Km. 0

This movie is an utter delight that is bound to leave you with tears of joy or at least a broad smile. Kilometer Zero is where one begins to measure the roads in Madrid Spain. Located on the central Puerto Del Sol Plaza, it provides an obvious rendezvous point for anyone making a connection -- or in this case, mis-connections, where people supposed to meet, wind up meeting people they were not supposed to meet, but perhaps they needed to meet them anyway! Farcical perhaps, but in this case most of the characters seem trapped in a rather unhappy places in their lives, victims of their own disillusionment, or forced choices from the past. These range from strained marriages, to work as a handsome gigolo with a heart, to a hooker with a lack of self confidence, to a young gay man abandoned by his mother, a flamenco dancer, hot as a fire cracker, who lost his parents and seeks a partner on the internet, a would be bridegroom and a won't be bridegroom, with a bride to be that yearns for a boy from her youth, and her sister who yearns more passionately for her boyfriend, an actress without a part, and a director trying to cast a musical as he works out the drama of his own life. Liaisons, gay and straight, take on an almost, well an angelic quality. In the end, our friends find themselves in a much happier place because of their open hearts and these misconnected encounters that change them forever. A strange title, but this movie thoroughly enraptured me. Do not miss it.

Picture a romantic sex comedy as it might have been codirected by Frank Capra and Pedro Almodóvar, and you'll have a vague idea of the kind of quirky confection Serrano and Iborra have cooked up.

Iborra introduced the screening I saw in April 2001 at the Miami Gay & Lesbian Film Festival. He said he got the idea for "Km. 0" while standing in Madrid's Puerta del Sol, watching different combinations of people meet up at the plaza's famous zero-kilometer mark. This engaging, surprising, very funny and sentimental ensemble piece follows more than a dozen such characters of varying ages, professions and sexual orientations as their stories cross and separate over the course of one day.

My only gripe: the plot twist at the end seems unecessarily corny, though admittedly it's not at odds with what we saw earlier in the film. On the whole, "Km. 0" is worth seeing.

This is a completely entertaining, hilariously funny, film. The story revolves around a series of coincidences and mistaken identities among an attractive group of Madrilenos of varied ages and sexual inclinations on a scorching summer day. While the plot, as such, is completely ridiculous and fairly predictible, the performances are uniformly terrific, and there are some very amusing twists and turns on the way to the foregone conclusion. Well worth seeing, much more genuinely amusing than most Hollywood attempts at romantic comedy.

Watch closely at the beginning as the ensemble characters are introduced. There are a lot of characters and the interplay between them is superb. For being funny, the movie still has a lot of power to shock with dark humor. The gay content is very frank, very natural, and very funny.

This film is a delight and somewhat of a surprise for its frank treatment of all kinds of sexual relationships. Each character has his or her unique adventure seeking companionship,love, or excitement during one steamy afternoon and evening in Madrid, the unifying element being the meetings at the kilometer zero marker in one of the city's plazas, from which distances to other locations in Spain are measured. There are various mishaps ranging from mistaken identities to a minor auto accident. Everything has a delightfully light touch, and this viewer empathized easily with all the characters in their amorous adventures, ranging from the neglected middle-aged wife who hires a gigolo to the young backpacker who wants to help a prostitute gain more self-confidence. The use of a wallet photograph to establish a crucial identity reminds one of Restoration comedies in which a portrait in a locket is so important to the plot. In so many ways Km.0 is very traditional and in other ways, as in its frank depiction of a variety of sexual relationships, very modern. My one criticism of the film is the relegation of Tristan Ulloa to a role in which the talents he displayed in Sex and Lucia are not utilized.