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Black Hawk Down - Black Hawk abbattuto

Titolo originale: Black Hawk Down
  • 2001
  • VM14
  • 2h 24min
VALUTAZIONE IMDb
7,7/10
441.980
LA TUA VALUTAZIONE
POPOLARITÀ
737
74
Black Hawk Down - Black Hawk abbattuto (2001)
Trailer for Black Hawk Down
Riproduci trailer2: 30
19 video
99+ foto
Action EpicDocudramaEpicHistorical EpicTragedyWar EpicActionDramaHistoryWar

Soldati americani vengono inviati in Somalia per catturare criminali di guerra, ma vengono attaccati da una forza locale ben più numerosa e il suo elicottero è abbattuto.Soldati americani vengono inviati in Somalia per catturare criminali di guerra, ma vengono attaccati da una forza locale ben più numerosa e il suo elicottero è abbattuto.Soldati americani vengono inviati in Somalia per catturare criminali di guerra, ma vengono attaccati da una forza locale ben più numerosa e il suo elicottero è abbattuto.

  • Regia
    • Ridley Scott
  • Sceneggiatura
    • Mark Bowden
    • Ken Nolan
  • Star
    • Josh Hartnett
    • Ewan McGregor
    • Tom Sizemore
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    441.980
    LA TUA VALUTAZIONE
    POPOLARITÀ
    737
    74
    • Regia
      • Ridley Scott
    • Sceneggiatura
      • Mark Bowden
      • Ken Nolan
    • Star
      • Josh Hartnett
      • Ewan McGregor
      • Tom Sizemore
    • 1.2KRecensioni degli utenti
    • 227Recensioni della critica
    • 74Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 2 Oscar
      • 11 vittorie e 37 candidature totali

    Video19

    Black Hawk Down
    Trailer 2:30
    Black Hawk Down
    Black Hawk Down
    Trailer 1:23
    Black Hawk Down
    Black Hawk Down
    Trailer 1:23
    Black Hawk Down
    Black Hawk Down
    Trailer 2:22
    Black Hawk Down
    A Guide to the Films of Ridley Scott
    Clip 1:40
    A Guide to the Films of Ridley Scott
    Black Hawk Down Scene: He's An Idealist
    Clip 0:51
    Black Hawk Down Scene: He's An Idealist
    Black Hawk Down Scene: I Hear Bells Ringing
    Clip 0:31
    Black Hawk Down Scene: I Hear Bells Ringing

    Foto227

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 221
    Visualizza poster

    Interpreti principali56

    Modifica
    Josh Hartnett
    Josh Hartnett
    • Eversmann
    Ewan McGregor
    Ewan McGregor
    • Grimes
    Tom Sizemore
    Tom Sizemore
    • McKnight
    Eric Bana
    Eric Bana
    • Hoot
    William Fichtner
    William Fichtner
    • Sanderson
    Ewen Bremner
    Ewen Bremner
    • Nelson
    Sam Shepard
    Sam Shepard
    • Garrison
    Gabriel Casseus
    Gabriel Casseus
    • Kurth
    Kim Coates
    Kim Coates
    • Wex
    Hugh Dancy
    Hugh Dancy
    • Schmid
    Ron Eldard
    Ron Eldard
    • Durant
    Ioan Gruffudd
    Ioan Gruffudd
    • Beales
    Tom Guiry
    Tom Guiry
    • Yurek
    • (as Thomas Guiry)
    Charlie Hofheimer
    Charlie Hofheimer
    • Smith
    Danny Hoch
    Danny Hoch
    • Pilla
    Jason Isaacs
    Jason Isaacs
    • Steele
    Zeljko Ivanek
    Zeljko Ivanek
    • Harrell
    Glenn Morshower
    Glenn Morshower
    • Matthews
    • Regia
      • Ridley Scott
    • Sceneggiatura
      • Mark Bowden
      • Ken Nolan
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1.2K

    7,7441.9K
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    Riepilogo

    Reviewers say 'Black Hawk Down' is lauded for its intense action, realistic war portrayal, and strong performances by Josh Hartnett and Tom Sizemore. Ridley Scott's direction and Hans Zimmer's score receive acclaim. Criticisms include lack of character depth, historical inaccuracies, and pro-American bias. Some find it overly violent, while others appreciate its raw depiction of the Battle of Mogadishu. The portrayal of Somalis and omission of political context are contentious. Despite flaws, many consider it a gripping war film.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    kingtanichi

    We were soldiers AND made a great film...

