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Prova a prendermi

Titolo originale: Catch Me If You Can
  • 2002
  • T
  • 2h 21min
VALUTAZIONE IMDb
8,1/10
1,2 Mln
LA TUA VALUTAZIONE
POPOLARITÀ
303
38
Leonardo DiCaprio and Tom Hanks in Prova a prendermi (2002)
Theatrical Trailer from Dreamworks
Riproduci trailer2: 32
9 video
99+ foto
Avventura globetrotterBiografiaCapperoCrimineDocudramaDrammaDrammi storiciRaggiungimento della maggiore etàVero crimine

Un veterano agente dell'FBI è alla caccia di Frank Abbagnale Jr., un brillante truffatore che alla sola età di 19 anni ha già falsificato assegni per milioni di dollari ed impersonato con su... Leggi tuttoUn veterano agente dell'FBI è alla caccia di Frank Abbagnale Jr., un brillante truffatore che alla sola età di 19 anni ha già falsificato assegni per milioni di dollari ed impersonato con successo dottori, piloti ed avvocati.Un veterano agente dell'FBI è alla caccia di Frank Abbagnale Jr., un brillante truffatore che alla sola età di 19 anni ha già falsificato assegni per milioni di dollari ed impersonato con successo dottori, piloti ed avvocati.

  • Regia
    • Steven Spielberg
  • Sceneggiatura
    • Frank Abagnale Jr.
    • Stan Redding
    • Jeff Nathanson
  • Star
    • Leonardo DiCaprio
    • Tom Hanks
    • Christopher Walken
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    1,2 Mln
    LA TUA VALUTAZIONE
    POPOLARITÀ
    303
    38
    • Regia
      • Steven Spielberg
    • Sceneggiatura
      • Frank Abagnale Jr.
      • Stan Redding
      • Jeff Nathanson
    • Star
      • Leonardo DiCaprio
      • Tom Hanks
      • Christopher Walken
    • 1.1KRecensioni degli utenti
    • 203Recensioni della critica
    • 75Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #172
    • Candidato a 2 Oscar
      • 16 vittorie e 46 candidature totali

    Video9

    Catch Me If You Can
    Trailer 2:32
    Catch Me If You Can
    Catch Me If You Can: Soundbites
    Clip 2:18
    Catch Me If You Can: Soundbites
    Catch Me If You Can: Soundbites
    Clip 2:18
    Catch Me If You Can: Soundbites
    Catch Me If You Can Scence: Additional Scenes
    Clip 0:35
    Catch Me If You Can Scence: Additional Scenes
    Catch Me If You Can: B-Roll
    Featurette 3:32
    Catch Me If You Can: B-Roll
    Catch Me If You Can: Epk
    Featurette 2:56
    Catch Me If You Can: Epk
    The Evolution of Steven Spielberg
    Video 4:23
    The Evolution of Steven Spielberg

    Foto234

    Visualizza poster
    Visualizza poster
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    Visualizza poster
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    + 228
    Visualizza poster

    Interpreti principali99+

    Modifica
    Leonardo DiCaprio
    Leonardo DiCaprio
    • Frank Abagnale Jr.
    Tom Hanks
    Tom Hanks
    • Carl Hanratty
    Christopher Walken
    Christopher Walken
    • Frank Abagnale
    Martin Sheen
    Martin Sheen
    • Roger Strong
    Nathalie Baye
    Nathalie Baye
    • Paula Abagnale
    Amy Adams
    Amy Adams
    • Brenda Strong
    James Brolin
    James Brolin
    • Jack Barnes
    Brian Howe
    Brian Howe
    • Earl Amdursky
    Frank John Hughes
    Frank John Hughes
    • Tom Fox
    Steve Eastin
    Steve Eastin
    • Paul Morgan
    Chris Ellis
    Chris Ellis
    • Special Agent Witkins
    John Finn
    John Finn
    • Assistant Director Marsh
    Jennifer Garner
    Jennifer Garner
    • Cheryl Ann
    Nancy Lenehan
    Nancy Lenehan
    • Carol Strong
    Ellen Pompeo
    Ellen Pompeo
    • Marci
    Elizabeth Banks
    Elizabeth Banks
    • Lucy
    Guy Thauvette
    Guy Thauvette
    • Warden Garren
    Candice Azzara
    Candice Azzara
    • Darcy
    • Regia
      • Steven Spielberg
    • Sceneggiatura
      • Frank Abagnale Jr.
      • Stan Redding
      • Jeff Nathanson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1.1K

    8,11178.4K
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    Riepilogo

    Reviewers say 'Catch Me If You Can' highlights Steven Spielberg's adept direction and storytelling, effectively blending suspense with humor. The cat-and-mouse chase between Frank Abagnale Jr. and FBI agent Carl Hanratty is well-executed, with dynamic cinematography and immersive period detail. However, some critics find the film's length and certain plot elements exaggerated, impacting believability. Despite this, it is generally regarded as an entertaining, well-crafted piece showcasing Spielberg's narrative skill.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    10jotix100

    Witty con man.

    From the opening credits design we get in the mood of this very entertaining film. They create the tone for what will follow. Steven Spielberg is in rare form directing this movie that doesn't have a dull moment.

