Aggiungi una trama nella tua linguaA criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 6 candidature totali
- Sergeant Saad
- (as Sheik Mahmud-Bey)
- Rothfuss
- (as Noah)
Recensioni in evidenza
In place of Bilko's poker games and lottery scams, Ray Elwood opts for black marketeering, drug dealing and gun running. However, the characters portrayed by Phil Silvers and Joaquin Phoenix respectively do have a lot in common.
The tone of "Buffalo Soldiers" is much darker than that of "Sergeant Bilko", but the film and TV series share the same absurd yet plausible vision. There are no chimpanzee conscripts like Private Harry Speakup in this movie, but there ARE characters who have clearly risen well above the level of their own incompetence. Ed Harris' Colonel Berman is a pathetic example of the uniformed, time-served bureaucrat, someone you could almost feel sorry for until you realise that one day he may have to lead men into combat.
Counterbalancing the Bilko-esquire vibe created by Elwood's wheeler-dealing is his nemesis, Scott Glenn's steely Sergeant Lee. Glenn clearly relishes his role in this movie and is very convincing as the model soldier with a true heart of darkness.
Joaquin Phoenix gives Elwood an understated charisma as he leads his troops from behind, rarely lifting the lid on the fear and frustration that simmers within him as the events he sets in motion go out of control.
To say that this film is anti-military is unfair as it contains portrayals of decent, honest and professional soldiers as well as the scammers, pimps and dopeheads that the plot focuses on. It is a film about human beings (with all their failings) in uniform, not soldiers. "Buffalo Soldiers" is anti-complacency, anti-indoctrination and anti-corruption, which is probably why its release was postponed after the September 11th terrorist outrage of 2001. In the light of recent despicable acts by a small group of US soldiers in Iraq's Abu Graib prison, this film seems eerily prescient. Without an enemy to fight in open combat, what happens to the aggression and contempt for that enemy that military training fosters?
Ignore the negative comments and give this under-rated film a chance. It was titled "Army Go Home" in Germany, where the film is set, echoing the feelings of German citizens who lived near foreign troops sent to defend them against Communism. The Beetle-crushing sequence (an absurdly comic high point of the film) is based on actual incidents involving bored, intoxicated British and American troops on manoeuvres, armed to the teeth and waiting for a war that never came.
The film made its debut at the Toronto Film Festival, three days before Sept 11, 2001, under great fanfare. It was billed as being a dark satirical look at the military, but after the attacks on 9/11, its future was buried. Now, almost two years later, `Buffalo Soldiers' is finally being released, but it's not clear that the climate will be any more accommodating.
The movie starts by presenting a criminal subculture operating among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall. The satirical billing is merely a backdrop for the film, and it does present just about everyone rather hyperbolically. Joaquin Phoenix plays Ray Elwood, a la Radar O'Reilly from MASH. He is the company clerk for a U.S. supply base, making most decisions for his oblivious colonel to rubber stamp. Like Milo Minderbinder from Catch-22, he goes about his normal routine of making money and duping the system, but in this case, Elwood is a small-time drug dealer who sometimes dabbles in black market booty. Things turn on him quickly when he happens across some heavy weaponry, and his plan for unloading the equipment puts him way over his head, getting him into far more trouble than what he can handle as the lightweight and inexperienced paper-pusher that he is. By the time the plot line is established, the backdrop of satire is abandoned, witty observations undone, and philosophical quips erased.
Indeed, the true essence of the film lies beyond the plot, but it doesn't go as far as it tagline philosophy: `Where there is peace, the warlike man attacks himself.', a quote from Nietzsche, whose keen observation was the original inspiration for the film. At most, `Buffalo Soldiers' depicts how people behave when they get in over their heads, and only a dash of commentary on anything military or philosophical.
As for the controversy around American soldiers doing bad things, it would be a stretch to feel this is commentary on the good ol' US of A. Only those looking to pick a fight would find any form of offense or unpatriotic flavor to this film. Still, all one has to do is suggest the notion, and people will simply adopt that view anyway, regardless of what's on screen. Ironically, that's the movie's fault, not the public's. If the movie were better at delivering a more profound message - one that it clearly wanted to make - or if the story line were multi-dimensional, rather than a straightforward crime caper, people would easily overlook its superficial qualities. To be sure, Joaquin Phoenix does an excellent job at portraying a frat boy who doesn't take the army seriously, and who learns the ropes the hard way, just before he gets busted down to hell.
In the end, `Buffalo Solders' is entertaining, has a splash of romance, and is certainly a good enough movie in its own right, but is not the cynical, anti-war, anti-patriotic movie that people will be told it is. Oddly, the film's perception may be disproportionately diminished and reviewed poorly because of the attention it's getting, but it doesn't deserve undue praise either.
Lo sapevi?
- QuizPremiered at the Toronto Film Festival on September 9, 2001. The events that happened on 9-11 effectively killed the film's chances of distribution within the United States.
- BlooperWhile making the heroin, the characters eat lots of meat to stop themselves getting high off the fumes. This wouldn't work in real life.
- Citazioni
Video: [watching the fall of the Berlin Wall on TV] Where is the Berlin Wall, anyway?
Rothfuss: It's in Berlin, you dumb fuck.
Video: Yeah, I know it's in Berlin, which country is it in?
Rothfuss: It's in Germany, man. Fucking... Germany. West Germany.
Squash: West Germany? Well, which one are we in, then? Are we in West Germany or are we in East Germany?
Video: We're in East.
Garcia: We're in West Germany, you idiot.
Squash: Well, what's the difference?
Garcia: Fucked if I know, man.
- Curiosità sui creditiThe end credits include the citation: 'The red cross emblem is an international symbol of neutral protection during armed conflicts, and its use is restricted by law. The purposes for which the red cross emblem is used by the characters in this film are clearly improper. The filmmakers wish to stress their support for proper use of the emblem, which has saved millions of lives throughout the world'.
- Colonne sonoreFight the Power
Written by Chuck D (as Carlton Ridenhour), Eric Sadler & Keith Shocklee
Published by Universal Music Publishing Limited and Reach Global Inc./Hammer Musik c/o Bucks Music Limited
Performed by Public Enemy
Courtesy of Def Jam/Mercury Records Limited (London)
Licensed by kind permission from the Film & TV Licensing Division
Part of Universal Music Group
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- Солдати Буффало
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- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 354.421 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.977 USD
- 27 lug 2003
- Lordo in tutto il mondo
- 2.300.684 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1