Time and Tide - Controcorrente

The first time I saw this was on Cable TV at 2 AM. I stayed up because I had never heard of the movie before, and the summary said that Nic Tse (one of my favorite young HK actors) was the lead role. Plus, it's directed by Tsui Hark - who has done excellent work with The Legend Of Zu and other such movies. So, I felt inclined to watch. I had almost fallen asleep, but as soon as the opening credits kicked in, I was wide awake.

The following are some statements that ran through my head while watching...

"Hey, the main character isn't invincible!" "Alleyway full of grenades?! This won't be pretty." "Wow, shopping mall action! Escalators are more fun than I thought!" "Oh my GOD... Are they having a gunfight on the side of a building?" "Refrigerators: Sensible AND Safe!" "I need to go to a Cantonpop show!"

There were plenty more, you can trust me on that. Needless to say, I went out the next day and bought the DVD. I have watched Time and Tide over 10 times now, and it still hasn't gotten dull. I guess this movie just ended up being that entertaining. It gets my highest recommendation - so go out and see it. Go on, do yourself a favor and see what HK cinema is really capable of!

"Time And Tide" Caught My Attention, And Never Let Go. It Still HAS My Attention, I Think.

Watching Time and Tide is akin to being in a taxicab with a driver, who knows what his final destination is but has no idea how to get there, drives around really fast and somehow makes it to the end--this is not to be said as an insult, but a testament to his skill. Hark works with energy and a sense of recklessness and brevity. He only shows what needs to be shown for the smallest amount of time needed to register with the viewer so that even the dramatic scenes have a kinetic energy.

I would try to give a quick synopsis of the narrative, but I lack both the PH.D in Ludicrous and the necessary drugs to do so without confusion. I have only watched the film a dozen times or so and yet there are still moments where I am puzzled as to the what's and why's of the narrative. There are double crosses, triple crosses, Hispanic speaking Chinese gangs, two pregnant woman, 2 would-be assassin/bodyguards/dead-beat dads to be, a theme of brotherhood and fatherhood and the most elaborate action set piece ever devised. While the plot may be overly convoluted, the themes are strong and add an emotional realism often lacking in action films.

The words "realism" and "Tsui Hark" are not often spoken together, but in Time and Tide he creates a realistic tapestry within to work his hard-boiled action fantasy. An emotional connection between the audience and the characters on screen is what separates the lasting impressions from the fleeting memories of a good movie. Hark gives the two male leads in Time and Tide a purpose for what they are doing; the purpose may be far-fetched, but there is a rhyme for the reason, which elevates the action to an emotional level.

The theme of brotherhood spanning two sides of the law is not an uncommon one for Hong Kong cinema. However, Hark decided to also examine the new trends of young parenthood and children born out of wedlock. This issue was at the time a sort of taboo subject in Hong Kong, especially in an action oriented genre film. But what it does here is give the characters an anchor that grounds them firmly in reality. Viewers can relate to a young father who would do anything for his future children. The worry, excitement, anticipation, and fears of the main characters come into play and really do dictate how the two male leads react to the given situations.

In Tyler's case, he wants to do the right thing and support his child and Ah Jo even if only financially. He works hard to earn extra cash and sneaks to Ah Jo's house to slide the money under her door—he does this because she wants nothing more to do with him but he still feels responsible. What he doesn't know is that nine times out of ten her dog gets to the money before she arrives home and rips it to shreds. Tyler continues to do everything he can to be there for Ah Jo even taking a dangerous job to earn money for their future.

So Hark has established that both the main characters, although not model citizens, are decent human beings who want redemption from their pasts and strive for a brighter future for themselves, their children and loved ones. With this said though, do the ends justify the means? For all their good intentions to make things right, a lot of people end up getting hurt. However, this is a typical kind of spiritual redemption for Honk Kong action heroes—redemption through blood and bullets, and heroic bloodshed.

Before the action starts rolling, Hark gives his characters an anchor with which to ground themselves in reality. The sole purpose of this is so that the audience can relate on an emotional level to the characters and their plights. But, what Hark does when the water starts boiling is firmly rip the anchor away and send the two heroes through a gauntlet of flying bullets, fists, chases and the most dangerous baby delivery ever put on screen.

