Ambientato in un futuro prossimo, il governo giapponese emana la rivoluzionaria legge dal nome "Battle Royale" per la quale gli studenti di una classe delle superiori sono costretti ad uccid... Leggi tuttoAmbientato in un futuro prossimo, il governo giapponese emana la rivoluzionaria legge dal nome "Battle Royale" per la quale gli studenti di una classe delle superiori sono costretti ad uccidersi l'uno con l'altro.Ambientato in un futuro prossimo, il governo giapponese emana la rivoluzionaria legge dal nome "Battle Royale" per la quale gli studenti di una classe delle superiori sono costretti ad uccidersi l'uno con l'altro.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 8 candidature totali
Recensioni in evidenza
The film is set in Japan and is in Japanese (and if you do come across a dubbed version, dispose of it immediately because it's only worth it to watch the original). It's hard to classify this film, as despite the extreme violence in it, it isn't action and despite its nightmarish feel, it isn't horror. It's just in between. There are many themes to this story; from to trust to complete selfishness (killing your best friend to save your own life) to suicide to disloyalty, and the list goes on.
The actors in Battle Royale were amazing. It is rare to find young talents like these, for instance, in Hollywood. These actors were by far the best young actors I have seen in all my life (though most of them weren't as young as their characters were). Tatsuya Fujiwara plays the main character, Shuya, a young man who is struck by tragedy when he becomes an orphan. All he has now is his best friend and the girl with whom he is madly in love. Fujiwara did a great job of transmitting the feel of despair that one would probably feel if he/she were to see his best friend die before their eyes, or to have to see classmates killing each other and then to portray that never-ending trust that two lovers share. The other actors all did a generally good job as well.
The first actor I'd like to criticize is Taro Yamamoto, who played the compassionate Shougo Kawada, who helps the protagonist and his girlfriend as the game of Battle Royale goes on. I thought that Yamamoto overplayed the character's casualty and I didn't feel as attached to him watching the movie as I did reading the comic book. The other actor I thought did a terrible job relative to the other actors was Masanobu Ando, who played the haunting character Kazuo Kiriyama, who basically seemed immune to everything. While reading the book, that guy really creeped the sh*t out of me. But in the movie, he just basically did the "undercover" thing and sort of leaped from place to place and tortured and killed people and that was it. You didn't feel anything, and in my opinion, that character was one of the most important so it was pretty disappointing. But putting those two aside, the acting WAS splendid, just as the directing of (sci-fi/Japanese gangster movie director) Kinji Fukasaku was.
I thought that the story was very haunting and compelling, and that you should read the novel or the comic book before watching the movie because just the use of your imagination and attachment to the characters while reading the books is so much more real. I really enjoyed the movie too, though, and would recommend it to anyone who has the stomach for constant shootings, hangings, blowing-up, abandoned corpses and a lot of blood squirting everywhere.
And so if it fits the shoe, rent it out. You probably won't regret it.
Battle Royale presents one of the most engrossing and utterly terrifying premises I've ever heard. Take a large class of teenage Japanese students, place them on an island, and force them to kill each other for three straight days until only one student is left standing. Simultaneously, I also realized such a premise would indeed result in an outlandish film that probably couldn't excel as anything other than a relentless thriller or over-the-top satire. Battle Royale aims for both and hits its marks fairly well, for the most part.
To elaborate a bit further on the plot, there are about a total of forty Japanese students on this island. Each has an explosive collar around his or her neck, their incentive to stay in a certain vicinity. They have also been randomly given duffel bags packed with survival items. Some have guns, some have knives, others get binoculars and pot pans, etc. The movie's main focus is on Shuya and Noriko (boy and girl), two close schoolmates who firmly decide not to kill anyone, but must find a way off the island.
The reasons for why the students are forced to participate are a bit murky. Apparently, this is part of a new bill that was passed by the Japanese government, the reasons being the decay of the school systems and the rising juvenile delinquency. The question you have to ask yourself before you watch the film is whether or not you believe circumstances could get so out of hand as to lawfully force teens to kill one another.
Personally, I view it as an over-the-top, but intriguing premise. There are lots of movies that defy "reality," but if the film paints its portrait compellingly, I see no reason why I shouldn't go along for the ride. Primarily, it appears Battle Royale wants to work as a thriller, which it does. The pacing is akin to a roller-coaster, packed with non-stop bursts of bloody violence with well-staged shootouts and fight scenes. While the film's momentum flags here and there, the suspense does build to a crescendo; this is one movie where we truly wonder how it's going to end.
