Aggiungi una trama nella tua linguaCantankerous theatre critic Sheridan Whiteside falls on an icy sidewalk, breaks his hip, and is temporarily stranded at the Ohio home of Richard Stanley and his family. While he's there, Whi... Leggi tuttoCantankerous theatre critic Sheridan Whiteside falls on an icy sidewalk, breaks his hip, and is temporarily stranded at the Ohio home of Richard Stanley and his family. While he's there, Whiteside turns life upside-down for everyone.Cantankerous theatre critic Sheridan Whiteside falls on an icy sidewalk, breaks his hip, and is temporarily stranded at the Ohio home of Richard Stanley and his family. While he's there, Whiteside turns life upside-down for everyone.
- Regia
- Sceneggiatura
- Star
Harriet Sansom Harris
- Maggie Cutler
- (as Harriet Harris)
Jeff Hayenga
- John
- (as Jeffrey Hayenga)
Recensioni in evidenza
I gave this DVD version of the play a 10 simply for the scene stealing performance by Byron Jennings. He is truly amazing as Beverley Carlton. This is not to be missed by anyone who appreciates uncommonly gifted acting.
Nathan Lane as Sheridan Whiteside is the perfect foil for him. His line about the Lindbergh baby is hilarious, and Byron Jennings' reaction is well in tune with Nathan Lane's humor. It's rare to watch actors who are so much in sync with each other. Too often a film or play will feature great talent playing opposite mediocre talent. Speaking of which, the actress who plays Sheridan Whiteside's secretary is not of their caliber and detracts from their performance.
The play's greatest weakness is that Mr. Jennings appears in just one scene.
Still, it's amazing enough to be worth the cost of purchase.
It's so unfortunate that American film and theater productions place greater value on perfectly photogenic looks, rather than exceptional talent. If only film and theater goers were able to recognize and value substance and depth of character, they would be able to look beyond the shallowness and one dimensional "acting" that is foisted on us.
Nathan Lane as Sheridan Whiteside is the perfect foil for him. His line about the Lindbergh baby is hilarious, and Byron Jennings' reaction is well in tune with Nathan Lane's humor. It's rare to watch actors who are so much in sync with each other. Too often a film or play will feature great talent playing opposite mediocre talent. Speaking of which, the actress who plays Sheridan Whiteside's secretary is not of their caliber and detracts from their performance.
The play's greatest weakness is that Mr. Jennings appears in just one scene.
Still, it's amazing enough to be worth the cost of purchase.
It's so unfortunate that American film and theater productions place greater value on perfectly photogenic looks, rather than exceptional talent. If only film and theater goers were able to recognize and value substance and depth of character, they would be able to look beyond the shallowness and one dimensional "acting" that is foisted on us.
PBS is to be commended for its "Stage on Screen" series premiere with this live broadcast from the newly restored 42nd Street theater district in New York City. While Nathan Lane has less of the imperious acidic bite that Monty Woolley brought to the 1942 film, Lane and the play still have punch and sparkle.
Of necessity, the live stage performance lacks the brisk pace of the movie simply because of the stops for scene changes or intermissions between acts. In addition, the classic film was pared down for length. In this broadcast, the interruptions were at least filled with chatty information about the play, the people represented in the play, and the resurrection of 42nd Street.
Despite or because of its dated allusions and overt references, the play is a delightful slice of real life in America just prior to World War II. The work stands up well and is likely to be a classic of 20th Century American theater.
Of necessity, the live stage performance lacks the brisk pace of the movie simply because of the stops for scene changes or intermissions between acts. In addition, the classic film was pared down for length. In this broadcast, the interruptions were at least filled with chatty information about the play, the people represented in the play, and the resurrection of 42nd Street.
Despite or because of its dated allusions and overt references, the play is a delightful slice of real life in America just prior to World War II. The work stands up well and is likely to be a classic of 20th Century American theater.
'The Man Who Came To Dinner' revival was just absolutely amazing! The cast shined. Mr.Sheridan Whiteside was played by the one and only Nathan Lane, who made the play pleasurable the whole time. Jean Smart was, in my opinion, one of the funniest on stage. In a specific scene, when she finds out her cables have been wrongfully sent, she has the crowds (and folks at home) up in roars. This wonderful cast also includes Lewis Stadlen, Harriet Harris, Byron Jennings, Terry Beaver, and many more. If you are ever faced with the chance to see this play, don't pass on it! It Is A True Masterpiece!!
What a treat to watch. Having recently portrayed the role of Mr. Whiteside in a local civic theatre production, I was reluctant to view the movie beforehand, so that I might give the pompous "Babys Breath" my own take. I am proud to report that as much as a a non professional can, I approached the character much like Mr. Lane did.(Only with a bit more heavy handed shouting)Jean Smart is always a treat to watch in anything she does, and I agree, that the role of Banjo was handled with the appropriate lunacy. Also excellent was Harriet Harris. She was able to convey the intimacy that comes from years of being someones right hand, and then to lose that when you have been sidelined by that very same person. It is a wonderful movie to watch. And one of my most favorite roles on stage.
We were unable to get tickets for this show while in NYC on vacation this summer, so it was a pure delight to have live Broadway brought into our home! We can only hope for more productions of a similar nature!!
Lo sapevi?
- QuizThe part of Banjo was originally based on Alexander Woollcott's good friend, Harpo Marx. However, in this production, the character is blatantly patterned after Jimmy Durante, who played the role in the 1942 film adaptation.
- Citazioni
Sheridan Whiteside: I may vomit.
- ConnessioniReferenced in My Boys: Free Agent (2006)
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What is the Spanish language plot outline for The Man Who Came to Dinner (2000)?
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