Aggiungi una trama nella tua linguaA Honduran English literature professor who migrates illegally to Southern California with his 6-year-old daughter after his wife is killed in Hurricane Mitch.A Honduran English literature professor who migrates illegally to Southern California with his 6-year-old daughter after his wife is killed in Hurricane Mitch.A Honduran English literature professor who migrates illegally to Southern California with his 6-year-old daughter after his wife is killed in Hurricane Mitch.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 3 candidature totali
Jesus Nebot
- Pablo Fernandez
- (as Jesús Nebot)
Vernee Watson
- Detective Bryan
- (as Vernée Watson Johnson)
Ken Feinberg
- Officer Kincaid
- (as Kenneth Feinberg)
Gage Hunter Bebank
- Andrew Knight
- (as Gage Hunter Bebak)
Niki Botelho
- Sexy
- (as Niki Botelho-Pabros)
Ednita Trivino
- Sandra's Mom
- (as Ednita Triviño-Madden)
Recensioni in evidenza
This film has a great message. Bad things happen to good people, and you cannot always control the direction your life takes. Everyone in this movie has internal conflicts that we can really see, which is so interesting to watch because everyone in life has an agenda. We are all forced to make choices everyday in order to survive. So many films today go for the happy ending, wrapping a big red bow around it, but unfortunately life doesn't always play out that way. There is no obvious good guy and bad guy here. Instead, we see the propensity in all of us to be both simultaneously. I look forward to future projects from this director, who also happens to be the lead actor, writer and producer. Very inspirational.
The film deals with a very important issue of illegal immigrants and their daily struggle to make it through in order to give their kids a better future. The problem is with the script that even though tells a fairly interesting story, fails to deal with the issue, and instead presents us with a melodrama, in which all ends are neatly tied. The point of 'No Turning Back' is not really clear, as you never get a sense of what it is that they want to go back to. It seems like similar life to the one they main character had can be rebuild in any other state (The story takes place in California), as well as in Canada, to which they are trying to get. The story also fails to evoke the strong emotional feelings you get when you see 'Sophie's Choice,' nor be charming as 'Three Fugitives.' We do not feel any sorrow for the separation of the child from her father, as we know she is better off with her new family.
Too many issues are being resolved with no real explanation like how Soid found the hiding place of the father and his daughter? How did the police know the exact cruise line company that the father and his daughter were heading for? The movie shows the police somehow finding out that someone is selling them his green card, then showing them coming to a cruise line company, where the father applied for a job under an assumed name. Yet at the end of the movie, they know to go there and not any other place. Other issues are not dealt with like why the father didn't try and run to another state where it would be easy for him to evade the police, or why did the mail policeman decide that the policewomen is not ready for this case. Another unresolved issue is how Soid makes a living. Where does she live? Who pays her to do her documentaries, or where does she get the money to do them if not ordered by any organization?
Some of the sub plots either don't make sense or entirely unnecessary. The relationship between the two cops is poorly written and developed. They seem to have no other cases other than this one. The policewoman looks like a veteran who dealt with many cases in the past, yet the rocky policeman tell her she is not ready for this case. The grieving family seems to go back to normal life very fast. Even before the funeral the father is already back to work. When the father brings his daughter to the hospital no one seems to question the story that he found the child on the street. It is not clear how the police learned of the presence of the child in that hospital.
The relationship between the father and the daughter are very touching, though we don't really get a feeling of what their lives looked like before they relocated to the USA. Would they stay in their homeland should if the mother was still alive? What did the father used to do there? How did the child feel about moving to a different county? The child's view of where her mother is, as well as the way she presents it to the grieving father of the dead girl is well written, and it's too bad there are not enough of this type of writing throughout the script. Another well written and well played scene is when Soid reveals she sold the car.
Most of the acting is good, though I felt the policewoman was trying too hard to be Whoopi Goldberg in 'Jumping Jack Flash.' The policeman's character as a Native American who is late to work because he speaks to a spiritual adviser in the shape of an owl only ridiculed the police investigation. I especially liked the acting of Lindsay Price as the documentary film maker. All of the actors use the 'F' word. Would have been more interesting if each one had his/her own lingo and if they used profanity less often.
The sets lack credibility. In the scene where the two policemen check the computer for the green card fraud, their surrounding is bare. No other tables, policemen, or any other indication that this is a police station. The hospital seems to have no other patients other than the kid. When the father is about to board the cruise line ship, even though it is close to the time the ship is about to sail, there are no other personnel in sight.
