The Life and Adventures of Nicholas Nickleby
- Film per la TV
- 2001
- 3h 20min
VALUTAZIONE IMDb
7,5/10
1177
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young, compassionate man struggles to save his family and friends from the abusive exploitation of his cold-hearted, grasping uncle.A young, compassionate man struggles to save his family and friends from the abusive exploitation of his cold-hearted, grasping uncle.A young, compassionate man struggles to save his family and friends from the abusive exploitation of his cold-hearted, grasping uncle.
- Regia
- Sceneggiatura
- Star
- Ha vinto 1 BAFTA Award
- 2 vittorie e 2 candidature totali
Recensioni in evidenza
The other two were the 2002 film, which was not perfect and not the most ideal of adaptations but has many merits and is better than some say, and the very good and faithful 1977 series with Nigel Havers. This adaptation does condense the book, being only a little over three hours, but of the three adaptations seen it's the best one. Can't wait to see the 1982 version with Alun Armstrong as Squeers, which promises to be even better if going by what I've heard of it, and the 1947 film will be seen as well. The only let-downs with this 2001 adaptation is the overly-bombastic and overblown music score and Madeline Bray's overdone make-up, made up to look much richer than what her character actually is.
Adaptation-wise, it is more than respectable, doing a brave job squeezing a huge story with so many characters and a sprawling narrative within the running time. There are omissions of course with some things added in(like how Sir Mulberry Hawke acts towards Kate, which makes him an even more lecherous character), but things move swiftly and fluidly while having time to breathe and effort is made into richness of characterisation. The storytelling does make an effort to be true to Dickens and does so without being too cold(you feel for Nicholas and Smike and hate Sir Ralph and Squeers for instance), it's also cohesively told.
In regard to the dialogue, that is also easy to understand while not sounding too modernised. It's not as effectively Dickenesian as the 1977 series, but still has a natural flow to it, and captures the comic and tragic elements better than one would expect. The adaptation looks great, the photography is both beautiful and unflinching- remarkable for the many tonal shifts- and the costumes and sets are opulent yet evocative of the time too. The direction keeps making the drama believable, without making it come across as too over-acted or cold, each scene flows into one another in a non-choppy way and the shifts are handled well.
We have some really excellent performances as well. James D'Arcy plays Nicholas so charmingly and believably that you identify with him every step of the way. In other principal roles the standouts were Charles Dance, whose Sir Ralph is cold, icy and conflicted all done with superb conviction, and the Smike of Lee Ingelby, who has never been more moving. Though there's also Sophia Myles, who is enchanting and is by far and large the best of the three Kates, and Gregor Fisher's utterly despicable Mr Squeers. Pam Ferris is hilarious and nasty, and all the supporting and minor roles are well filled, some have to deal with caricature-like characters but still do fine with what they have. Mrs Nickelby often is treated either like a caricature or totally blah, while not quite as effective as Hilary Mason for the 1977 adaptation Diana Kent still does a good job.
Overall, remarkably well-done, while I haven't seen all the adaptations of Nicholas Nickleby this one is the one that comes off best of the adaptations of the book seen. 9/10 Bethany Cox
Adaptation-wise, it is more than respectable, doing a brave job squeezing a huge story with so many characters and a sprawling narrative within the running time. There are omissions of course with some things added in(like how Sir Mulberry Hawke acts towards Kate, which makes him an even more lecherous character), but things move swiftly and fluidly while having time to breathe and effort is made into richness of characterisation. The storytelling does make an effort to be true to Dickens and does so without being too cold(you feel for Nicholas and Smike and hate Sir Ralph and Squeers for instance), it's also cohesively told.
In regard to the dialogue, that is also easy to understand while not sounding too modernised. It's not as effectively Dickenesian as the 1977 series, but still has a natural flow to it, and captures the comic and tragic elements better than one would expect. The adaptation looks great, the photography is both beautiful and unflinching- remarkable for the many tonal shifts- and the costumes and sets are opulent yet evocative of the time too. The direction keeps making the drama believable, without making it come across as too over-acted or cold, each scene flows into one another in a non-choppy way and the shifts are handled well.
We have some really excellent performances as well. James D'Arcy plays Nicholas so charmingly and believably that you identify with him every step of the way. In other principal roles the standouts were Charles Dance, whose Sir Ralph is cold, icy and conflicted all done with superb conviction, and the Smike of Lee Ingelby, who has never been more moving. Though there's also Sophia Myles, who is enchanting and is by far and large the best of the three Kates, and Gregor Fisher's utterly despicable Mr Squeers. Pam Ferris is hilarious and nasty, and all the supporting and minor roles are well filled, some have to deal with caricature-like characters but still do fine with what they have. Mrs Nickelby often is treated either like a caricature or totally blah, while not quite as effective as Hilary Mason for the 1977 adaptation Diana Kent still does a good job.
Overall, remarkably well-done, while I haven't seen all the adaptations of Nicholas Nickleby this one is the one that comes off best of the adaptations of the book seen. 9/10 Bethany Cox
This movie version of the novel amply reflects the understanding compassion that Dickens is known for. Its background scenes of London's impoverished as well as affluent class are convincingly impressive.
The various caricatures seem remarkably Dickensian. Beyond that, in sharp contrast with exploitative callousness, the tenderest comfort and kindliest good cheer are effectively portrayed by a splendid cast.
James D'Arcy in the title role gives a sterling performance as the appealingly generous-hearted and thoughtful Nicholas. Lee Ingleby deserves equally high praise as the woefully mistreated Smike, whom Nicholas befriends.