    Mr. Spielberg has found a perfect actor to fill the shoes of the con man with the perfect casting of Leonardo DiCaprio. It's very easy to see why all the women fall prey of this charmer. He was a fast talker and a slick operator. He exudes charisma to fill another couple of movies.

    It's a welcome sight to have Mr. DiCaprio working in a vehicle that shows his talent as Frank Abagnale, a man of many faces. He plays a game of hide-and-seek throughout the movie with Hanratty, the FBI agent that is in his trail. Tom Hanks shows great assurance and gusto with this character. Of course, the DiCaprio magnetism dominates the action with the many ironic twists and the miraculous and narrow escapes he pulls with an aplomb that's bewildering to the Feds, who are on his tail all the time.

    The minor roles are equally important. Christopher Walken as the father starts out as the prototype of the con man, but he's too decent to do wrong; his business fails eventually. His marriage to Natalie Baye, the fine French actress, ends in divorce because obviously she hates being married to a loser.

    The action doesn't stop for one moment. This film is great fun to watch with the winning combination Mr. Spielberg assured hand gives us this time out. Mr. Spielberg can thank the genial Mr. DiCaprio who responds obviously to his direction and makes this con man endearing even when he is committing crimes.
    7rosscinema

    Very good film has those Spielberg edges!

    At first I thought I was going to see a lightweight film from a great director but instead I watched another impressive achievement by Steven Spielberg. A few things stand out and of course the performances are terrific. Leonardo Dicaprio is believable as a guy that can convince people that he's someone else. Dicaprio is a charmer and is very smooth as we watch his character do some fancy talk to the young ladies. Tom Hanks as the FBI agent reminds me of his cynical character that he played in "A League of Their Own" and his mere presence adds more to this film. The sign of a great film star. And Christopher Walken gives one of his best performances in his already interesting career. The last scene of him as he talks to his son in the restaurant is so moving that it reflects on the great talent of Walken. You can understand why Dicaprio admires and loves his father. Walken conveys these emotions and makes the audience react just accurately. I'll be rooting for him at Oscar time. Another impressive thing about this film is the beautiful cinematography by Janusz Kaminski who's a real artist with a camera and has worked on several Spielberg films. One shot in particular stands out. The ray of sunshine coming in through the kitchen window on Walken. Very thought provoking. And of course since its a Spielberg film its very personal. Spielberg was interested in the Frank Abagnale character because as a youngster he also came from a broken family and wanted to be someone else. Spielberg would sneak onto the studios and tell people that he worked there. Also, the real Frank Abagnale jr. appears as a French police officer. Well made, extremely well acted and sharply written. Viewers seem to forget that this is really a film about the breaking up of a family and the aftermath. This really is a personal film from Spielberg, and a very good one.
    9TheLittleSongbird

    A film well worth catching

    'Catch Me if You Can' has such a talented cast, the true story is a fascinating one and while Steven Spielberg is an inconsistent director he was a big childhood influence and he has proved several times that he is capable of masterpieces of iconic status.

    While 'Catch Me if You Can' is not quite one of Spielberg's best films (in a list that sees the likes of 'Schindler's List', 'Jaws', 'Raiders of the Lost Ark' and 'ET'), it is one of his better later films, for me that's since 'Schindler's List'. There are occasional lapses into overly-sentimental schmaltz with the depiction of Abagnale's family life, not the first or last time with Spielberg and a long way from the worst case, but that is the one fault that was had for me.

    Spielberg directs impeccably, both in visual style and dramatic momentum, a directorial job that just screams of pure class. 'Catch Me if You Can' further benefits from as always beautiful cinematography from Janusz Kaminski and 60s period detail that not only looks sumptuously handsome but also evocative to make one think that it is more than just a film with a 60s setting.

    John Williams' score is not one of his best or most memorable, but still fits really well and has the right amount of slick jazziness, whimsy and understated pathos without over-emphasising (over-emphasis was the reason why his score for 'Amistad' was a rare misfire from him). The story takes a fascinating story and makes a ceaselessly engrossing film out of it, from the ingenious opening credits sequence to the heartfelt ending, the film is long but never feels it.

    This is further helped by a script that has a deft mix of genuinely funny comedy, poignant emotional moments and nail-biting suspense. The characters are intriguing. Can't praise the performances enough. Leonardo DiCaprio is movie star charisma personified, and brings wit, larceny and charm to a character that is a true crook in every sense but it is easy to see why one would fall for his actions.

    It is easy to overlook Tom Hanks, due to the role being not as colourful or as showy, but he brings charismatic command, generosity and doggedness in a role that could have been really bland and annoying in lesser hands. Of a sterling supporting cast, Christopher Walken is especially superb, particularly in the latter parts of the film as his life is ruined. Martin Sheen and Amy Adams are memorable, and Nathalie Bye solid.

