Bonhoeffer: Agent of Grace

This is a good film, and certainly relevant as the church struggles to find its place and vocation in the world today. It is a humble picture that gets by on the strength of its (true) story, and indeed, the incredible witness of Bonhoeffer himself. Both Bonhoeffer enthusiasts and those unfamiliar with his life and works will find this film interesting. It succeeds (as much as a 90-minute film can) in showing how Bonhoeffer wrestled with, and was challenged by, the events of his day. Most Christians (forgive the stereotyping, but I am one, so give me some slack) tend to judge the world as a young creation gone wrong, whereas Dietrich Bonhoeffer viewed the middle of the 20th century on its own terms -- as a world come of age, and acted accordingly.

In Mexico this movie was aired only in PayTV. Dietrich Bonhoeffer's life, is a true example about a good German and specially, about a good man. The conversations between Tukur's character and the Nazi prosecutor are specially interesting. A true ideas' war: two different Germans, both with faith in there believes. Bonhoeffer was a very complex person: man, freedom fighter, boyfriend, churchman and a great intellectual; Ulrich Tukur is outstanding as Bonhoeffer. I recommended this film a lot, specially in this difficult times for the planet. In Mexico we don't know a lot about Pastor Bonhoeffer life and legacy, this is a great work for rescue a forgotten hero.

Imagine you were someone who knew nothing of Dietrich Bonhoeffer and you thought that this movie might shed a little light on the life of a man who is renowned in Christian intellectual circles. You would be sorely disappointed by this offering. The movie gives no account of Boenhoeffer's early life, he springs fully adult like Adam in the Garden. The movie also gives no real account of later life. It portrays a series of vignettes in which he is peripherally involved in events in Germany, a passive observer of tumultuous occurrences that might seem to be of importance if only we had some explanation of what they were, who was involved, and how they came to be. None of that. Bonhoeffer drifts along in the stream of occurrences until he is swept away to a Gestapo prison where he makes a poor attempt at fooling the bad guys and is eventually killed. Apparently, Bonhoeffer was an admirer of Gandhi. Well, there you go.

I gave it three stars because Robert Joy does a good job of portraying the Gestapo menace. His is the only character that has an obvious motive which is carried out as one would expect. Everyone else is a two-dimensional NPC, reacting as programmed for reasons that are not given and not apparent.

This is one of those true stories that make your stomach churn.

A Pastor gets hung by Nazis. Bad things happen to good people; even one's with the best of intentions.

If you expect a Hollywood blockbuster, you will be disappointed. If you expect a movie done on a low budget, but still looks OK, then you will enjoy this one.

This is a good movie. Sure, they could have done more. But they have done enough to get the point across.

People die for the right causes. They choose to die with a good conscience than live with a "yellow" one. This man deserves our attention and admiration.

See the film with this attitude, and you will be rewarded; if not, you'll be disappointed.

No doubts, an admirable film. For performance and for for the wise use of low budget to propose not only a biopic about Dietrich Bonhoeffer but a fair remind of fundamental values defining our society, the danger , in its different forms, the moral dilemma of a brilliant teologian and the sacrifice for save the other and the sense of a time. Sure, many critics are valable but the film is just decent and seductive for the inspired exploration of a difficult subject, easy to be prey of pathetic temptations. It is a sketch and a profound religious film because the essence of the work of Bonhoeffer is to serve God being profound helpful to His believers . A film about moral, maybe too simple for many tastes but real honest. Short, just an admirable portrait of a man and, in some serious measure, portrait of our times.