The story moves from a drama of a father and his child trying to run away, to an action film with a daring rescue of the child from the hospital, and an attempt of the father to run from the police after being caught. It would have been a lot more interesting to either build it as a journey movie, such as 'Thelma and Louise', while showing the relationships and changes the 3 main characters go through, or build it as a drama of a tragedy hitting the two families, without the action/thriller parts.
Too many issues are being resolved with no real explanation like how Soid found the hiding place of the father and his daughter? How did the police know the exact cruise line company that the father and his daughter were heading for? The movie shows the police somehow finding out that someone is selling them his green card, then showing them coming to a cruise line company, where the father applied for a job under an assumed name. Yet at the end of the movie, they know to go there and not any other place. Other issues are not dealt with like why the father didn't try and run to another state where it would be easy for him to evade the police, or why did the mail policeman decide that the policewomen is not ready for this case. Another unresolved issue is how Soid makes a living. Where does she live? Who pays her to do her documentaries, or where does she get the money to do them if not ordered by any organization?
Some of the sub plots either don't make sense or entirely unnecessary. The relationship between the two cops is poorly written and developed. They seem to have no other cases other than this one. The policewoman looks like a veteran who dealt with many cases in the past, yet the rocky policeman tell her she is not ready for this case. The grieving family seems to go back to normal life very fast. Even before the funeral the father is already back to work. When the father brings his daughter to the hospital no one seems to question the story that he found the child on the street. It is not clear how the police learned of the presence of the child in that hospital.
The relationship between the father and the daughter are very touching, though we don't really get a feeling of what their lives looked like before they relocated to the USA. Would they stay in their homeland should if the mother was still alive? What did the father used to do there? How did the child feel about moving to a different county? The child's view of where her mother is, as well as the way she presents it to the grieving father of the dead girl is well written, and it's too bad there are not enough of this type of writing throughout the script. Another well written and well played scene is when Soid reveals she sold the car.
Most of the acting is good, though I felt the policewoman was trying too hard to be Whoopi Goldberg in 'Jumping Jack Flash.' The policeman's character as a Native American who is late to work because he speaks to a spiritual adviser in the shape of an owl only ridiculed the police investigation. I especially liked the acting of Lindsay Price as the documentary film maker. All of the actors use the 'F' word. Would have been more interesting if each one had his/her own lingo and if they used profanity less often.
The sets lack credibility. In the scene where the two policemen check the computer for the green card fraud, their surrounding is bare. No other tables, policemen, or any other indication that this is a police station. The hospital seems to have no other patients other than the kid. When the father is about to board the cruise line ship, even though it is close to the time the ship is about to sail, there are no other personnel in sight.
The story moves from a drama of a father and his child trying to run away, to an action film with a daring rescue of the child from the hospital, and an attempt of the father to run from the police after being caught. It would have been a lot more interesting to either build it as a journey movie, such as 'Thelma and Louise', while showing the relationships and changes the 3 main characters go through, or build it as a drama of a tragedy hitting the two families, without the action/thriller parts.
Mr Nebot did an excellent job in picking a great story to tell and then telling it so well. His acting was marvelous. I would love to see this movie come out on HBO. It is an ideal medium for a film like this.
Just saw this film at Sedona Film Festival 2002 - my favorite at the Festival. Jesus gives a riveting and sensitive performance of a good man who faces insurmountable trials after a terrible accident. This is based on a true story and demonstrates the importance of seeing there's more than one side to any story. Hope this gets a broad distribution!
This is a great story. Pablo makes you see and understand that what you see on the surface, like on the media or reading about someone who has committed a crime, it is not always true or the story has missed the 'why' and 'compassion' of why the person handled it like they did. This story makes you wonder what you would do in that situation. What would you do for your child. How far would you go. Also, the story makes you wonder how you would feel if you were on the other side as well. Would you forgive. How would you feel being the victim. The ending made a tear and was happy and sad at the same time. I just recommend this flick. And this is not a 'chick flick' guys so watch it!
Lo sapevi?
- QuizChelsea Rendon's debut.
- ConnessioniFeatured in Confessions of a Superhero (2007)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Sin retorno
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 8042 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5521 USD
- 15 giu 2003
- Lordo in tutto il mondo
- 8042 USD
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was No Turning Back (2001) officially released in Canada in English?
Rispondi