Un veterano agente dell'FBI è alla caccia di Frank Abbagnale Jr., un brillante truffatore che alla sola età di 19 anni ha già falsificato assegni per milioni di dollari ed impersonato con su... Leggi tuttoUn veterano agente dell'FBI è alla caccia di Frank Abbagnale Jr., un brillante truffatore che alla sola età di 19 anni ha già falsificato assegni per milioni di dollari ed impersonato con successo dottori, piloti ed avvocati.Un veterano agente dell'FBI è alla caccia di Frank Abbagnale Jr., un brillante truffatore che alla sola età di 19 anni ha già falsificato assegni per milioni di dollari ed impersonato con successo dottori, piloti ed avvocati.
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Mr. Spielberg has found a perfect actor to fill the shoes of the con man with the perfect casting of Leonardo DiCaprio. It's very easy to see why all the women fall prey of this charmer. He was a fast talker and a slick operator. He exudes charisma to fill another couple of movies.
It's a welcome sight to have Mr. DiCaprio working in a vehicle that shows his talent as Frank Abagnale, a man of many faces. He plays a game of hide-and-seek throughout the movie with Hanratty, the FBI agent that is in his trail. Tom Hanks shows great assurance and gusto with this character. Of course, the DiCaprio magnetism dominates the action with the many ironic twists and the miraculous and narrow escapes he pulls with an aplomb that's bewildering to the Feds, who are on his tail all the time.
The minor roles are equally important. Christopher Walken as the father starts out as the prototype of the con man, but he's too decent to do wrong; his business fails eventually. His marriage to Natalie Baye, the fine French actress, ends in divorce because obviously she hates being married to a loser.
The action doesn't stop for one moment. This film is great fun to watch with the winning combination Mr. Spielberg assured hand gives us this time out. Mr. Spielberg can thank the genial Mr. DiCaprio who responds obviously to his direction and makes this con man endearing even when he is committing crimes.
It's hard to believe that people were so naive, that they allowed Frank Abagnale to achieve what he did, but i have give the guy credit for pushing the system, and riding the high life for as long as he did.
Leonardo DiCaprio does a great job of capturing the character of Frank Abignale Jr. (strange i didn't picture him in the role of a jet setting Gigalo) and the rest of the cast although only little more than fringe characters, are all very well cast and give typically fine performances, as you would expect with the calibre of Hanks and Walken.
All in all this is a fine film, that most people will enjoy watching 8/10
I am not a big fan of Leonardo DiCaprio who plays Frank but in this movie he is perfect. He gives a very fine performance. Tom Hanks is the FBI-agent Carl who is after him, and as always Hanks is good.
The story is inspired by a real story. I don't know in how many ways it is true but watching this guy all I wanted to see was him pulling more of his nice little tricks. The scene where he pretends to be a schoolteacher is just great. If you want a nice funny movie, not too heavy, this one will definitely please you.
Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.
I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.
However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!
Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!
While 'Catch Me if You Can' is not quite one of Spielberg's best films (in a list that sees the likes of 'Schindler's List', 'Jaws', 'Raiders of the Lost Ark' and 'ET'), it is one of his better later films, for me that's since 'Schindler's List'. There are occasional lapses into overly-sentimental schmaltz with the depiction of Abagnale's family life, not the first or last time with Spielberg and a long way from the worst case, but that is the one fault that was had for me.
Spielberg directs impeccably, both in visual style and dramatic momentum, a directorial job that just screams of pure class. 'Catch Me if You Can' further benefits from as always beautiful cinematography from Janusz Kaminski and 60s period detail that not only looks sumptuously handsome but also evocative to make one think that it is more than just a film with a 60s setting.
John Williams' score is not one of his best or most memorable, but still fits really well and has the right amount of slick jazziness, whimsy and understated pathos without over-emphasising (over-emphasis was the reason why his score for 'Amistad' was a rare misfire from him). The story takes a fascinating story and makes a ceaselessly engrossing film out of it, from the ingenious opening credits sequence to the heartfelt ending, the film is long but never feels it.
This is further helped by a script that has a deft mix of genuinely funny comedy, poignant emotional moments and nail-biting suspense. The characters are intriguing. Can't praise the performances enough. Leonardo DiCaprio is movie star charisma personified, and brings wit, larceny and charm to a character that is a true crook in every sense but it is easy to see why one would fall for his actions.
It is easy to overlook Tom Hanks, due to the role being not as colourful or as showy, but he brings charismatic command, generosity and doggedness in a role that could have been really bland and annoying in lesser hands. Of a sterling supporting cast, Christopher Walken is especially superb, particularly in the latter parts of the film as his life is ruined. Martin Sheen and Amy Adams are memorable, and Nathalie Bye solid.
Overall, even if 'Catch Me if You Can' is not one of Spielberg's masterpieces it is one of his better later films and one of his most purely enjoyable ones. Well worth catching. 9/10 Bethany Cox
Lo sapevi?
- QuizSteven Spielberg was initially reluctant to approach Tom Hanks about taking the part of Carl Hanratty, assuming that he wouldn't be interested in playing a supporting part at this stage in his career. Hanks put him straight by saying that a good part was a good part no matter the size.
- BlooperWhile Frank and Carl are flying back to the US Frank looks out the window and tells Carl that they are over Fiorello LaGuardia Airport and runway Number 44. All runway ends are painted/labeled based on the compass direction or bearing it is facing or heading. A Due North is runway "36", meaning 360 degrees and the opposite end marked "18", for 180 degrees. Runway numbers include 1 to 36. No runway 44 exists.
- Citazioni
Frank Abagnale Sr.: Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
- Curiosità sui creditiDuring the first thirty seconds of the credits we hear the FBI typewriters.
- Versioni alternativeIn the French language version of the film, Frank teaches his high school Spanish class instead of French.
- ConnessioniEdited from To Tell the Truth (1969)
- Colonne sonoreTo Tell the Truth
Written by Paul Alter and Robert Israel
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- Budget
- 52.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 164.615.351 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.053.627 USD
- 29 dic 2002
- Lordo in tutto il mondo
- 352.114.312 USD
- Tempo di esecuzione
- 2h 21min(141 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1