    Overall, even if 'Catch Me if You Can' is not one of Spielberg's masterpieces it is one of his better later films and one of his most purely enjoyable ones. Well worth catching. 9/10 Bethany Cox
    J. Spurlin

    Top-notch, brilliantly crafted entertainment, rich with fascinating details, memorable incidents and engaging performances

    What a terrific piece of film-making! From the charming animated title sequence (featuring John Williams's delightfully sneaky score) to the end, this is an enormously entertaining film from the gifted craftsman, Steven Spielberg, who is so damn good people take him for granted or resent his "manipulation," i.e. his seemingly effortless ability to create effective drama.

    Leonardo DiCaprio (in his best performance that I've seen) stars as Frank Abagnale, Jr., a real-life teen-aged con man so spectacularly gifted that he was able to steal millions from various companies with forged checks, while successfully impersonating an airline pilot, a doctor and a lawyer, among other guises. He is chased by a rigidly rule-bound F.B.I. agent, Carl Hanratty (Tom Hanks), who is at first comically out-classed by the young improvising criminal genius; but the agent is steadfast and relentless and has the law on his side. The movie is filled with delightful supporting performances, starting with Hanks and continuing on with Nathalie Baye as the boy's selfish mother, Amy Adams as his immature fiancée and on down to the tiniest role. I'm especially grateful for the sympathetic part given to Christopher Walken, as the mischievous and spirited Abagnale Sr., whose life darkens as his fortunes fall. Walken is one of my favorite actors, but while I enjoy the occasional one-dimensional freak or villain he plays, I wish most of his parts were like this.

    Spielberg's movie is rich with fascinating details and memorable incidents, while the script by Jeff Nathanson moves backward and forward in time to tell the story in the most engrossing way possible. This is top-notch entertainment.
    bob the moo

    Slick and enjoyable story telling

    When his parents file for divorce and he has to chose between them for custody, Frank Abagnale Jnr runs away from home. He begins to con his way around - getting better and better at it with each ruse. Posing as a pilot, a lawyer and a doctor he earns his money from cashing forged cheques. As the numbers go up, FBI agent Carl Hanratty starts tracking him in a game of cat and mouse.

    Based on a true story, although it doesn't rely on `and it really happened' to be a good film - although that this guy could even do half of this stuff is impressive, this film is a slick bit of entertainment even if it left me feeling a little bit like it was too much presentation. The plot starts at the end and jumps back to see the whys and the hows of the tale. It is told with a slick energy that keeps the story moving and never really lingers on any scene longer than it has to. It is for this reason that the two hours goes by relatively quickly.

    The presentation is good. Williams' score is not as memorable as his usual work but it is what the film needs it to be - unobtrusive and slick. Just like the opening credits, this film is very much a chase movie with a nice sense of period. The only downside of this slickness is that it feels like eating a sweet - it is very nice while it lasts but it doesn't fill you up. I enjoyed the film but it did leave me wondering what else there was; even if I did still have a sugary taste in my mouth. But to be fair - this is a minor compliant as the film didn't set out to be some massive thought provoking film; it was a chase movie and it was a very stylish and enjoyable one at that.

    The cast is good even if they aren't all used well. If anyone can tell me why Jennifer Garner even bothered to show up I'll be happy to listen. DiCaprio is very good. I'm not a massive fan of his but he was engaging here and looked about the right age to play the part - sort of between man and boy. Hanks does good work in support. Because his character is quite drab it is easy to forget him but I really enjoyed him and thought he brought more to the film than DiCaprio. Walken is good in support and Sheen adds another famous name to the end credits but it is very much a two hander with Hanks and DiCaprio more than able.

    Overall this film is a slick, stylish chase movie which should be enjoyed as such and is slightly more enjoyable for being a true story. If anything it is a little too slick for it's own good, but that is a petty complaint to make against a film that kept me pleasingly entertained for the past two hours!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Frank Abagnale Jr.: The French officer that arrests Frank on Christmas Eve, 1967.
    • Blooper
      While Frank and Carl are flying back to the US Frank looks out the window and tells Carl that they are over Fiorello LaGuardia Airport and runway Number 44. All runway ends are painted/labeled based on the compass direction or bearing it is facing or heading. A Due North is runway "36", meaning 360 degrees and the opposite end marked "18", for 180 degrees. Runway numbers include 1 to 36. No runway 44 exists.
    • Citazioni

      Frank Abagnale Sr.: Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.

    • Curiosità sui crediti
      During the first thirty seconds of the credits we hear the FBI typewriters.
    • Versioni alternative
      In the French language version of the film, Frank teaches his high school Spanish class instead of French.
    • Connessioni
      Edited from To Tell the Truth (1969)
    • Colonne sonore
      To Tell the Truth
      Written by Paul Alter and Robert Israel

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    Dettagli

    Modifica
    • Data di uscita
      • 31 gennaio 2003 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Canada
    • Sito ufficiale
      • Official Facebook
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • Atrápame si puedes
    • Luoghi delle riprese
      • Alcatraz Prison, Alcatraz Island, San Francisco Bay, California, Stati Uniti
    • Aziende produttrici
      • DreamWorks Pictures
      • Kemp Company
      • Splendid Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 52.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 164.615.351 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 30.053.627 USD
      • 29 dic 2002
    • Lordo in tutto il mondo
      • 352.114.312 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 21 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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