A Berlino, 1938, Adolf Hitler ed Eva Braun hanno una relazione di amore e odio con i loro vicini ebrei.A Berlino, 1938, Adolf Hitler ed Eva Braun hanno una relazione di amore e odio con i loro vicini ebrei.A Berlino, 1938, Adolf Hitler ed Eva Braun hanno una relazione di amore e odio con i loro vicini ebrei.
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Sometime in the mid 1980s. A Channel 4 sketch comedy show mocked the BBC sitcom Allo Allo. They had a similar premise set in modern day Belfast.
Heil Honey I'm Home! Had a same type notion but it was set in the late 1930s. Only one episode was broadcast, then again British Satellite Broadcasting was short-lived. Running out of cash it merged with Sky television by the end of 1990.
It is set like the typical 1950s/60s US sitcoms. The only difference is, Adolf Hitler is the fuhrer, living with Eva Braun in the next door apartment to the Goldsteins.
In the first episode, Hitler is going to have a visit from the British Prime Minister Neville Chamberlain. He does not want the Goldsteins to know about it as they seem to find out everything. Little knowing that Eva spills the beans.
Neville wants Hitler to sign an important document called Peace In out Time. Something Hitler is reluctant to do.
Somewhat ahead of its time. The Marvel show Wandavision parodied US sitcoms. Mainstream news channels in 2023 both in America and Europe parrot and promote fascistic talking points. The enemy are liberals and Antifa (short for anti-fascists.)
So in that context if you approach the show with an open mind. It is very well made for 1990 but not that funny. It works better as a spoof of old US sitcoms but has less satirical bite when it comes to Hitler and what the Nazis stood for. Although here Neville embarrasses Hitler to sign the document as a signal that he really is a nice guy.
If it was made a few years ago, it would have been a perfect fit for the Murdoch owned Fox network and they would have been sympathetic to the Nazis.
Heil Honey I'm Home! Had a same type notion but it was set in the late 1930s. Only one episode was broadcast, then again British Satellite Broadcasting was short-lived. Running out of cash it merged with Sky television by the end of 1990.
It is set like the typical 1950s/60s US sitcoms. The only difference is, Adolf Hitler is the fuhrer, living with Eva Braun in the next door apartment to the Goldsteins.
In the first episode, Hitler is going to have a visit from the British Prime Minister Neville Chamberlain. He does not want the Goldsteins to know about it as they seem to find out everything. Little knowing that Eva spills the beans.
Neville wants Hitler to sign an important document called Peace In out Time. Something Hitler is reluctant to do.
Somewhat ahead of its time. The Marvel show Wandavision parodied US sitcoms. Mainstream news channels in 2023 both in America and Europe parrot and promote fascistic talking points. The enemy are liberals and Antifa (short for anti-fascists.)
So in that context if you approach the show with an open mind. It is very well made for 1990 but not that funny. It works better as a spoof of old US sitcoms but has less satirical bite when it comes to Hitler and what the Nazis stood for. Although here Neville embarrasses Hitler to sign the document as a signal that he really is a nice guy.
If it was made a few years ago, it would have been a perfect fit for the Murdoch owned Fox network and they would have been sympathetic to the Nazis.
Living in a small Berlin apartment with a Jewish couple for neighbours, the Hitlers (Der Führer Adolf Hitler und Frau Eva Braun-Hitler) bicker and squabble in the years leading up WW2. The single broadcast episode (of 8 made) of the tactless Brit-com is remarkedly unfunny, considering that it is a parody of the easily parodied American sitcoms of the '50s and '60s (especially the shows with a 'gimmick': witches, genies, talking cars, etc.). 'Heil Honey' does a good job of replicating the look and sound of its targets (the predicable jokes, the intrusive laugh track, the canned applause when characters enter the scene, etc.) and with a bit more cleverness might have made for a memorable 15-minute skit on Monty Python or SNL, but as a 30 minute episode of a proposed TV series, it wore itself out by the end of the first act. Needless to say, the show was vilified for making light of Hitler, of antisemitism, and of the events leading up to the war, but, while it no doubt offended many people, 'Heil Honey, I'm Home' was clearly intended as an over-the-top parody not to be taken seriously whatsoever (in the same vein as 'Hogans Heroes', 'The Producers', or any of the multitude of satirical cartoons, songs, movies, etc that came out when the war was still being fought). The only parts I found amusing was the image (referred to but not shown) of Herr Joseph Goebbels at the Berlin airport holding up a cardboard sign reading "Neville Chamberlain" while awaiting the arrival of the British Prime Minister and the show's alternate 'animated opening'. Of interest only of you want to prove to yourself that the show actually existed or to see what 'all the fuss was about' (I first heard of it when surfing 'worst' lists).
Well, what can be said about "Heil, Honey I'm Home"? Basically, any sitcom about Adolf Hitler living next door to a Jewish couple is destined for disaster from day one. The fact that there were only eight episodes filmed but only one was ever shown says it all. This was made by the old BSB satellite company back in the days when satellite TV was something of a joke in the UK. Looking back at this programme makes it easy to understand why this was the common presumption.
The content of the programme was shocking, especially when it is from the so-called "more understanding" 90's rather than the politically-incorrect 70's. An example of the crass, offensive content is a scene in which Adolf is almost suffering a nervous breakdown. His wife Eva tells him to "think happy thoughts". "Poland!" shouts Hitler, with a devilish grin. And this is funny?!
The content of the programme was shocking, especially when it is from the so-called "more understanding" 90's rather than the politically-incorrect 70's. An example of the crass, offensive content is a scene in which Adolf is almost suffering a nervous breakdown. His wife Eva tells him to "think happy thoughts". "Poland!" shouts Hitler, with a devilish grin. And this is funny?!
There is quite a lot to be said about this series and I'm gonig to try to be as fair as possible.
The main basis of this show is combining two different scenarios, one being Nazi Germany and an American sitcom. Both situations are very different and therefore trying to merge them did not work in my honest opinion. Sitcoms which make light of wartime situations are not uncommon. Examples include Allo Allo, Goodnight Sweetheart and Blackadder Goes Forth were successful despite using a theme which was quite sensitive.
Heil Honey I'm home, just does not appear to have the same sort of steam. Quite frankly Hitler became so Americanised that he was quite similar to Oliver Hardy.
I can't blame the people involved for trying to think of a different comical situation which has not been used before. Quite a few Jews were involved in the making of it, so I wouldn't have thought it would have been that bad based on this.
Another interesting fact is that it was shown on a satellite channel in the UK in a time when satellite TV was not very common, therefore how many people actually saw it? What would the general reaction be if it were to be shown today?
I've only seen the first episode and I remember it being quite tedious with very little comical bite. I can't help but wonder what the other episodes were like and seeing them may help form a better opinion on the series as a whole. Considering Hitler was supposed to be plotting to kill his Jewish neighbours though doesn't fill me with much confidence that it would be good to watch (by the way, I'm not Jewish).
I can't blame them for making this programme and I think it has served as a learning curve for programme production (worth watching once for this) but it is a shame that effort was clearly put in but the results were very disastrous.
The main basis of this show is combining two different scenarios, one being Nazi Germany and an American sitcom. Both situations are very different and therefore trying to merge them did not work in my honest opinion. Sitcoms which make light of wartime situations are not uncommon. Examples include Allo Allo, Goodnight Sweetheart and Blackadder Goes Forth were successful despite using a theme which was quite sensitive.
Heil Honey I'm home, just does not appear to have the same sort of steam. Quite frankly Hitler became so Americanised that he was quite similar to Oliver Hardy.
I can't blame the people involved for trying to think of a different comical situation which has not been used before. Quite a few Jews were involved in the making of it, so I wouldn't have thought it would have been that bad based on this.
Another interesting fact is that it was shown on a satellite channel in the UK in a time when satellite TV was not very common, therefore how many people actually saw it? What would the general reaction be if it were to be shown today?
I've only seen the first episode and I remember it being quite tedious with very little comical bite. I can't help but wonder what the other episodes were like and seeing them may help form a better opinion on the series as a whole. Considering Hitler was supposed to be plotting to kill his Jewish neighbours though doesn't fill me with much confidence that it would be good to watch (by the way, I'm not Jewish).
I can't blame them for making this programme and I think it has served as a learning curve for programme production (worth watching once for this) but it is a shame that effort was clearly put in but the results were very disastrous.
Presented as a lost American sitcom that was never heard from again until lost tapes were found and shown again, this sitcom is an "I Love Lucy" style sitcom which features Hitler and Eva Braun living in an apartment block and dealing with all the comic confusions and communication breakdowns that all sitcom couples seem to have. Of course the irony of the fictional "rediscovered" framing of the show is that the actual show itself was binned after one episode and never seen again apart from some bad copies floating around on the internet.
The reason for this was supposedly on the grounds of bad taste to have a show featuring Hitler as a comedy figure – thus making light of history. Of course this is a fair accusation to level at the show, but also not a totally straight one since other shows such as Allo, Allo, films such as The Producers and others have used WWII and the Nazis as comedy figures and have been successful. No, while the accusations of poor taste may have come, I'd guess what sank the show was that frankly the first episode is not at all funny. Instead of spoofing Hitler it appears to be more about aping the conventions of the American sitcom while using these characters. I was surprised to see Geoff Atkinson as one of the writers – I know him from very sharp work with Bremner, Bird & Fortune, so it was disappointing to see nothing really clever or challenging about the content beyond the shock value of the characters.
The performances are pitched well to play into the sitcom style but the material they have is weak and soon I got tired of their big delivery and the laugh track doing all the work. Pop-culture History will recall that this was the show that got removed for being in bad taste, however the evidence we are left with that, while some in the papers may have kicked up the usual hand-wringing as they do with many shows, what probably saw this show pulled was that nobody had any interesting in fighting for a show that didn't appear to be any good.
The reason for this was supposedly on the grounds of bad taste to have a show featuring Hitler as a comedy figure – thus making light of history. Of course this is a fair accusation to level at the show, but also not a totally straight one since other shows such as Allo, Allo, films such as The Producers and others have used WWII and the Nazis as comedy figures and have been successful. No, while the accusations of poor taste may have come, I'd guess what sank the show was that frankly the first episode is not at all funny. Instead of spoofing Hitler it appears to be more about aping the conventions of the American sitcom while using these characters. I was surprised to see Geoff Atkinson as one of the writers – I know him from very sharp work with Bremner, Bird & Fortune, so it was disappointing to see nothing really clever or challenging about the content beyond the shock value of the characters.
The performances are pitched well to play into the sitcom style but the material they have is weak and soon I got tired of their big delivery and the laugh track doing all the work. Pop-culture History will recall that this was the show that got removed for being in bad taste, however the evidence we are left with that, while some in the papers may have kicked up the usual hand-wringing as they do with many shows, what probably saw this show pulled was that nobody had any interesting in fighting for a show that didn't appear to be any good.
Lo sapevi?
- QuizAlthough eight episodes were shot, only the pilot was shown on television following accusations of bad taste.
- ConnessioniFeatured in 100 Greatest TV Moments from Hell (2000)
- Colonne sonoreMain Title
Music and Lyrics by Kate Robbins & Geoff Atkinson
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