    Black Hawk Down is first and foremost an immensely effective war film, but beyond that, its one of the most subtly differently made war films ever. Most war films usually either have a single hero through whom we see everything (i.e. Platoon), or present us with a squad of soldiers, all of whom are identifiable "types" (i.e. Saving Private Ryan). Black Hawk Down takes a different approach, instead giving us a very wide array of characters, none clearly singled out as a hero or type to command the audience's attention. The general effect is to create that feeling of a team army that George C. Scott so ardently expounded to us at the start of Patton. Furthering this feel of military professionalism, the film never cheapens itself by putting too much emotional weight into one moment. The plot moves ahead at a constant pace, cutting from location to location, without slowing down to focus too much on individual soldiers. The effect is of watching documentary footage of a real military operation gone wrong. While the effect of this scripting approach may produce some detachment among viewers on the first viewing, it makes the film all the better on subsequent viewings.

    And you'd better believe there will be subsequent viewings, because Ridley Scott has created one of cinema's all-time great pieces of eye candy here. The editing, cinematography, grading, scoring and visual effects all combine to leave a viewer just as drained upon leaving the theatre as these soldiers were on leaving Mogadishu. The intensity of this film's combat is easily equal to Saving Private Ryan, and leaves such pretenders as We Were Soldiers behind in the dust. Black Hawk Down lacks the former's emotional resonance, but unlike the latter, it thrives on the fact, creating a final product as mind-challenging in its construction as it is mind-blowing its visualization.
    8DesbUK

    A very American war story directed by an Englishman

    I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.

    Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.
    8ratnajit101

    Excellent War Movie (very realistic and true account of War)

    I have seen many War movies and I am myself a very die hard Military Technology Enthusiast but I have hardly seen any movie which is as correct as this one. This movie simply gives you the feel of the actual action which went on during this battle.

    Everything from the way the soldiers moved, took their position, fired from covered positions, gave covering fire to each other, the use of Explosives including grenade and the way they captured strategic places even without much help from Air Force gave a true and absolutely realistic view of Real Time Urban Combat. It shows that Humvees are not impenetrable and the Soldier manning the machine gun post is extremely vulnerable from Roof Top Fire. Again the way Small Arms like the LMG & UMG were used were impressive and the tactics used by Special Forces to fend off attackers and secure the perimeter was true to all my knowledge.

    I appreciate the Director and actors to carry out this War Movie with such accuracy. If you are a Defence Enthusist this movie is must watch and if not then too one must watch it to understand is WAR is nothing less then HELL.

    Since this based on true incident let's pay respect to those who sacrificed their lives and salute those who have lived another day to fight.
    shea_bennett

    Outstanding

    When you break it down and look at it both honestly and cynically (assuming that that is possible for a minute), there are really only two kinds of war movie: pro and con. The underlying theme of virtually every war movie - particularly since APOCALYPSE NOW - generally comes down to an analysis of the 'value' of war, of its worth. It's pointlessness, or its need. Is the action of battle warranted because of the attempt to find peace, or is war never justifiable, no matter what the intention?

    Pro or con?

    What is interesting is that since the Second World War, this underlying message that is found in nearly all war pictures has slowly changed from the former to the latter. This again is generally shaped in two ways. Either we see the play-by-play results following the issuance of what appears to be a bizarre and foolhardy set of orders from high command (i.e., APOCALYPSE NOW or SAVING PRIVATE RYAN). Or we get a glimpse of being right in the action as it all falls apart: hearing the bullets whizzing past our noses, reeling from the impact of RPG's and gazing blankly as the bodies begin to mount (PLATOON, say). BLACK HAWK DOWN, directed by Ridley Scott and accurately following the true story of the best-selling book by Mark Bowden, very much adopts the latter perspective.

    On October 3, 1993, a small unit of U.S. Army Rangers and Delta Force troops were dropped by helicopter into hostile territory in Mogadishu, Somalia, with what is perceived to be a straightforward mission: the capture of two lieutenants of the Somali warlord, General Aidid. The unit is under command from Major William Garrison (Sam Shepard), and headed by Staff Sergeant Matt Eversmann (Josh Hartnett) in his first direct experience of frontline leadership. He also has a personal goal - to ensure everyone comes back alive.

    Yet, these things are never as easy as they appear - hence the development of the book and the film - and when 18-year old frontline rookie Todd Blackbird is injured early on, the entire mission begins to fall apart. More U.S. troops are injured, and when Somalis down two Black Hawk helicopters, the mission changes completely: it's now a rescue operation.

    And for about ninety minutes, you are subjected to some of the most intense, disturbing, graphic, violent and chilling pieces of conflict representation that you will ever see. Remember the Omaha Beach scene in SAVING PRIVATE RYAN? That was about half an hour long. Think of something three times that length, yet more 'realistic' and with (thankfully) no flag-waving. That is the gist of BLACK HAWK DOWN.

    Ultimately, one hundred-and-twenty-three U.S. troops were involved in the Mogadishu conflict. Nineteen were killed, and one thousand Somalis also perished.

    Unlike RYAN, BLACK HAWK DOWN doesn't build up a core group of characters, focusing on their emotional makeup and depth. No. Instead, we barely know our 'heroes', with very little time devoted to each characters motivation or purpose. And this is a good thing. At first, you find yourself a little bewildered by the sizeable cast, and this isn't helped by the many distant POV scenes that found this reviewer wondering just who he was seeing living and dying. But surely that is an important and crucial element of war - you're involved in these suicidal missions with men you barely know. You don't have time to share your life-stories. You may have only met that week, that day, or within the last hour. And then it's full on.

    We get snippets of character data: Eversmann's entire focus is on not letting the team down; Specialist Danny Grimes (Ewan McGregor), for so long tied to his desk simply because he excelled at typing; and Delta Sergeant 'Hoot' Hooten (Tom Sizemore, soon to be playing Bruce Banner in THE HULK), wise despite his years, somehow making more sense of the nonsense than anyone else.

    But any characterisation is underplayed and to the point, which is how it should be. The fresh-facedness and naivety of the troops is key to the success of the film, and of the emotional impact therein. As the errors and bodies mount, we get to see the horror of the conflict - the carnage and devastation, relentlessness and never-ending waves of Somali forces - directly through the eyes of the U.S. Rangers and Delta Force squad. I was somewhat stunned by the impact of the movie, both in the way the action grips you and shakes you violently until you want to let go, and in the occasional and very touching soft moments. Indeed, the action is so intense that I found myself at times glazing over, thinking of something else, and with hindsight I put this down to some kind of need for an emotional release; certainly, I cannot fault the film in that sense. It was simply a case of 'too much.'

    Throughout the movie both the acting and direction are superb; Ridley Scott has an eye for detail and filmography that is probably unmatched. Even his lesser efforts like HANNIBAL are beautifully shot. And BLACK HAWK DOWN is one of his best efforts to date.

    The musical score is also superb, and I was encouraged to hear the Stone Temple Pilot's CREEP near the beginning of the flick. I believe this is the first time I have heard a STP song in any movie.

    What is also very welcome is the lack of U.S. nationalism in this picture. Of America saving the day. Unlike, say, brother Tony Scott's TOP GUN - which yes, was making a different point entirely (i.e., let's make some money and recruit some boys to the Navy at the same time) - this isn't about the might of the U.S. There is no wake-leaving in BLACK HAWK DOWN. Real people made mistakes, and real people died.

    Speaking of Tony Scott, however, my only minor quibble was Sam Shepard's performance. He was probably in the wrong movie, as all his mannerisms (especially the way he took off his sunglasses in that quick-draw kind of way that stereotypical military types always seem to do) appeared to me to come straight out of TOP GUN. He was a little too 'bleh' for my tastes. For all I know William Garrison could have been exactly like that, but it still seemed a little Hollywood.

    I also wasn't completely comfortable as to how the Somalis were portrayed; this movie wasn't really about good versus bad in my opinion, but on the face of it the U.S. are the bad guys here. At least inasmuch as they were at fault. Comparisons are made with Vietnam both in the unnecessary involvement of the U.S. in the Somali civil war, and in the end credits of the film where we learn that the Medal of Honour was awarded to two U.S. soldiers for the first time since the Vietnam conflict. Yet, throughout the film the Somali are seen in only two ways - either a relentless force of bloodthirsty killers, or a simple people trying to stay out of the way. Now yes, this may be what it really was like - I cannot say because I wasn't there - but the overall message didn't fit well with me. They seemed too one-dimensional, a bit TOO bloodthirsty, and that left a bitter taste.

    Also as mentioned above the film is often confusing during the extended battle scene, and warrants more than one view. As the blood and dirt begins to pile, you will find yourself wondering who you are looking at, particularly when the perspective is on several soldiers from a distance. But that can be forgiven. This isn't PREDATOR, and while that film is outstanding as a piece of science fiction, it made a great effort to separate the marines so that the viewer would have an easy time following each one.

    That, of course, isn't real life, and BLACK HAWK DOWN is, perhaps, as close as we've come yet to an accurate capture of the true feel of war.

    Rating: **** 1/2 (out of five)
    8Theo Robertson

    It`s An Account , Not A Statement

    I vividly remembered the news reports in October 1993 of the body of an American serviceman being dragged through the streets of Mogadishu following the battle there . A couple of years later my interest of the battle was rekindled by an edition of the BBC`s excellent history show TIMEWATCH that spoke to the survivors of " The biggest firefight involving American troops since Vietnam " , so when Mark Bowden released his book BLACK HAWK DOWN I opened the first page and found myself unable to put it down , and when I heard Ridley Scott was going to bring Bowden`s book to the big screen I was looking forward to seeing it

    I did enjoy the movie and have to take issue with some of the comments raised . First of all people complain about events and incidents being changed , I know how you feel but with any adaptation there`s bound to be bits condensed , the only real criticisms that can justified is that this film version totally negates the Somali point of view ( For those of you who haven`t read the book Mark Bowden writes his account in a similar subjective manner Corneilus Ryan wrote his trilogy - two of which THE LONGEST DAY and A BRIDGE TOO FAR were made into blockbuster movies - dealing with the last months of the war in Europe ) but Bowden`s book is an account of the battle of Mogadishu , that`s what it is - An account that doesn`t really concern itself with wider issues like politics or anti-war sentiment , so it seems churlish to complain about concepts like character development because that`s not what the story is about . I`ve also heard teenage girls complain that Orlando Bloom doesn`t get enough screen time and that they found it too violent . I`m sorry to hear that girls , hopefully next time you go to the cinema you might like to find out what you`re letting yourself in for . As for the rest of the screenplay it is accurate right down to the friction between the Deltas and the Rangers and the fact the Americans were actually rescued by a UN force composed of Malaysians and Pakistanis

    Ridley Scott rightly deserved an Oscar nomination with BHD . It`s his movie and he surpasses anything Spielberg achieved with the overrated SAVING PRIVATE RYAN . War is hell and this is a film of stark and haunting imagery of victims of famine , of mutilated soldiers and civilians . Both editing and cinematography are superb with many great scenes like the small stream of American soldiers walking up the street while on the other side of the houses a massive torrent of armed militiamen are walking in the same direction . My only real complaints of what`s on screen is Ewan McGregor`s awful American accent ( It`s especially so when you stop to consider that most of the cast aren`t played by American actors )and Hans Zimmer score resembles that of most of his other movies , but I shouldn`t nitpick because I found this Scott`s best film alongside GLADIATOR

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Some of the radio chatter in the film was taken from actual radio transmissions made during the battle.
    • Blooper
      When a Ranger throws out a frag grenade, Sgt. Eversman warns his men by yelling "Grenade!" Proper designation would be to yell "Frag out!" as yelling "Grenade!" warns the men of an incoming grenade, not an outgoing one.
    • Citazioni

      "Hoot": When I go home people'll ask me, "Hey Hoot, why do you do it man? What, you some kinda war junkie?" You know what I'll say? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you, and that's it. That's all it is.

    • Curiosità sui crediti
      The film begins with the words "Based on an Actual Event", followed by the quote from Plato, which leads into the informative prologue with the scenes set in Somalia, East Africa, 1992. The prologue ends with the opening title.
    • Versioni alternative
      A longer version of the scene where Sanderson inspects Grime's foot was filmed, but cut. Sanderson finds a piece of shrapnel lodged in Grime's foot, but he didn't feel it cause it cauterized on impact.
    • Connessioni
      Edited into G.I. Joe - La nascita dei Cobra (2009)
    • Colonne sonore
      Tall King Dub
      Written by Raz Mesinai

      Performed by Badawi

      Courtesy of Reachout International Records, Inc. (R.O.I.R.)

      By arrangement with Ocean Park Music Group

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    Domande frequenti28

    • How long is Black Hawk Down?Powered by Alexa
    • Is Grimes a fictional character?
    • Couldn't the Humvees just crash through the roadblocks the Somalis set up?
    • Is this film historically accurate?

    Dettagli

    Modifica
    • Data di uscita
      • 8 febbraio 2002 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Regno Unito
    • Siti ufficiali
      • Official Facebook
      • Sony Pictures (United States)
    • Lingue
      • Inglese
      • Somalo
      • Arabo
    • Celebre anche come
      • La caída del halcón negro
    • Luoghi delle riprese
      • Sidi Moussa, Rabat, Marocco
    • Aziende produttrici
      • Revolution Studios
      • Jerry Bruckheimer Films
      • Scott Free Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 92.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 108.638.745 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 179.823 USD
      • 30 dic 2001
    • Lordo in tutto il mondo
      • 172.989.651 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 24 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • Dolby Atmos
    • Proporzioni
      • 2.39 : 1

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