And because it works as a thriller, I give it a moderate recommendation. But it works as little else. Even for this premise, the plot is a bit contrived, with each character having a soap opera-ish background that conveniently lays the groundwork for the violence to reign supreme. Aside from the leads (especially Taro Yamamoto as an older and enigmatic "competitor"), virtually everyone else is a nobody, either clichéd or stereotypical in presentation.
The film's attempts at dark humor are what I found most irksome. As we witness our protagonists struggling for survival, the filmmakers then cut to headmaster Kitano (playing a jaded and psychotic schoolteacher), whose nonchalant behavior will either result in chuckles or baffling expressions. Count me as part of the latter. I enjoy gallows humor, but it doesn't feel appropriate here, no matter how ridiculous the situation may be, and most importantly because the rest of the film is taken very damn seriously.
Equal parts disturbing and viscerally thrilling, Battle Royale doesn't offer anything in the way of good, clean fun. But exploitation buffs and action fans (with stronger constitutions) will get a kick out of it. The film's growing cult status is unsurprising, and in its own way, actually fairly well deserved.
The premise of the movie is that, due to escalating violence in schools, a law is passed which allows the military, or some kind of militia, to take one troubled class and turn them all loose on an island with the object of killing each other until one is standing. They have 3 days to complete their objective or they all die.
As the game begins, every 6 hours there is an update on which classmates were killed and how many were left. These updates also alert the students to danger zones, which are just places you do not want to be when the time comes. The students are all issued a survival pack and a random weapon as well. Some weapons are horrible and useless and some would be great to have in a situation of this kind.
The main characters are Shuya Nanahara (Tatsuya Fujiwara) & Noriko Nakagawa (Aki Maeda) who are close friends and refuse to kill each other. The game is also somewhat rigged with the addition of two "ringers". One of whom plays for fun, another who has another reason. Basically, one good and one evil. The good one is named Shougo Kawada (Taro Yamamoto) and helps the students who he does not find a threat. Also, Chiaki Kuriyama (Gogo Yubari from Kill Bill) puts in an amazing performance. I can see why Quentin Tarantino chose her for his movie based on this part here.
Overall, I really liked this movie - violence, action, humor and all with very few complaints or annoyances. I can recommend this movie with a clear conscience. 8.5/10
Highly disturbing. Rated R-15 (forbidden to under 15), very, very violent, but nonetheless interesting.
Lo sapevi?
- QuizMany members of the Japanese Parliament tried to get the novel banned, but to no avail. When the film was released, they attempted to ban it also. Both efforts resulted in the novel and film becoming even more successful as people bought the book and went to the movie to see what the fuss was all about.
- BlooperWhen characters stab or shoot each other through clothing, there are bloodstains but no holes where the bullets or knives go through.
- Citazioni
[Shougo has just finished bandaging Noriko's leg]
Shuya: You know a lot about medicine.
Shougo Kawada: Well, my father was a doctor.
[a few minutes later, Shougo serves Noriko and Shuya food]
Noriko Nakagawa: Wow! This is pretty good!
Shougo Kawada: It should be. My father was a chef.
[later, After escaping the island]
Shuya: You even know how to drive a boat?
Shougo Kawada: Hey, my father was a fisherman.
- Curiosità sui creditiAs the credits roll, a class picture is displayed, showing all of the students that have been killed in the Battle Royale, including the two transfer students.
- Versioni alternativeThe Special Version includes the following:
- Redone opening titles
- Redone sound effects
- Added CGI blood to make the shootouts more graphic Also, many shots were added, deleted, reedited, and extended for pacing and clarity purposes, including the following:
- A longer basketball sequence
- Added reaction shots of the kids in the classroom to Kitano's "Do you know this law" question, and after Kuninobu's death.
- A flashback shot of Mizuho and Inada and Kaori Minami to remind us of who they were when we see their bodies.
- Closer shots of Takiguchi and Hatagami's corpses
- An additional shot of Nanahara weeping at the top of the lighthouse
- Additional shots of postcards from Mimura's uncle
- Kitano shutting down power to the computers and ordering the soldiers to reboot after the Third Man attack
- A scene with Mitsuko as a 9-year-old coming home to find a pedophile in her house.
- An additional shot of Mimura triggering the explosives on the truck
- Requiems that show the real flashbacks, and we hear the dialog during Noriko's dream.
- ConnessioniFeatured in Japanorama: Episodio #1.2 (2002)
- Colonne sonoreShizuka na hibi no kaidan wo
(Stairway of Quiet Everyday Life)
Performed by Dragon Ash
Courtesy of Victor Entertainment, Inc.
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Dettagli
Botteghino
- Budget
- 4.500.000 USD (previsto)
- Lordo in tutto il mondo
- 1.344.513 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni