Dorian

A mediocre re-telling of Oscar Wilde's classic Dorian Gray tale, the only thing about it worth watching is Malcolm McDowell.

In his typical baddie role, McDowell is gleefully diabolical and makes even the most ridiculous plot turns almost believable.

The rest of the action, while pretty enough to look at, is flawed and boring at best. I rented this on the dollar shelf, and I rented it for McDowell. I got what I paid for.

Interestingly, IMDb doesn't allow me to post less than 10 lines of text, so I'm not going to have enough to say about its cheesy acting, rehashed-into-pulp mush of a very thin plot, bad dialogue, wooden character interactions, and all-around TV-movie feel. It's the kind of movie you watch when there's absolutely nothing else to do.

My advice? Vacuum instead.

"The Picture of Dorian Gray", the classic story written by Oscar Wilde in 1890, was adapted to the modern times in "Dorian", a quite cheesy film that brings the same story with a giant variety of changes and characterizations of events, in short a drastic summary for people who hate read books and prefers to watch images.

The story goes from the 1890's to the 2000's; Dorian (played by Ethan Erickson) isn't rich, he's a young worker that happens to be in the right place at the right moment when his beauty is noticed by Henry (Malcolm McDowell) who wants to transform the average worker into a famous top model. Instead of painted picture Dorian is immortalized into a photograph that will become ugly, scary while he'll never get old after making a pact with the devil (the notion we get is that Henry is the devil who steal cute guys souls to take). There's the forever young theme, the romance between Dorian and Sybil; tragedies, beauty vs. Ugliness vs. Intelligence and body vs. Soul, and the elements and quotations perfectly written by Wilde in his masterpiece.

But there's something rotten in this film, something that doesn't work quite right. Actually, many things. The wooden acting from the casting (but hey, 'Mr. Hans Landa' Christoph Waltz is there to give an impressive job here), the script that is pretty laughable at so many moments (the photo session with Dorian trying to do a sexy pose is one of those); and once you love the book, know how everything is so perfect and beautiful in it, you can't never achieve greatness in an update like this. A remake with period costumes, closer to what the writer wrote, like the one made in 1945, works way better than this.

"Dorian" only works when it comes to see how handsome Dorian is, I mean, the main actor who looks incredibly hot whether shirtless, showing his great body or just wearing those tight jeans, so nice to look, he's very hunky. His female co-stars are equally good, except for the one who plays Sybil Vane, which might only be attractive to the director or Dorian's eyes.

This Dorian Gray's modernization might work for the poor souls who haven't got the opportunity, or the time and patience to read one of the most dazzling and respected classic of English Literature. To me, it was just an silly entertainment, with some good laughable moments. 4/10.

A cheesy, modern take on The Portrait of Dorian Gray story. The most unsettling thing is, there are supposed to be flashbacks from 20 years earlier, but they aren't the least bit convincing - it almost feels like the moments occurred on a previous day. Malcolm McDowell's character is either immortal and unaging, or the makers of this film didn't feel it was important enough to put him in makeup to make him 20 years younger for these flashback moments. It was later on that I realized that this film may have been originally shot for television, due to the fading in and out that occurs whenever possible.

a great novel is too fragile to be a toy. this movie is proof.the intention of director is not very bad but not cast, not clothes, not acting can save a nasty script. and the acting is not impressive. this movie is only a stupid game with pieces from Faust and Dorian Gray. no start, no end. only a perfect chaos.boring, strange, gray. a kind of blasphemy. it is not an error or mistake. it is only a show, adaptation for a kind of public, mixture of fashion, photo art and temptation of celebrity, metamorphosis and moral lesson. so, the sin is option for Oscar Wilde. and the childish desire to tell a profound story as ordinary joke.otherwise, only great virtues for time waste

Everything about this sickly adaptation of Oscar Wilde's The Picture of Dorian Gray stinks to heaven: stinks its saccharin cloying disco soundtrack, stinks Cheshire Cat's grin of a protagonist throughout the film, stinks its stuffy atmosphere of cheap glamour. After the publication of bestseller about the model Dorian - I wonder what kind of bestseller may be written about a man advertising underwear - he becomes famous and forever young thanks to devilish charms put into his photograph and forever intoxicated on drugs and alcohol he's galloping through beautiful people's parties thanks to his putrid popularity straight to his unavoidable bitter end. If there weren't so many funny Malcolm McDowell's grimaces, for whom playing a demonic being is business as usual, I would have given this piece of crud just one star.