VALUTAZIONE IMDb
6,4/10
56.914
LA TUA VALUTAZIONE
Uno studente di giurisprudenza che diventa tenente durante la seconda guerra mondiale viene catturato e gli viene chiesto di difendere un prigioniero di guerra nero accusato falsamente di om... Leggi tuttoUno studente di giurisprudenza che diventa tenente durante la seconda guerra mondiale viene catturato e gli viene chiesto di difendere un prigioniero di guerra nero accusato falsamente di omicidio.Uno studente di giurisprudenza che diventa tenente durante la seconda guerra mondiale viene catturato e gli viene chiesto di difendere un prigioniero di guerra nero accusato falsamente di omicidio.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Jonathan Brandis
- Pvt. Lewis P. Wakely
- (scene tagliate)
Recensioni in evidenza
What a squandered opportunity.
Hart's War is yet another example of why movies rarely if ever live up to the book upon wich they are based. The novel of the same name by John Katzenbach is so clearly suited for the big screen it is almost frightening, and yet one has to wonder whether screenwriters Billy Ray and Terry George actually read the entire book or merely relied on cliff notes. The writers have taken an immensely engrossing tale of life in a German POW camp during WW2 and commercialized it with needless explosions and manipulative and improbable plot twists. The movie's thorough lack of character development hinders the best efforts of the actors (Bruce Willis, Collin Farrell, and Terrance Howard all do comendable work with the restrictive material they are given) to make the audience identify with them - resulting in an emotional climax that is supposed to evoke sympathy and respect but instead falls flat on its face. It is still beyond me why the makers of this film felt compelled to change the ending from the book - perhaps they feared it was too compelling and thought-provoking for their intended audience and felt obligated to dumb it down into as many cliche ridden speeches and improbable acts of courage and honor as possible. Whatever their reasons, the resulting lack of subtlety in this film is nothing less than insulting.
If I am being more harsh than other reviewers it is because I have read the book and know just what could have been accomplished. Do yourself a favor and read the book - it is far superior to this film or any other recent Hollywood offering.
Hart's War is yet another example of why movies rarely if ever live up to the book upon wich they are based. The novel of the same name by John Katzenbach is so clearly suited for the big screen it is almost frightening, and yet one has to wonder whether screenwriters Billy Ray and Terry George actually read the entire book or merely relied on cliff notes. The writers have taken an immensely engrossing tale of life in a German POW camp during WW2 and commercialized it with needless explosions and manipulative and improbable plot twists. The movie's thorough lack of character development hinders the best efforts of the actors (Bruce Willis, Collin Farrell, and Terrance Howard all do comendable work with the restrictive material they are given) to make the audience identify with them - resulting in an emotional climax that is supposed to evoke sympathy and respect but instead falls flat on its face. It is still beyond me why the makers of this film felt compelled to change the ending from the book - perhaps they feared it was too compelling and thought-provoking for their intended audience and felt obligated to dumb it down into as many cliche ridden speeches and improbable acts of courage and honor as possible. Whatever their reasons, the resulting lack of subtlety in this film is nothing less than insulting.
If I am being more harsh than other reviewers it is because I have read the book and know just what could have been accomplished. Do yourself a favor and read the book - it is far superior to this film or any other recent Hollywood offering.
If one were to place too great an emphasis on many of the smug and self-serving views expressed by various contributors here, it may well appear somewhat of an enigma that HART'S WAR still rates 6.3 overall. Obviously many who have voted have not posted a review. Equally obviously, to offset its many detractors...a significant number of people must have liked it. I'm one of them!
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
Having grown tired of the typical action packed glorified war films (Pearl Harbor for example), I sought out more of a human interest story. I wanted something that delved past the cliché romances, battle wounds, and graphic violence we have become accustomed to. To me, Hart's War exemplified exactly what others have failed to do. It was an inside glimpse into the lives of a WW2 POW camp, but more so. It dealt with the struggle for power, respect, and honor in an unlikely situation. The stellar performances by Bruce Willis and Marcel Lures stole the show away from the title character, Lt. Hart (played well by Colin Farrel). There are times when you don't know who the token hero or villain is, just by the way that each commands their region. If you missed this movie in theaters (as I am guilty of), easiest way is to catch it is on pay per view - it's still going to be running for a while. Enjoy!
This takes place in a POW camp during WWII, and follows the events that transpire after a few black enlisted men are captured and put among the white prisoners. This has a well-written script, lines are great and well-delivered, the plot is interesting, engaging and develops quite nicely throughout. The editing and cinematography have some inspired moments, and are always marvelous. This is rather exciting and entertaining.
I haven't read the novel, nor did I realize that this was based upon one until I watched it. This is the third of Hoblit's films I've seen, the other two being Frequency and Primal Fear, both of which I find to be excellent. Thus, in comparison, this is a little less impressive. I wouldn't call it poor, however. It certainly has a point to it, something to say, and it communicates it fairly well. The message is good, too.
The performances are impeccable, Willis does as well as we expect, Farrell makes reasonable use of his chance at doing a role that can prove he can do more than project his "bad boy" persona onto the screen, and Howard shines. This meeting and conflict between the experienced master and the up-and-coming student is further infused with the clever juxtaposition of that relationship being not only of their characters – but of the actors, as well.
The DVD comes with two informational, compelling and amusing commentaries: one by Gregory Hoblit, writer Billy Ray and Bruce Willis, and one by producer David Foster, 10 minutes of good deleted scenes with or without director commentary and several photo galleries. There is relatively infrequent strong violence and language. I recommend this to any fan of dramas, and who enjoy movies that deal with history. 7/10
I haven't read the novel, nor did I realize that this was based upon one until I watched it. This is the third of Hoblit's films I've seen, the other two being Frequency and Primal Fear, both of which I find to be excellent. Thus, in comparison, this is a little less impressive. I wouldn't call it poor, however. It certainly has a point to it, something to say, and it communicates it fairly well. The message is good, too.
