The Brothers

This is a very funny and heartfelt movie that uses every urban movie cliche of the last 20 years but still wins based on good performances by its cast. D.L. Hughley and Bill Bellamy are particularly good and both extremely funny. Bellamy plays the "player" but ends up sad and kind of lonely as the film moves on. Morris Chestnut is always good in dramatic roles and this is no different. "The Brothers" works and is enjoyable even if we've seen most of this before.

I'll start off by saying that this was definately worth the rental price I paid for it. The DVD was great, and I felt very satisfied with my rental. "The Brothers" was a good movie that I enjoyed while watching, but when it was over I did not have the same satisfaction that I have gotten from other films in the same genre (such as "The Best Man" or "The Wood").

For one thing, I felt at times the script was dead boring, and humor was often not used enough. D.L. was a misplaced role for sure, his "humor" did NOT shine through, which was a major trip for the film because he was supposed to be the most humorous character. Still, enjoyable roles were played by both parents, as well as the solid performances by Morris Chestnut and Gabrielle Union.

"The Brothers" of the cast all went pretty well together, and the whole basketball theme was a good background. However, "the sisters" were not a very good combination. I didn't so much enjoy their scenes together. Also the rather random discussion of rejecting their... you know what, was completely out of the blue, and it was sharply contradictary to things said both before and after that discussion. Tamala Jones was bad in this role. In fact, I really didn't like any of the female characters in this movie.

The script was not very complete at times, and there were some very random emotional scenes from time to time, like the "I need a hug" scene. Completely unnecessay! The film is wasted talent in many ways, but it still came enough together to give me a decent viewing that I enjoyed for the price. I won't rent it again though.

Interesting that as I write this review, I consider lowering my star rating because upon mental review, there are many non-satisfying aspects of this film. Still, for this I'll stick with my original rating - 6/10

I agree with the user who said that the low rating of this fine film could be due to the fact that a number of white viewers are unused to the portrayal of black males as normal, upwardly mobile Americans. The black middle class is treated as nonexistent in real life and the focus is on economically and educationally disadvantaged members. That seems to be the image most Americans are comfortable with and find acceptable. There have been black doctors and lawyers for decades now so there is nothing unusual or new about these young men's careers or lifestyles.

Having said that, I'm glad to see black men portrayed in a normal, honest, and introspective light. We've all known young men like this but as females, we weren't privy to their private conversations. It is refreshing to know that they have worries, problems, and as many insecurities as their female counterparts and feel comfortable enough to voice them with each other.

It felt good to hear another "brother" chiding one of his friends for always referring to women as bitches, and pointing out that there was something wrong with HIM, not the women he was attempting to demean. I also liked the fact that Jessie let Brian know that ALL women expect good treatment and respect from a man and that she was no more willing to put up with his shallow, immature behavior than a black woman would. I don't think she was a ditz at all and she didn't take any mess from Judge Carla either.

Maybe one day soon we can have a movie about middle class black people without making a big deal over their race and view it as just a middle class "people" movie.

All of the "brothers" learned something about themselves and grew as men and individuals.

I thought Jenifer Lewis was exceptional in this part and I'm not even a fan. She was so convincing that I actually believed she was Louise. She was a strong, outspoken female who was a good wife and mother. She fought for what she wanted. She wanted her husband back and she got him too - and even got "ole boy" to have a second wedding at that! I found Jackson's parents relationship more interesting than his and Denise's. I was rooting for the mom and dad to get back together and I really didn't care if he and Denise did.

I think this was a great movie. I think it depicted positively things that are happening now to Black people. I also think that it was not a men's version of Waiting to Exhale. I thoroughly enjoyed it. I thought that Morris Chestnut played his role superbly. It was a nice role for D.L as well. I think that more could have been done with Bill's character but overall I was quite pleased with the result of this movie.

Four professional young black men have a strong friendship that has lasted through relationships and work – even if sometimes it just means getting together for hoops and then drinks at the club. Jackson has commitment issues, Derrick is married, Brian is out for bodies only while Terry is respected for his sexual exploits. So when Terry announces his engagement to new girlfriend BeBe it is met with a mixed reception – cynicism, disbelief and happiness. As Terry prepares for his wedding, the others are having their own relationship issues that will brings changes to all of their lives.

It is rare to find a film about a group of black men where the only clear sight of a gun is in a white woman's purse and is met with a black man asking it to be removed from his house. Such is the overwhelming force of gangsterisms, guns and machoisms in black culture that I felt I was almost duty bound to see a film that tries something different. However "different" is no guarantee of quality and indeed this film is frustratingly uneven and inconsistent. The basic plot offers a good chance to get inside the heads of four men (regardless of colour) and at times it manages to do this in interesting ways as well as providing some genuinely funny and reasonably realistic banter. However for every moment that is like this there seems to be two where it'll head off into sentimentalism, soap opera drama or outright dumb plot device. It is a shame because generally the film is distracting mush that isn't too sentimental but is still basic to the point where it washed over me – it was only these bad moments that stuck in my throat for one reason or another. The conclusion is suitably mushy and is a fine summary of the film – unconvincing, mushy, unlikely, melodramatic but still reasonably fun forgettable stuff.

The cast are mixed but mostly match the level of the material by being predictable and a bit unimaginative. Chestnut is probably the best of the cast and makes for a nice leading man – good looks, a bit of charm and the ability to say his lines naturally all help. Hughley is funny and, although he doesn't make a convincing character and is a bit of a caricature but is still fun and his scenes have energy. Bellamy and Moore are somewhat non-events, with the latter very wooden and failing to make an impression on me. The females are generally young and attractive but lack the material served up to the men (which itself isn't that great). Union is sexy but her character doesn't convince and she doesn't know what to do with it. Jones works well with Hughley but Ali, Dalian, Lewis and others generally just hang around with basic lines and no characters to speak of – Ali in particular gets nothing to work with and seems to be there just to draw a laugh from hearing the innocent young Fresh Prince star talking about her "pu**y".

Overall then a distracting and reasonably amusing film that has some good moments but annoys in the ease with which it just slips into sentimental melodrama etc. The performances are mixed and none of them really help lift the material to something that could have been amusing and interesting. Forgettable fluff that isn't bad but just generally isn't that good.