VALUTAZIONE IMDb
6,5/10
40.463
LA TUA VALUTAZIONE
Un ladro di gioielli in carriera si trova in forte contrasto con il suo partner di lunga data, un boss del crimine che manda suo nipote a fare la guardia.Un ladro di gioielli in carriera si trova in forte contrasto con il suo partner di lunga data, un boss del crimine che manda suo nipote a fare la guardia.Un ladro di gioielli in carriera si trova in forte contrasto con il suo partner di lunga data, un boss del crimine che manda suo nipote a fare la guardia.
- Regia
- Sceneggiatura
- Star
Danny DeVito
- Mickey Bergman
- (as Danny Devito)
Patti LuPone
- Betty Croft
- (as Patti Lupone)
Mike Tsar
- Coffee Cart Man
- (as Mike Tsarouchas)
Christopher Kaldor
- Laszlo
- (as Christopher R. Kaldor)
Zodia McLean
- Pool Player at Bar
- (as Zodia Mclean)
Recensioni in evidenza
Based on R1 DVD
David Mamet is famed for complicated plots and the Heist is no exception. Unfortunately for the viewer - Mamet neglects to have the characters explain what they intend to do before they do it so it difficult to know when they switch from Plan A to Backup Plan B to Alternate Plan C .. this happens a lot in the movie. It's also impossible to figure out what the individual characters believe to be the current working plan. All of these leads to a loss of tension as you sit back and wait and see how it plays out.
A good robbery movie which could have been better.
7/10
David Mamet is famed for complicated plots and the Heist is no exception. Unfortunately for the viewer - Mamet neglects to have the characters explain what they intend to do before they do it so it difficult to know when they switch from Plan A to Backup Plan B to Alternate Plan C .. this happens a lot in the movie. It's also impossible to figure out what the individual characters believe to be the current working plan. All of these leads to a loss of tension as you sit back and wait and see how it plays out.
A good robbery movie which could have been better.
7/10
After watching this a second time I realize that it's one of those movies that has barely anything wrong with it! Honestly, the dialogue is good, the action is good and the music is really good. Great performances by Gene Hackman, Delroy Lindo, Danny DeVito, Rebecca Pidgeon, Ricky Jay and Sam Rockwell in a surprisingly villanious role.
The only thing about the film that somebody may be put off by though, is the fact that the viewer doesn't have any idea what's going on until halfway through it. I really enjoyed it though!
I give this movie an 8 out of 10! Recommend it to all who like crime movies!
The only thing about the film that somebody may be put off by though, is the fact that the viewer doesn't have any idea what's going on until halfway through it. I really enjoyed it though!
I give this movie an 8 out of 10! Recommend it to all who like crime movies!
Knowing the quality of Mamet's previous works, maybe I expected too much out of this one, but as it stands I just wasn't impressed by this film. Am I the only one who got bored during this movie? The characters were good except Fran (Rebecca Pidgeon). She is just there to deliver one-liners the whole time and provide sex appeal. I know her demeanor is quiet and conniving, but she just struts around waiting to make overly witty replies. The rest of the cast were excellent, Delroy Lindo outshined Hackman as his right-hand thug, Ricky Jay pulls off the calm and collected badass, Sam Rockwell delivers a good presence that you just hate, DeVito was awesome as the break-your-balls "bad" criminal and Hackman played his part well as he always does.
The story bored me however. You knew what was going to happen before it happened and there were too many twists in the movie that they lost their affect. Twists are good when used sparingly and when used at the right time. I didn't like the timing of them in this movie or the overuse of them. It got boring because the characters always pull something out of their hat when you "least expect it."
For me dialogue has to be two things, witty and believable. Now the dialogue in this film is witty, Mamet probably took a while to compile all these quotes into one movie, but it is too much. It is simply to much. All Rebecca Pidgeon says is these crafty responses and she engages no real conversation. As for believable, people don't speak like this. No one, not even the coolest cat in the world and half the time I am trying to figure out what the hell they mean.
The plot is way too contrived, it is too much. Their is a backup plan, for a backup plan, for a backup plan, for a ... The scene on the runway was crap, impossible. Never would have happened. Too many "overly" perfect plans and too many twists make this plot boring to watch.
Wait for the rental.
The story bored me however. You knew what was going to happen before it happened and there were too many twists in the movie that they lost their affect. Twists are good when used sparingly and when used at the right time. I didn't like the timing of them in this movie or the overuse of them. It got boring because the characters always pull something out of their hat when you "least expect it."
For me dialogue has to be two things, witty and believable. Now the dialogue in this film is witty, Mamet probably took a while to compile all these quotes into one movie, but it is too much. It is simply to much. All Rebecca Pidgeon says is these crafty responses and she engages no real conversation. As for believable, people don't speak like this. No one, not even the coolest cat in the world and half the time I am trying to figure out what the hell they mean.
The plot is way too contrived, it is too much. Their is a backup plan, for a backup plan, for a backup plan, for a ... The scene on the runway was crap, impossible. Never would have happened. Too many "overly" perfect plans and too many twists make this plot boring to watch.
