Dagon - La mutazione del male

A man, his girlfriend and their two wealthy friends get caught in a storm off the coast of Spain. The man is forced to go to shore to seek help, but stumbles across a town with a legacy both dark and treacherous.

As I've said before, Stuart Gordon is the undisputed master of H. P. Lovecraft adaptations, this one coming from the short story "Dagon" and one other tale (to flesh it out). He captures the imagery perfectly -- the storms, the fear of the water, the importance of an arcane faith (without making it cheesy) and of course the tentacles.

The acting is quite good, especially from the star (who was also the star of "Dreams in the Witch House")... Ezra Godden, I believe his name is (forgive me if I'm wrong). He plays a much nerdier character than in "Dreams", so much so that I might not have even noticed it was the same actor. The other characters are also good. All of them. The bum, the girlfriend, the townsfolk... I have no complaints.

The scenery was very drab, and I mean that in a good way. It was a dirty, isolated town that really portrayed the feeling of helplessness. I read in another review that Gordon moved the story from New England to Spain to capture this feeling, as modern America really has no such place left. Spain seemed natural, and fit the theme perfectly. Besides, an ancient cult does tend to have more of a "European" rather than "American" flavor to it (unlike witches, which are right at home in America).

I really have to protest about the CGI in this film, though. Some scenes use amateur computer graphics, which come across looking cartoonish. This upsets me any time I see it in a film, but even more so with Stuart Gordon. I have seen what he can do with old fashioned makeup and special effects. I've been impressed. Why has he resorted to this technique? While I would say this is the least of the Gordon-Lovecraft films I've seen, it's still a fine job. It's probably the only film you'll ever watch where you find a fish attractive. Well, besides "The Little Mermaid", of course. Ariel's pretty dang sexy.

Start of the movie is awful. You are greeted with dated CGI and very irritating main characters. Then at 20-30 minutes in, when you already lost almost all hope for this movie to be good, movie surprisingly turns into a thrilling and adrenaline filled survival horror for good half an hour. It's not scary or anything, but it's weird, creepy and even stylish at moments. From there on you are left with last third of the movie which is for sure better than the beginning, but still not what you would necessarily call good. "Dagon" is a movie surely made with love and care for Cthulhu mythos, but it doesn't completely hit the mark. I give it 6.5/10 and I recommend it only to the genre fans and Lovecraft fans, but to the latter I say, don't expect complete faithfulness to Lovecraft's work and style.

I'm not a huge Lovecraft fan. Don't get me wrong, the man was a master - but that's the problem I have with him. He simply wrote too well. His mutant fish fixation has always upset my equilibrium, and his tentacled Monster Gods still give me nightmares. Maybe, as a Pisces, I was subconsciously insulted, I don't know...but I've never sought out either his written works or the films based upon them. So, it was with little enthusiasm that I watched "Dagon" one cold, rainy morning. I wasn't sorry.

This film could probably be easily lost in the deluge of direct-to-video slashers with unimaginative plots and stale gore effects, which is a shame because it is neither stale nor a slasher. Based on a short story (which runs no more than five or six pages, if memory serves me correctly) "Dagon" is a cold, slithery, unnerving tale set in one of those isolated seaside towns that Lovecraft loved so much to write about. A boat accident sends a young couple ashore seeking help for their stranded friends. There have been warnings already, in the shapes of underwater nightmares suffered by the young man; a huge, submerged stone disk, a mermaid with a vampire's mouth, etc. The town's listless inhabitants soon reveal themselves to the terrified young couple - white, slimy gills and fish black eyes make their appearance, and by the time they do, it is too late.

There's a beautiful syren with mesmerizing eyes and an unfortunate case of tentacles, a bloody sacrifice above a stone pit, a sick face-ripping scene, a self-immolation and a twist ending. "Dagon" is hardly a throwaway slasher flick - its a dark, nasty, twisted fairy tale with neither a happy nor an unhappy ending. People with fish phobias probably would do well to steer clear, but this is a very well done little film that deserves better attention.

I was at the same screening the previous fellow was at an it was very obvious to me what kind of film we were seeing. It was a classic B-Movie Horror film with all of the camera movements, dialogue, makeup and effects of a good B-movie. This film does not, at any time, present itself as anything other than being an homage to the B-Movie Genre. The trailer preceding the film, which showed horror film trailers by Mario Bava, were an indication of what we were in store for. It's seems to be so easy for people to completely miss the point. (I am not a regular fan of this genre nor did I know who Mario Bava was so I am not a blind loyalist.) It was a fun film, it was entertaining. Actually, there were some very striking underwater shots.There also were moments that were extremely creepy and there was a lot of value for the budget they had. Good gore. I also know that the director, Stuart Gordon, is a guy who is well aware of what the film is and what its intended audience is. After all, it is very easy to pick friday the 13th or any of these films apart if one wants to appear superior. Is that the point? If you want to see a good horror film in the style of "Night of the Living Dead" and that style of film, "Dagon" is worth renting.

Just watched Stuart Gordon's DAGON. Having enjoyed Gordon's 80's genre outings Re-animator, Bride and From Beyond I was looking forward to this latest opus.

Now the problems I have with the film aren't insurmountable but they do take away some of the enjoyment. Firstly Ash in evil dead was cool, that's a given but the guy in this (Ezra Godden) is like Ash lite and I never really bonded with him as a character basically coz he didn't have any. It starts with a really nice sequence that bodes well for a H.P Lovecraft adaptation but the middle third soon degenerates into a half assed prolonged chase . Now I was starting fidget just a touch but I thought I've paid for this it's got to get better and you know what? It does. WAhhaaay.

Once the Dagon Mythos is shown as back-story Told by an old fisherman in a ridiculously thick accent the Great Old Ones atmos kicks in.

The last third pulls the film up by it's Lapels from mediocrity to pretty damn good. I'll not spoil it but let's just say there's Boobies, Blood, Monsters, and one of the most painful gory protracted deaths I've seen in a long time.

This was like a welcome throwback to the early 80's when Ironic teenagers hadn't yet nudged and winked the credibility out of the genre.