The various caricatures seem remarkably Dickensian. Beyond that, in sharp contrast with exploitative callousness, the tenderest comfort and kindliest good cheer are effectively portrayed by a splendid cast.
James D'Arcy in the title role gives a sterling performance as the appealingly generous-hearted and thoughtful Nicholas. Lee Ingleby deserves equally high praise as the woefully mistreated Smike, whom Nicholas befriends.
I'm really really fussy about Dickens adaptations, Nicholas Nickleby has been a favourite book of mine for years and years. But this one was brilliant, James D'Arcy was the perfect Nicholas and Sophia Miles was a perfect Kate. James D'Arcy and Charles Dance really suit Period Dramas, they make them believable. The casting, the script and costumes = fabulous. It's turned into one of my favourite Period Dramas & frankly, compared to the newest Nicholas Nickleby (the film)...it's just a masterpiece. Give me ITV English Dramas any day!
10philip-1
This latest version of Dickens's wonderful Nicholas Nickleby is yet another in a line of excellent BBC produced dramatizations of classics; something Hollywood rarely if ever does these days because "art" doesn't sell! All I can say is "Thank God for television!"
Everything about this adaptation speaks of excellence. The casting in particular is a joy. James D'Arcy is the finest Nicholas on screen. He is a "Candide"-like figure; total believable and you want to root for him just as Dickens wanted his readers to sympathize with the protagonist. Charles Dance is equally effective as Nicholas's villainous uncle. But it doesn't end with the two leads. Every single character (and there are a lot of them) is cast perfectly and totally believable from a physical standpoint; from the lowest street people to the wealthy upper class. There's not a dud in the lot! The casting director should be knighted!
The direction is fluid and unflinching as it examines the seedier sides of the story. Pairing down the story to three hours is done with excellent comprehension. Those parts of the story missing are inevitably not missed for a dramatic presentation. The art direction is exquisite throughout. Costumes, sets and locations are brilliantly handled.
I'll also take exception to those who prefer the Royal Shakespeare version. That production was a noble effort to bring the story to the live theater and in many respects it was original and excellent. It suffers, however, from a forced stage theatricality inherent in such projects and simply gets bogged down with too much detail. The result is way too long. The new version sacrifices some length for clarity and precision story telling and has better casting in every role.
I have no hesitation in finding the entire production to be delightful; and by all means go out and buy it. Contrary to some other remarks, you will enjoy immensely.
Everything about this adaptation speaks of excellence. The casting in particular is a joy. James D'Arcy is the finest Nicholas on screen. He is a "Candide"-like figure; total believable and you want to root for him just as Dickens wanted his readers to sympathize with the protagonist. Charles Dance is equally effective as Nicholas's villainous uncle. But it doesn't end with the two leads. Every single character (and there are a lot of them) is cast perfectly and totally believable from a physical standpoint; from the lowest street people to the wealthy upper class. There's not a dud in the lot! The casting director should be knighted!
The direction is fluid and unflinching as it examines the seedier sides of the story. Pairing down the story to three hours is done with excellent comprehension. Those parts of the story missing are inevitably not missed for a dramatic presentation. The art direction is exquisite throughout. Costumes, sets and locations are brilliantly handled.
I'll also take exception to those who prefer the Royal Shakespeare version. That production was a noble effort to bring the story to the live theater and in many respects it was original and excellent. It suffers, however, from a forced stage theatricality inherent in such projects and simply gets bogged down with too much detail. The result is way too long. The new version sacrifices some length for clarity and precision story telling and has better casting in every role.
I have no hesitation in finding the entire production to be delightful; and by all means go out and buy it. Contrary to some other remarks, you will enjoy immensely.
Having just read the rich, lengthy novel, and then watched the more recent Charlie Hunnam version of Nicholas (which, for reasons of time cut many of the more curious characters), I thought this 200 minute version might be worth a look, and it certainly is, capturing the feel of a busy, dirty London contrasting with the purity and leisure of country living, a frequent Dickens theme.
The lead character, featured almost constantly, must be appealing, and James D'Arcy is certainly that, capturing the 19 year old inexperience of Nicholas as he challenges the cunning money-grubber that is his uncle, coldly played by the excellent English actor Charles Dance; this is a long film, but I enjoyed it all in a leisurely afternoon--even knowing the shocking outcome in advance, I was never bored, all the characters from poor, sad Smike to the sleazy schoolmaster Squeers played with convincing richness by a large cast--Pam Ferris is a particular joy as the childishly smitten Fanny Squeers. Not a great classic in the mold of the David Lean Great Expectations, but very much worthwhile.
The lead character, featured almost constantly, must be appealing, and James D'Arcy is certainly that, capturing the 19 year old inexperience of Nicholas as he challenges the cunning money-grubber that is his uncle, coldly played by the excellent English actor Charles Dance; this is a long film, but I enjoyed it all in a leisurely afternoon--even knowing the shocking outcome in advance, I was never bored, all the characters from poor, sad Smike to the sleazy schoolmaster Squeers played with convincing richness by a large cast--Pam Ferris is a particular joy as the childishly smitten Fanny Squeers. Not a great classic in the mold of the David Lean Great Expectations, but very much worthwhile.
Lo sapevi?
- QuizLiz Smith reprised her role as Peg Sliderscew from Nicholas Nickleby (1977), another BBC adaptation of the novel.
- ConnessioniFeatured in Dickens (2002)
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Dettagli
- Tempo di esecuzione
- 3h 20min(200 min)
- Colore
- Proporzioni
- 1.78 : 1
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