Saldato

This is based on a true story set In the 80's, in Harlem. It follows an Afro-American worker of a laundromat, called Ace, who is seduced by the easy money of his friend Mitch and when Mitch is arrested, he becomes a drug lord. Later, her joins Mitch and his new-friend Rico as his right arms, ruling the neighborhood. His kingdom is destroyed one year later, after successive betrayals.

I liked this .

It's not a story we haven't seen before 2002 or after but what makes this really good is the acting .

Thanks to that acting done of this cast went on to star in The Wire , one of the best TV shows ever made .

Wood Harris is the stand out actor .

He's incredibly impressive and you have to wonder why he's career hasn't really taken off since , although he has appeared in some big films .

This movie pulls no punches . The characters on show will do anything for money , including betraying , kidnapping and murder and you don't at any stage have much sympathy for those who carry out the crimes . It's the families that inevitably suffer .

I'm trying to figure out why this movie is being compared to New Jack City? Paid if Full is about 3 real life teenagers who made the drug game in Harlem huge. Azie, Alpo, and Rich Porter weren't fictional characters. I gave this movie a 7 because a lot of their story was left out. To get the full story including interviews you must see 'Game Over'. I know that only so much can fit into a movie's 2.5 hr time frame but there were so many things in their story that was left completely out. In an interview I read that AZ did with a NY newspaper, he stated that he was not happy with how the movie came out because it was supposed to be a movie that did not glorify the drug game. http://newyorkmetro.com/nymetro/movies/n_7905/ --> the website with the interview. These movies don't compare at all. Just because they both mention Scarface and take place in NYC and because they involve the drug game does not make the movies comparable.

I was scanning through the channels one night and stopped on this film. Man, was I glad. It's nice to see the filmmakers trust the audience and their film by not cluttering up scenes with music. The silence was golden. Great direction, great acting and great music! I could tell this was based on a true story. It was so edgy and gritty it could not have been made up. The hardest part of making a true story work is keeping it real, they did that. I recognized all the actors, some one needs to hire Cam'ron he was great. I don't think you can compare this with New Jack City, I liked New Jack City but it was allot softer the Paid In Full. I could feel the tension in some of the scenes, it was powerful. I might buy this one.

The long list of dramas we've had involving violence and drugs. 'Boyz in the Hood', 'Menace to Society' among others and in the mix was 'Paid in Full' years later that I hadn't seen until now. Three different young men in 80's Harlem selling cocaine. The story feels authentic, but is very predictable.

That it's loosely based on real people doesn't matter. The highs and lows, the rise and fall. People dying. It's well worn territory. You watch interactions with characters who you know are going to become a problem so it's with no shock when they later do. Watch enough of these movies and they all start to blend together after a while.

Wood Harris's character Ace is a contradiction. He tries to stay away initially but gets sucked in by the money. Wants to be smart. Doesn't want to be all flash, high profile yet he still wears expensive clothing and drives around in high-end cars. Mekhi Phifer's Mitch is all about the flash and being popular, but he has great charisma. Very likable especially when showing care for his younger brother's well being. Cam'ron as Rico feels real, but you know what type of dude he is the moment you meet him. A loud mouth with more balls than brains with suspect loyalty who's gonna meet one of two fates.

'Paid in Full' is well acted and stays grounded. It doesn't go over the top, but it has no edge, nothing to really set it apart. It's attempt at trying to end on a relatively positive note after all the sadness and tragedy left a bitter taste in my mouth. It's a betrayal to everything that happened.

It is the mid-eighties in Harlem and Ace is working in a laundrette making honest (if small) money while his friend Mitch is rolling in the ill-gotten gains of street dealing. However a chance meeting with Lulu sees him entering the cocaine market, albeit with tentative steps. When Mitch gets sent to jail for a stint, Ace fills the local gap, underselling his competition and keeping everyone fed to avoid beef. With Mitch back on the streets with new friend Rico, Ace continues to rise within his community but still maintaining his lowkey and quiet personae. However coming to the top draws more attention while the loud and aggressive Rico contrasts with Ace's style and trouble is not far away.

It was the presence of Wood Harris that drew me to this film even if the hip hop stars in acting and producing roles did worry me that this was just going to be a basic modern blaxploitation movie that panders to the lowest common denominator to make cash. Based on a true story, it did offer me hope that it would be more than the usual rush to embrace lazy urban clichés and to a degree it does manage to sit above the usual standards of the genre. The connection in my head with The Wire probably didn't help because this is nowhere near the level that that series consistently operates at. Instead the narrative is fairly linear and straightforward but it is still interesting and well delivered.

I'm not sure if I was totally convinced by the character of Ace all the time but he did make for a good centre piece and the film is less moved by the events around him than it is by how he is within them. As such Harris is actually very good and never looks like he is about to fall into cliché or easy action. To a lesser extent Phifer does the same. He has less to work with for the majority of the time but one or two later scenes show how good an actor he can be. The same cannot be said of Cam'ron who plays the cliché throughout. He is effective at it but that doesn't mean I should praise him for ticking boxes with his screen time. McBride, Hall, Morales are reasonable but I do question the value (other than marketing) of cameos from Noreaga, Fresh, Dash, Simmons and others. Director Stone does an OK job but is greatly helped by the sense of period that the film consistently has thanks to the design of sets and costumes.

A solid narrative keeps it interesting, even if it is not really that surprising or clever. Of course compared to most hip hop films this is surprisingly good and it does benefit from being based on a true story and featuring good turns from Harris and, to a lesser extent, Phifer.