The performances are impeccable, Willis does as well as we expect, Farrell makes reasonable use of his chance at doing a role that can prove he can do more than project his "bad boy" persona onto the screen, and Howard shines. This meeting and conflict between the experienced master and the up-and-coming student is further infused with the clever juxtaposition of that relationship being not only of their characters – but of the actors, as well.
The DVD comes with two informational, compelling and amusing commentaries: one by Gregory Hoblit, writer Billy Ray and Bruce Willis, and one by producer David Foster, 10 minutes of good deleted scenes with or without director commentary and several photo galleries. There is relatively infrequent strong violence and language. I recommend this to any fan of dramas, and who enjoy movies that deal with history. 7/10
This film is absorbing because you are kept guessing until the very end. Hart, the lead character, isn't exactly an angel; and the Nazi Kommandant conjures up a measure of sympathy, with other motives of characters such as Col. MacNamara (Willis) truly unclear until the end.
Thus, it's enough to keep you watching, although I wish I'd read the book first. Also, it's not an "action" film in the Schwarzenegger sense, but it is fast-paced and holds your attention, as the plot keeps twisting and turning.
Contrary to what others thought, I found HART'S WAR to be reasonably historically accurate. It's frequently pointed out that by late 1944 / early 1945, the Germans were reeling, desperate and disorganized, while HART'S WAR portrays them firmly in control. This is a fair criticism, but I would respond as follows:
1. HART'S WAR coincides with the Ardennes offensive (Battle of the Bulge), which was the last major German offensive of the war and which came perilously close to succeeding. Puffed up from that near-victory, not knowing (as we know today) that this was the last gasp of a dying reich and not a turning point towards victory, and now holding hundreds if not thousands of Allied POW's to boot, it's no surprise that the Germans are still confident of victory.
2. Also, HART'S WAR takes place in a short period of time (I would guess 2-3 weeks between Hart's capture and the end of the trial, which itself is only a week). The story does not drag into the spring of '45, at which point the Germans knew they were losing.
3. The Nazi Kommandant epitomizes this German confidence, yet because he was educated in the US, he has at least a measure of sympathy for his American prisoners and treats them with an equal measure of military courtesy, with a few exceptions. Other Kommandants during this time may not have been as "humane," but, because of his background, Visser's lack of brutality (again, with exceptions) is understandable.
Bruce Willis is clearly a supporting actor in this film, but I felt he had a strong and important role and was, arguably, the CENTRAL character while Colin Farrell is the LEADING character. However, Willis gets top billing for one simple reason -- TO SELL TICKETS. It worked for me, at least.
Thus, it's enough to keep you watching, although I wish I'd read the book first. Also, it's not an "action" film in the Schwarzenegger sense, but it is fast-paced and holds your attention, as the plot keeps twisting and turning.
Contrary to what others thought, I found HART'S WAR to be reasonably historically accurate. It's frequently pointed out that by late 1944 / early 1945, the Germans were reeling, desperate and disorganized, while HART'S WAR portrays them firmly in control. This is a fair criticism, but I would respond as follows:
1. HART'S WAR coincides with the Ardennes offensive (Battle of the Bulge), which was the last major German offensive of the war and which came perilously close to succeeding. Puffed up from that near-victory, not knowing (as we know today) that this was the last gasp of a dying reich and not a turning point towards victory, and now holding hundreds if not thousands of Allied POW's to boot, it's no surprise that the Germans are still confident of victory.
2. Also, HART'S WAR takes place in a short period of time (I would guess 2-3 weeks between Hart's capture and the end of the trial, which itself is only a week). The story does not drag into the spring of '45, at which point the Germans knew they were losing.
3. The Nazi Kommandant epitomizes this German confidence, yet because he was educated in the US, he has at least a measure of sympathy for his American prisoners and treats them with an equal measure of military courtesy, with a few exceptions. Other Kommandants during this time may not have been as "humane," but, because of his background, Visser's lack of brutality (again, with exceptions) is understandable.
Bruce Willis is clearly a supporting actor in this film, but I felt he had a strong and important role and was, arguably, the CENTRAL character while Colin Farrell is the LEADING character. However, Willis gets top billing for one simple reason -- TO SELL TICKETS. It worked for me, at least.
Lo sapevi?
- QuizFormer teen hearthrob Jonathan Brandis hoped to revive his stalled career after being cast in a serious, dramatic role in the film. He was reportedly devastated when almost all of his scenes were removed in the final cut. He fell into a deep depression, began drinking heavily, and killed himself the next year.
- BlooperThere is no way that Col.McNamara could allocate which hut men went into. The Germans controlled this. Also there is no way he could just turn up at the Camp Kommandant's office unannounced and talk to him.
- Citazioni
Col. Werner Visser: Strange thing about war wounds- the older you get, the less proud of them you become.
- Colonne sonoreDeutschland Uber Alles
Music by Joseph Haydn (uncredited)
Performed by The Musikkorps Liebstandarte-SS 'Adolf Hitler'
Courtesy of the Tomahawk Films WW-II German Archive
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- En defensa del honor
- Luoghi delle riprese
- Milovice, Nymburk District, Repubblica Ceca(Stalag VIa)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.077.641 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.771.753 USD
- 17 feb 2002
- Lordo in tutto il mondo
- 32.287.044 USD
- Tempo di esecuzione2 ore 5 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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