maid
    • (as Claire Bullus)
    Stanley Tucci
    Stanley Tucci
    • Eichmann
    Simon Markey
    Simon Markey
    • Stenographer
    David Glover
    • Supervising Butler
    David Willoughby
    • Orderly 1
    Tom Hiddleston
    Tom Hiddleston
    • Phone Operator
    David Spinx
    • Cook
    Dirk Martens
    Dirk Martens
    • NCO
    Barnaby Kay
    Barnaby Kay
    • Lange
    Peter Sullivan
    Peter Sullivan
    • Schöngarth
    Ben Daniels
    Ben Daniels
    • Bühler
    Andreas Guenther
    • NCO2
    Ewan Stewart
    Ewan Stewart
    • Leibbrandt
    Brian Pettifer
    Brian Pettifer
    • Meyer
    Kevin McNally
    Kevin McNally
    • Luther
    Florian Panzner
    Florian Panzner
    • Luther's Driver
    Ross O'Hennessy
    Ross O'Hennessy
    • Adjutant 1
    • (as Ross O'Hennessey)
    Kenneth Branagh
    Kenneth Branagh
    • Heydrich
    • Regia
      • Frank Pierson
    • Sceneggiatura
      • Loring Mandel
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti183

    7,627.8K
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    Recensioni in evidenza

    Danimal-7

    An intriguing snapshot of history

    This movie sets several things straight. The Wannsee conference is not the place and time where Nazi Germany decided to commit the Holocaust. The Holocaust had been going on for quite some time by January 1942, the time of the conference. Dachau had been in business for years. The SS Einsatzkommandos had already marched into Poland and Russia, gunning down Jewish men, women, and children by the hundreds of thousands. Even the extermination camps had already opened for business. Hermann Göring, at Hitler's direction, had already given the order to proceed with the Final Solution of the Jewish Question.

    Thus, the purpose of the conference is not to decide on whether to murder the Jews of Europe. That decision already having been made, the conference is called so Reinhard Heydrich, as chief of the SD and second-in-command to Himmler in the SS, can ram the decision down the throat of the rest of the German government. The interesting thing is the other German leaders' reaction. Many applaud, some object to the wastage of Jews whom they consider more valuable as slaves than as corpses, some favor sterilization instead of murder, and some get physically sick. But, enthusiastically or grudgingly, they all accept.

    The well-deserved demonization of Adolf Hitler has the regrettable side effect of obscuring the evil of his cronies and subordinates from anyone but historians, like a baleful sun whose light obscures the stars. Below the level of Hitler, the public's view of the German government dissolves into an amorphous mass called `Nazis,' the interchangeable automatons of the Führer. If the movie achieves nothing else, it will put Reinhard Heydrich and Adolf Eichmann on the map as villains in their own right, not mere extensions of Hitler. Kenneth Branagh's performance as Heydrich, the `Blond Beast,' is unnerving; he is the personification of that ruthless will, impervious to either reason or human feeling, which Hitler admired. This performance would be a star-making turn for a young actor; for Branagh, it is routine, maybe even a bit below average for this amazing performer.

    CONSPIRACY individualizes the Nazis at the conference, and shows the different facets of evil. Tellingly, Colin Firth's Wilhelm Stuckart is one of the least repulsive characters present, even though he is the architect of the barbaric Nuremberg Laws which forced Jews out of the professions and decreed death for any Jew who should marry an Aryan. He, at least, is one of the few who has the courage to stand up to Heydrich, if only for a little while, and resist the SS thugs' insistence on mass murder. His insistence that Jews must be oppressed only according to the strict letter of the law is insane, absurd, but it is a principle, which is more than most of these people have. Klopfer, Martin Bormann's lackey, is the most disgusting man present, even if he can't match Heydrich for pure evil; not even the veneer of civilization is left on him, and he shows sadistic pleasure at the thought of murdering the Jews. Other reactions range from zealously uncritical compliance with orders, to cheerful indifference, to a sort of put-upon resentment that the work of extermination is falling on them.

    But the most disturbing character is Kritzinger, secretary of the Reich chancellery, the only person present who wants not to be a murderer. He is not, as some think, the only one present who realizes that what they're doing is wrong; even Heydrich knows that, as can be seen by his careful precautions to keep the crime secret. But while the others all want to get away with what they know is wrong, Kritzinger doesn't want to do it at all. Still, after being privately browbeaten and threatened by Heydrich, he states his support for the murders. Of all those present, Kritzinger is spiritually the closest to the audience, and naturally invites the question of what we would do in his place. Could you, unarmed and alone, look right into the eyes of the Blond Beast, a man whose hands are dripping with the blood of thousands of dissenters from the Reich, and tell him, `No, I defy you,' knowing that while you are risking your own torture and death, you will probably not even save a single Jew? I wish I could just write that I don't know, but the honest thing to write is that I doubt I could do that.