Wait for the rental.
I didn't know anything about David Mamet before I saw this film... now I know that he's got a penchant for characters with ulterior motives and slang-heavy dialog. Going into this film, I didn't expect anything but a(surprise surprise) heist flick. I got just that. Not just a heist flick, but a well-acted, nicely directed and quite entertaining one, at that. The plot is pretty good, and keeps your interest throughout. There are a fair bit of double-crosses throughout, and near the end, it does get somewhat tiresome. The acting is all top-notch. Not one performance was even slightly off. It's no surprise to see such high-quality acting from Hackman, Lindo and Rockwell, but I had not expected such excellent performances from DeVito and Jay. The writing is very good, but Mamet uses too many clichés and there's just a tad too much going on in the shadows, people conspiring against each other. The dialog tries oh so hard to be clever, and occasionally succeeds, but more often than not, it just comes off as pretentiousness, with all the slang, the attempts at being clever and the ridiculously high pace it sometimes sports. The cinematography is great, not one shot was poor or out of place. The pacing is mostly good, though the film seems to go on just a bit too long. All in all, an entertaining heist film, but not one to watch much more than one time. I recommend this to all fans of heist flicks, any of the actors and David Mamet(who seems to be all about these films). 7/10
After an elaborate jewel robbery Joe Moore and his crew go to collect their cut from Bergman. However Bergman ropes them into another job taking gold from a Swiss airline prior to transfer. Joe reluctantly agrees to do the job and takes Bergman's nephew along to reassure him. However Joe is never without a backup plan and double cross follows double cross.
This really tries to be good it has a good sense of tough moodiness about it and has plenty of good lines and a top class cast. However it tries too hard to be a twisty crime thriller and doesn't quite convince. Where twists and double crosses are best is when they are unexpected and surprising. Heist has so many `twists' that they lack impact or power. Instead of being surprised we expect the next one to be only a few seconds away. Although some of them are clever most of them lack the punch Mamet clearly wanted them to have. That said it's still an enjoyable thriller but don't expect the plot to stand up in the cold light of day.
As I said the cast are famous and all do well. Hackman is grizzled but clever and can easily `do tough', Lindo is always good to watch but Ricky Jay seems out of place. I always find him easy to watch because he is naturally curious I think but his manner doesn't seem to fit in with the rest of the cast. DeVito and Rockwell are good. It would be hard to compete in such a male driven plot and indeed Pidgeon struggles to get a character for herself.
The cast do so well because Mamet is a good writer of dialogue even if he overdid the twists, lines are quotable, funny or just cool `My motherf****r is so cool when he goes to sleep sheep count him' or `don't you want to hear my last words?' `I just did'. Even if the plot doesn't convince the direction, the dialogue and the cast make this better than the mess it should be.
Overall it has good qualities, but the one driving force it needed was a much better story. It's entertaining enough to pass 100 minutes but really the many word that comes to mind is disappointing.
This really tries to be good it has a good sense of tough moodiness about it and has plenty of good lines and a top class cast. However it tries too hard to be a twisty crime thriller and doesn't quite convince. Where twists and double crosses are best is when they are unexpected and surprising. Heist has so many `twists' that they lack impact or power. Instead of being surprised we expect the next one to be only a few seconds away. Although some of them are clever most of them lack the punch Mamet clearly wanted them to have. That said it's still an enjoyable thriller but don't expect the plot to stand up in the cold light of day.
As I said the cast are famous and all do well. Hackman is grizzled but clever and can easily `do tough', Lindo is always good to watch but Ricky Jay seems out of place. I always find him easy to watch because he is naturally curious I think but his manner doesn't seem to fit in with the rest of the cast. DeVito and Rockwell are good. It would be hard to compete in such a male driven plot and indeed Pidgeon struggles to get a character for herself.
The cast do so well because Mamet is a good writer of dialogue even if he overdid the twists, lines are quotable, funny or just cool `My motherf****r is so cool when he goes to sleep sheep count him' or `don't you want to hear my last words?' `I just did'. Even if the plot doesn't convince the direction, the dialogue and the cast make this better than the mess it should be.
Overall it has good qualities, but the one driving force it needed was a much better story. It's entertaining enough to pass 100 minutes but really the many word that comes to mind is disappointing.
Lo sapevi?
- QuizGene Hackman mentioned in several interviews that he found shooting the film difficult and somewhat uncomfortable because he was so much older than everyone else involved. He therefore kept much to himself, and in the end managed to draw on that feeling of being an outsider in the group for his portrayal.
- BlooperThe New Zealand passport that Joe is handed, which he refers to as "good work", is the wrong color.
- Curiosità sui creditiThe opening Warner Bros., Morgan Creek, and Franchise Pictures logos are in black and white.
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Dettagli
Botteghino
- Budget
- 39.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 23.510.841 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.823.521 USD
- 11 nov 2001
- Lordo in tutto il mondo
- 28.510.652 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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