La ragazza della porta accanto

This is an enjoyable yet ultimately forgettable film. The "boy rescues cute girl from terrible life" plot has been done many times before, no doubt in many better ways. Emile Hirsch performs passably well with the material he is given, and the luscious Elisha Cuthbert provides plenty of eye candy that she could not show in 24. The rest of the characters are one-dimensional and barely worthy of mention. But the show belongs to Timothy Olyphant. Although he does not even appear until halfway through the film, his role makes the entire movie worth watching again. He screen presence is palpable as the ultra-cool bad boy that every man secretly wishes to be. Scruffy, chain-smoking, alternately funny, friendly then dangerous, he owns every scene in which he appears. Seeing this film makes one that much more anxious for the next season of JUSTIFIED to begin!

THE GIRL NEXT DOOR, Luke Greenfield's sexy yet sweet teen angst flick, owes a lot to both the RISKY BUSINESS premise (HS Senior, his goal a prestigious college, has his life turned 'upside-down' by world-wise 'Pro'), and the internal structure of John Hughes' 80's teen 'classics' (geeky hero, and his two geekier friends, gain acceptance and prestige through his relationship with a 'dream girl').

Close your eyes, and you could easily picture the young Anthony Michael Hall or John Cusack filling Emile Hirsch's role, with Rebecca De Mornay or Kelly Preston replacing Elisha Cuthbert as his ex-porn star girlfriend. THE GIRL NEXT DOOR, however, actually works quite well, thanks to Greenfield's 'tongue-in-cheek' approach to the naughtiness, and a flawless supporting cast, particularly Timothy Olyphant as a likable but ultimately ruthless porn producer, and Timothy Bottoms and Donna Bullock, as Hirsch's clueless but blindly supportive parents.

Emile Hirsch shows a propensity towards 'soulfully earnest' expressions, but does provide one of the film's funniest scenes, as, while high on Ecstasy, he attempts to navigate through a crowd awaiting his speech on 'high moral fiber'. While some critics tended to brush off Elisha Cuthbert's performance as just another skin-baring 'boy toy' variation, she actually conveys the vulnerability and pain of her character's past quite effectively, balancing it with sly humor and a LOT of 'sex appeal', done within the restraints of her "No Nudity" contract clause...Sorry, guys, while you'll see a LOT of her skin, you AREN'T going to see Elisha 'bare all'...

The film is a very funny, breezy lark, and while it never achieves the heights of insanity of RISKY BUSINESS, it certainly stands as one of the better 'teen' comedies of the past few years!

I did not see this movie in theaters. I usually wait for teen films to come out on video before viewing them. I must say, the way this movie was marketed, one would figure that this flick is along the lines of such classics as Bring It On and Can't Hardly Wait. Though this movie definitely is now part of the illustrious teen film library, it runs a little bit deeper than the average adolescent flick.

As the title suggest, this movie does have Risky Business written all over it. The characters (the pimp vs the adult film director) the props (glass egg vs the golden "trophy") as well as the music and language definitely give this film an updated twist on RB. However, it would be erroneous to write this film off as a rip-off, it just isn't afraid to show it's influence.

Emile Hirsch is great as Matthew Kidman, the ambitious high school senior (who actually looks like he's in high school) with an Ivy League future. Straight and narrow, his life is spun on it's head once Danielle (Elisha Cuthbert) enters the picture. Cuthbert, playing a free-spirited porn star, actually gives a rather understated performance that is sincere and sweet. Matthew's once planned out life is now lived more on the edge, and with that, he encounters some interesting characters, such as Kelly, the shady porn director, played flawlessly by Timothy Olyphant.

However, as the film progresses, the movie didn't delve as deeply into Cuthbert's character as it should have. No insight into her background, how did she get to where she is right now, etc. She also takes a back seat to the growing tension between the Matthew and the sleazebag Kelly. I must say, Olyphant is great in this film. He goes from being hilarious to charming to scary in the span of about five minutes and steals almost every scene he's in. The other supporting characters are great. Chris Marquette (Eli) and Paul Dano (Klitz) are funny as Hirsch's dorky friends, and hopefully Marquette will land more roles like this. They too seem to become more adventurous once Danielle enters the picture, what an influence one person can have.

So in the end, this does have a lot of the typical teen flick campiness. There are jocks, hot chicks on campus, geeks, and the movie itself has plenty of swearing, bathroom humor, slapstick, you name it. There is a sweetness to the movie, as it's amazing what a person will do when they fall in love. This movie has plenty of twists and turns, so come along for the ride and have some fun.

Responsibility for "The Girl Next Door"'s poor performance at the US box office - as well as over here - can be laid firmly at the feet of Twentieth Century Fox's marketing people; the tagline "Matt never saw her coming - but all his friends had!" made it seem like a full-on sex comedy, when it's actually a lot more than that; director Luke Greenfield and writers Stuart Blumberg, David T. Wagner and Brent Goldberg put more emphasis on the characters than the raunch, which makes all the difference. There's more to the movie than the sight of Elisha Cuthbert in a thong (in interviews she revealed that it is indeed her there... if not elsewhere in the movie).

The debt this movie owes to "Risky Business" - starting with the score by ex-Tangerine Dream member Paul Haslinger (Tangerine Dream scored "Risky Business") - is pretty clear; both movies have bright but slightly life-challenged graduate students given to fantasising about things that go wrong as their main characters (step forward Emile Hirsch as the sympathetic hero), both have sex-obsessed best friends, both have women in the sex business as the main female characters who come into the hero's uptight life and help to liberate him, and both have sleazy male bosses (Timothy Olyphant plays the Guido equivalent). The movie also has the same mostly restrained view of its story where other movies would have played up the farce aspects - the only real hi-jinks come when the movie's plot takes in the Adult Film Convention in Las Vegas - but "The Girl Next Door" is a lot more engaging and has a lot more heart than "Risky Business" (good though that movie is, charm is not its strong point), with the title character seen as more of a person than a masturbatory object both by our hero and by the movie. When she goes with a motel with him and starts to play up The Porn Star, you really hope they don't go through with it.

The mood set up in the early stages is so convincing that when Olyphant's porn producer character turns up the movie seems to turn into another one entirely (and if you go to see this because of Elisha's "one for the men" status, I must warn you that she spends alarming amounts of time off-screen); it's still a good one, but it damages the overall movie's tone, and for most of the rest of the movie it veers back and forth between sweet and sleazy... but the amazing thing is that "The Girl Next Door" actually manages to find a happy balance of the two by the time the prom climax arrives (with more echoes of "Risky Business" en route, for sure).

True, there's no actual sex seen and little nudity, but the cast works so well and the movie's so sincere that by the end it doesn't seem like a ripoff. With good use of songs blending with the score, well-done fantasy sequences, and a welcome dose of intelligence in its writing, "The Girl Next Door" is probably the most adorable movie to get an R rating since "Pretty Woman," and well worth seeing even if you don't have a thing for Kim off "24." But this isn't for the "Daily Sport" crowd. Which is their loss.

"The juice was worth the squeeze."

I went in for what I thought would be the typical teen rom-com of the early 2000s, with the usual pattern (common to many movies actually): 1. Protagonist isn't satisficed with their situation 2. Something unexpected happens and things are starting to get better 3. When things are good they start falling apart, culminating with a real bad thing leaving them worst off than when they started but 4. In the last act they figure out what went wrong and fix everything; happy ending. That movie went through that cycle twice when I realized I was only halfway through and I really didn't know where they were going with it, which was refreshing. The story is fairly original, and the actors are all doing a decent job. Fun, entertaining, and original; recommended!