    Kritzinger's case is a brutal warning of the malevolent power of groupthink. Even as the killers sit at the table and exchange smiles, one senses a spiteful, hungry vigilance for the first sign of sympathy for the people they are planning to slaughter, waiting to pounce on the dissenter and rip him apart with scorn and threats.

    When it comes to flaw-picking time, I can only say that the ending should have shown some of the consequences of the meeting. There should have been at least some reference to the millions of people who were killed by these men. Instead, we are treated only to the fate of the men themselves, although that is disturbing in itself when we see how many of them escaped justice at Nuremberg.

    People look at the pictures from Dachau and Buchenwald, the piles of starved corpses and the lamps made of human skin, and they say, `How could they?' Watch the movie. This is how they did it: over drinks around a table.

    Rating: ***½ out of ****.

    Recommendation: Everyone mature enough to understand should see this movie.
    elizabeth-chesney

    unflinchingly honest, horrifying, and ultimately sad

    As a 4th generation American of German heritage, I have a deep interest in attempting to understand how a presumably cultured, educated, Christian society could become the Nazi nightmare of WWII.

    This film, as so eloquently stated by previous posters, is quite simply a cautionary tale for all of humanity. I have seen the film several times on HBO, and whenever it comes on, I feel compelled to drop what I'm doing and watch, again transfixed -- at the ability of our human brains to rationalize and deny even in the face of undebatable truths.

    Any honest person watching the film must ask himself -- How would I respond if I were at that table? How would I respond if I were a German citizen in the Third Reich? Americans, I believe, right now in 2005 -- should look at this film as a warning. No -- we are not fascist Nazis -- not yet. But the groundwork is there. The propaganda, the denial of the facts and the demonization of our enemies. The blind nationalism. We are at a turning point in our country -- and we would be wise to look to history as a reminder of what can happen when we as human beings let fear, ego, and the lust for power dominate over all else.

    I will buy this DVD and share it with my family and friends.

    As long as people believe in absurdities then they will continue to commit atrocities.

    -- Bertrand Russell
    7secondtake

    Amazing and horrible events, told in dry but expert dramatization

    Conspiracy (2001)

    No question here—finely made, piercing and disturbing movie made with high realism about a famous Nazi meeting where it become official policy to exterminate the Jews of Europe.

    That's enough to make watching it necessary—at least the first half hour, where the cold-blooded tone and the top-down enforcement of brutality (over the wimpy objects of a few at the meeting) are made clear and chilling.

    Kenneth Brannagh is almost too brilliant at his role, playing the smart, unyielding, pushy yet conniving officer at the head of his meeting. He's so natural and so not overacting it's terrific. Equally strong in his lesser role as the notorious Eichmann is Stanley Tucci (whose atrocities would only grow as the war wore on—the officer in charge of the meeting was soon assassinated by a pair of British experts).

    You'll note Colin Firth in a slightly more sympathetic role as Dr. Stuckart— Stuckart hates the Jews but only enough to want to sterilize all 11 million of the, not kill them. And the actor Brendan Coyle known as Mr. Bates in "Downton Abbey" makes a supporting appearance here, a decade earlier.

    Tightly filmed, scripted according to one surviving set of notes from the proceedings, and played with efficiency, this is a great fast entry into the minds of the Third Reich. Thoroughly impressive.

    That doesn't mean it's a totally "great" film in part because if its intentions. It recreates the meeting but the meeting, as drama, is more historically interesting than actual theater—or Hollywood. It has a lot of convincing talk, and a lot of the same evil themes and attitudes throughout. After awhile it isn't so much about dramatic development but about seeing how the history might have actually looked.
    8DICK STEEL

    A Nutshell Review: (DVD) Conspiracy (2001)

    It was just as Hitler tasted defeat at the Russian front, that a little known meeting was arranged to mark one of the worst events in humankind. That meeting, known as the Wannsee Conference, was to put into motion the evacuation of the Jews from Germany, then the rest of their controlled territories.

    15 officials from various departments were in attendance, chaired by SS Chief of Security Reinhard Heydrich (Kenneth Branagh) and SS Major Adolf Eichmann (Stanley Tucci), and has in its members several lawmakers and doctors. They sit and debate (well, not much of a debate actually) the notion of evacuating (read: Eliminate) the Jews, and you'll probably witness how casual it all sounded to some of the members.

    It was interesting to see how Heydrich cajoled everyone into agreeing to his plans, by hook or by crook. And it's very chilling to see how semantics were danced about, and how methods were discussed as if it was a process so trivial - the building of concentration camps, the techniques of gassing and how to perform it, the statistics of the kill that would have them reach their target numbers intended.

    Based on a surviving record of that meeting, despite the fact that the minutes are to be read, memorized and destroyed, this HBOfilm is a good watch to peek into the decision making process, into that stain in human history, and the unthinkable evil that humans are capable of.

    If you're a fan of Downfall, then perhaps this depiction of history will interest you.
    bob the moo

    Classy acting in a chilling theatrical piece

    In January 1942, General Heydrich chaired a meeting of Hitler's top men from various Nazi bodies including the Party, the SS etc. The reason was to `discuss the inevitable and try to bring it about in the most practical way under one command'. The `inevitable' being the spiralling problem of the huge numbers of Jews and how best to deal with them.

    This is a chilling dramatisation of the meeting that sealed the fate of millions of Jews. The story is quite simple and could be easily put on the stage - it is merely a board meeting with the focus being on the characters of those involved. The film plays as a normal board meeting - no one in the room is portrayed as monsters - in fact Heydrich is almost comic. One of the most chilling elements is that no-one in the room believes the Jews were normal people, some are horrified by the thought of killing them all on production lines but even then their alternatives never approach humane options.

    This very wordy production would never have succeeded without strong actors and here it is blessed by not only famous faces but unknowns giving great performances. It is difficult at first to accept English actors playing Nazis but you soon get past it. Tucci and Branagh are both excellent and Colin Firth is the best I've seen him as Dr Stuckart from the Interior Ministry. I could literally name the whole cast as the members of the meeting are all well played.

    This is not presented as a terrible moment and the men are not portrayed as Indiana Jones style evil Nazis. The facts are allowed to speak for themselves and it's all the more chilling for it. Overall this is an excellent film that benefits from great acting, a great script and great direction.

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    • Quiz
      Since detailed records of the Wannsee Conference did not survive World War II, minor details of the movie (such as the seating arrangement at the conference table, what was actually served for lunch, and who was wearing a uniform compared to who wasn't) were totally up to the guess of the producers, and not based on any historical evidence. The producers and writer did have access to more primary material than it might seem at first. During his trial in Israel, Adolf Eichmann provided many details about the subject of the movie, even down to specific conversations, the general tone of the meeting, and other details. In particular, it's worth noting that a good bit of the dialogue in the movie is lifted verbatim from relevant memos and speeches by Nazi officials that were preserved, are part of the historical record, and cited by numerous sources. Many specific locutions used by the men in the movie can be found as cited, for instance, in Gitta Sereny's book "Albert Speer: His Battle with Truth" as well as other sources. The single-page, neutered summary of the meeting that survived in the files of the German Foreign Office is far from the only primary source used by the filmmakers.
    • Blooper
      At the beginning of the film, place cards are being made using the traditional Germanic Gothic, or "Fraktur" font. Although the font was initially used by the Nazis, it was claimed in 1941 to be "Judenlettern" (Jewish letters) by Martin Bormann himself, who banned its use. The movie takes place in 1942.
    • Citazioni

      Müller: Perhaps the judge has a special love for them?

      Klopfer: [mutters appreciatively] Yes, yes a special love for them... very good...

      Dr. Wilhelm Stuckart: For whom? For Jews? Wonderful, you don't have my credentials. Forgive me, from your uniform I can infer that you're shallow, ignorant and naive about the Jews. Your line, what the party rants on about is how inferior they are, some-some-some sub-species, and I keep saying how wrong that is! They are sublimely clever. And they are intelligent as well. My indictments to that race are stronger and heavier because they are real, not uneducated ideology. They are arrogant and self-obsessed and calculating and reject the Christ and I will not have them pollute German blood!

      General Reinhard Heydrich: [tries to calm Stuckart down] Please, Doctor...

      Dr. Wilhelm Stuckart: He doesn't understand! And neither do his people. Deal with the reality of the Jew and the world will applaud us. Treat them as imaginary phantoms, evil in human fantasies, and the world would have justified contempt for us! To kill them casually without regard for the law martyrs them, which will be their victory! Sterilization recognizes them as a part of our species but prevents them from being a part of our race. They'll disappear soon enough. And we will have acted in defense of our race and of our species and by the law! This fellow mentioned the law for the protection of German blood, *I wrote that law*! When you have my credentials then we'll talk about who loves the Jews and who hates them. Pigs don't know how to hate. I know, too, that when it comes to the half-mixed, that to kill them abandons that half of their blood which is German.

      Klopfer: I'll remember you.

      Dr. Wilhelm Stuckart: You should. I'm very well known.

    • Connessioni
      Featured in The 53rd Annual Primetime Emmy Awards (2001)
    • Colonne sonore
      String Quintet in C Major', D.956: Adagio
      Written by Franz Schubert

      Performed by Ensemble Villa Musica

      courtesy of Naxos of America

      by arrangement with Source Q

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    Dettagli

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    • Data di uscita
      • 19 maggio 2001 (Stati Uniti)
    • Paesi di origine
      • Stati Uniti
      • Regno Unito
    • Lingue
      • Inglese
      • Tedesco
      • Latino
    • Celebre anche come
      • Conspiracy
    • Luoghi delle riprese
      • Haus der Wannsee-Konferenz, Am Grossen Wannsee 56-58, Zehlendorf, Berlino, Germania(Conference Building)
    • Aziende produttrici
      • HBO Films
      • British Broadcasting Corporation (BBC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 36min(96 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.78 : 1

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