Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 3 candidature totali
Recensioni in evidenza
Basically what I have to say, trying to avoid spoilers, is that the script (more specifically the dialogues) and the work of the actors are really incredible, two very talented actresses and little known to me until then, the direction is very competent, the soundtrack is quite pleasant, only the story itself is silly and forgettable, as well as the plot has some flaws and an ending with no guts in my opinion (to say that the ending has no guts is a spoiler?). So, basically, it's a movie that is worthwhile for the pleasantness of the dialogues and scenes and for the work of interpretation than for the inane story itself.
I even went to get more information about the actresses' work after this film, but one of them almost didn't work anymore and the other one only did some second-rate work. I don't know if somehow there was some prejudice with the theme of "Kissing Jessica Stein" that prevented them from taking off professionally, which would be really a shame, because they did a beautiful job here.
Overall a cute movie, 6.5 out of 10.
If the film limited its scope to growth through discovery and self- realization, such that Jessica overcame her neurotic perfectionism and Helen surpassed her hedonism, it would have been a much better movie. Unfortunately, it is far too self-conscious and desultory, like Jessica herself, expecting to accomplish too much while delivering too little, wondering over far too much time, and ending without adequately addressing the relationship issues it began with. Indeed, while it "pretends" to question conventional relationship values, it actually promotes them, after a brief detour which mostly begs the question. No doubt it was intended to provoke, but like Jessica, mostly it's just a tease.
My main complaint with this film is its vapid intellectualism. Quoting famous authors and using lots of fancy (even foreign) words is all good in principle, but when you fail to capture the secular humanism that all great art and literature represent you might as well be reading a McDonald's menu. To illustrate this, Jessica begins the film at a job she hates and with only the memories of a failed relationship. She ends the film in another job she hates and with only the memories of another failed relationship. Where is the personal growth? Why are we watching this? The person that wrote this story seems to believe that simply because one relationship was hetero and the other homosexual, this somehow makes things different. I do not draw such distinctions.
Another thing I did not like about the film was its poor characterizations. The arguments in the film are so trivial that it depends on deep characters to make us believe they are real. I mean anyone that requires literature to get into the act of sex is really missing the point! From a masculine point of view the entire sexual experimentation shown in the film is as bland and uninteresting as the men Jessica is shown dating.
One last comment I would like to make is that the thing this movie does best is bring itself down. Routinely Jessica is told, "You're too obsessed with perfection in others", and that is exactly true for the entire film. She is also told "you're too conservative sexually for this kind of lifestyle", and this is true as well. What I would like to see is some kind change in Jessica to identify with these issues. To use a quote, "we must learn to be happy because of and not in spite of our flaws". Rent Manhattan for a true thinking person's film, and leave this on the shelf.
Lo sapevi?
- QuizThe cab scene where Helen and Jessica talk about blending lipstick was filmed after the filmmakers hailed a cab, paid the driver $20, the director drove, the director of photography was in the front seat and the sound woman climbed in the back trunk.
- BlooperWhen Jessica and her mother are getting their bridesmaids dresses fitted, Helen is upset to learn that Jessica never mentioned her brother's upcoming wedding. But the wedding would surely have been discussed at the Shabbat dinner at the Steins' that Helen attended three months prior.
- Citazioni
Jessica: You don't appreciate the chaos and absurdity of life on this planet. You don't understand irony, or ethnicity, or eccentricity, or poetry, or the simple joy of being a regular at the diner on your block. I love that. You don't drink coffee or alcohol. You don't over eat. You don't cry when you're alone. You don't understand sarcasm. You plod through life in a neat, colorless, caffeine free, dairy free, conflict free way. I'm bold and angry and tortured and tremendous and I notice when someone has changed their hair part, or when someone is wearing two very distinctly different shades of black or when someone changes the natural temperment of their voice on the phone. I don't give out empty praise. I'm not complacent or well-adjusted. I can't spend fifteen minutes breathing and stretching and getting in touch with myself. I can't spend three minutes finishing an article. I check my answering machine nine times every day and I can't sleep at night because I feel that there is so much to do and fix and change in the world, and I wonder every day if I am making a difference and if I will ever express the greatness within me, or if I will remain forever paralyzed by muddled madness inside my head. I've wept on every birthday I've ever had because life is huge and fleeting and I hate certain people and certain shoes and I feel that life is terribly unfair and sometimes beautiful and wonderful and extraordinary but also numbing and horrifying and insurmountable and I hate myself a lot of the time. The rest of the time I adore myself and I adore my life in this city and in this world we live in. This huge and wondrous, bewildering, brilliant, horrible world.
- Curiosità sui creditiFor our parents.
- ConnessioniEdited into Sex at 24 Frames Per Second (2003)
- Colonne sonorePut on a Happy Face
Written by Lee Adams & Charles Strouse
Performed by Blossom Dearie
Courtesy of Strada Music Co. (ASCAP) and Capitol Records
Through arrangement with EMI-Capitol Special Markets
I più visti
- How long is Kissing Jessica Stein?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Seeking Same
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.025.722 USD
- Fine settimana di apertura Stati Uniti e Canada
- 346.999 USD
- 17 mar 2002
- Lordo in tutto il mondo
- 10.013.424 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1