Imagine this: Many large apartment buildings, dozens of stories tall, all connected with a sort of center court yard and doors and hallways intertwined like an urban maze. Now imagine our heroes being chased through this labyrinth by ruthless Triad hit men stopping at nothing to see them dead. Jack and Tyler sprint though out the complex of destruction, dodging bullets and fists, repelling down the side of the buildings, jumping from awning to awning, stopping only to trade fisticuffs with rival thugs or to pick up a much needed clip of ammunition.

Hark's heroes are not interchangeable, they do not occupy a scene only to be a human punching bag ready to be whisked away at a moments notice by a wire harness. No, Hark's heroes, although put in fantastic situations, occupy a realm of emotional realism. He gives them a sense of humor, passions, personalities and most of the time an enormous amount of skill to kick ass. It is this very fact that separates a Tsui Hark film from the multitude of other well-directed action films. Time and Tide occupies a unique place in the action-cinema genre: not only does it elevate the action and aesthetic value of the genre, but it also adds an emotional depth often lacking from like-minded films.

Time and Tide works on two levels, as a dramatic film and as an action film, both benefiting from each other. The action becomes more intense because the audience cares for the film's characters, and at the same time the drama is more emotional because the audience wants the characters to succeed in their redemption. Time and Tide is not only one of Tsui Hark's best films, it is also one of the best examples of the entire action genre and should not be missed by anyone.

The new film from the man who pretty much launched the careers of Jet Li, John Woo *and* Chow Yun-Fat (pretty damn impressive resumé) and Tsui Hark returns with a vengeance. A *very* interesting and intricate film, with masterful performances by Nicholas Tse and Wu Bai.

The one major issue with this film: a very tight plot, but horrible transition. The film was all over the place, and any lax viewer will get easily lost. The explanations are few, and one really has to pay attention to grab necessary details - a difficult endeavour considering the rapid shots and fast pace.

The cinematography is really brilliant, though. Some of the shots were magnificent, and very creative, especially the scene at the apartment complex.

Here's one quick question to ask, though: who the heck was that old chinese sniper apparently working with the Angels?? Just curious, as he keeps popping up with no apparent introduction or purpose...

Anyhow, this film had me talking for days about how good it was, it's definitely worth watching. A must see for any HK action fan. If it wasn't for the sloppy transition and need for a bit of clarity, it could easily have been a perfect ten. 8/10.

The only thing about this movie I didn't understand was why people found it incoherent (not a single mainstream reviewer got it). It's not linear, paint-by-numbers Hollywood exposition - but there IS a definite plot and if you pay attention there's actually some very nice subtle storytelling. Surrounded of course by some very kinetic, "let's see you rip this off" action scenes. Tsui Hark is out ahead of the curve again.

Most people will say I'm crazy but I actually liked this movie. I think Tsui Hark is a very clever action director. I seen his American efforts with Van Damme, even though I hated both movies i did like some of the action sequences. Like in Knock Off I really liked the last shootout and in Double Team, when Van Damme's character escaped from that island.

As for this movie Tsui Hark is really given the chance to shine and this time with better actors. I thought Nicholas Tse and Wu Bai did a great job with they're roles as did Candy Lo. I was expecting more screen time with Cathy Liu's character. The acting is pretty good for a Hong Kong action movie. In other words it seem more naturalistic than compared to many other Hong Kong movies where a lot of the time the actors overact. I really liked how the movie was shot. There was this one shot where Wu bai's character jumps from the window of a apartment building and the camera follows him as he decends. It just makes me wonder how they did that.

Now for the flaws, there are a lot of characters that just show up. The plot gets confusing at times and what could of really made this movie better was a better script. I wished they could of build of the Tse and Liu's story a lot more. It was a good attention grabber in the beginning but then it gets ignored at the end and maybe more of Tse's narration of the movie. Despites all these flaws this movie was still good because of the stylish action scenes. So basically look for the action scenes and good performances by Tse, Wu Bai, Lo, and Liu. It's a good popcorn flick to just enjoy.