Il gobbo di Notre Dame 2 - Il segreto della campana
Titolo originale: The Hunchback of Notre Dame II
VALUTAZIONE IMDb
4,6/10
8668
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaQuasimodo goes into action when a magician seeks to steal one of the bells of Notre Dame.Quasimodo goes into action when a magician seeks to steal one of the bells of Notre Dame.Quasimodo goes into action when a magician seeks to steal one of the bells of Notre Dame.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 12 candidature totali
Jason Alexander
- Hugo
- (voce)
Paul Kandel
- Clopin
- (voce)
Charles Kimbrough
- Victor
- (voce)
Kevin Kline
- Phoebus
- (voce)
Michael McKean
- Sarousch
- (voce)
Demi Moore
- Esmeralda
- (voce)
Haley Joel Osment
- Zephyr
- (voce)
Jane Withers
- Laverne
- (voce)
Jim Cummings
- Archdeacon
- (voce)
Frank Welker
- Achilles
- (voce)
- …
Nicholas Guest
- Villager
- (voce)
- …
Recensioni in evidenza
Of course I don't expect Disney direct-to-video sequels, with their little budgets, to look and feel as spectacular as the originals. In fact, of all of them that I have seen, I still think Beauty and the Beast Enchanted Christmas looks the most like a theatrical motion picture, probably because it was not staffed out to any Japanese animation factories (though it does have some stiff moments that look like they were left to the junior animators.)
Being as I am not a Disney collector, I must say my interest is in the characters and the story, which plays a little like a long Saturday morning cartoon - very easy and predictable. (I guess they figure that if there's no trip to the movie theater, adults won't have to sit through these sequels if they don't want to.) But even for someone my age (29) it had some unexpected and touching moments, not to mention a nifty joke or two. I also just can't get over how sweet Quasimodo can be when Tom Hulce plays him. That in itself is worth a viewing. I also dig Madelaine. She's not yer typical Disney chick. I even risk saying she's right up there with Belle on the cool meter. She and Quasimodo have some great scenes.
I did miss some of the musical aspects of the first film. But the song "Ordinary Miracles" has stuck with me pretty good. I think the score just needed more recorders in it. :-) That's what I really missed, that 1490's kind of sound.
And so for all the positives, I have to look past the harsher lines and colors, some lack of detail (though I have to mention the backgrounds were pretty nice), and absence of big-budget digital post production. I've done enough animation myself to know how much work went into this little movie, and what counts to me is that the characters are all there, satisfying to see again. It also fills a little hole left in my heart by the first movie. Without giving away what happens: it was very sweet, to say the least.
No, Hunchback of Notre Dame II is not for film critics, but I think all you regular people will enjoy it!
Being as I am not a Disney collector, I must say my interest is in the characters and the story, which plays a little like a long Saturday morning cartoon - very easy and predictable. (I guess they figure that if there's no trip to the movie theater, adults won't have to sit through these sequels if they don't want to.) But even for someone my age (29) it had some unexpected and touching moments, not to mention a nifty joke or two. I also just can't get over how sweet Quasimodo can be when Tom Hulce plays him. That in itself is worth a viewing. I also dig Madelaine. She's not yer typical Disney chick. I even risk saying she's right up there with Belle on the cool meter. She and Quasimodo have some great scenes.
I did miss some of the musical aspects of the first film. But the song "Ordinary Miracles" has stuck with me pretty good. I think the score just needed more recorders in it. :-) That's what I really missed, that 1490's kind of sound.
And so for all the positives, I have to look past the harsher lines and colors, some lack of detail (though I have to mention the backgrounds were pretty nice), and absence of big-budget digital post production. I've done enough animation myself to know how much work went into this little movie, and what counts to me is that the characters are all there, satisfying to see again. It also fills a little hole left in my heart by the first movie. Without giving away what happens: it was very sweet, to say the least.
No, Hunchback of Notre Dame II is not for film critics, but I think all you regular people will enjoy it!
A previous commentator remarked that this monstrosity of a DTV sequel could only be watched in chunks. I found it interesting that my experience with this movie involved blowing chunks.
I know that's an awfully immature way to describe my experience with Hunchback II, but that's exactly what this thing did to the original Hunchback. It took the very dark (for Disney, at least) original and removed everything from it that made it mature and compelling. The only thing to remain fairly untainted by this incarnation of the film was the one element that was out of place in the original...the gargoyles. They were right at home in this one. That's a bad sign...it's indicative of the overall decline in the film's maturity level.
The first film centered around our protagonists' struggle against Frollo, whose lust for power and for Esmerelda provided a conflict more psychological than would have been found in an average Disney movie. This centers around a guy who wants to steal a big, fancy bell from the bell-tower along with his lovely assistant (who happens to fall in love with Quasimodo along the way). That's it. And people say the first film would have sent Hugo spinning in his grave! The returning characters are not immune from this either. They were at least somewhat well rounded out in the first film, but they have become two-dimensional cardboard cut-outs of themselves.
In fact, pretty much every aspect of the film has become flat. The music has regressed from the choral chants which were so appropriate to the movie's setting and the songs which so perfectly fit the moods and characters in the film to more-or-less generic Disney movie music (if I remember correctly; I've tried to block several aspects of the movie from my memory). There's no use commenting on the "artwork"; it's the same DTV schlock that we've become used to seeing from Disney's TV animation unit. The difference between it and the artwork from the original is like the difference between a child's messy crayon drawing and finely-rendered computer animation.
So, how to sum up? What can I say here that hasn't been said in previous reviews of this and other Disney DTV sequels? Ending with the plea for Disney to stop the insanity would be futile, seeing that sequels are in the works for "Mulan" and "The Jungle Book" (that one should break my will to live). I suppose it's just best to keep our eyes peeled for more of these imposters to the throne of what was once Disney quality. (Heck, these aren't imposters...they're not even trying to masquerade as quality films!)
I know that's an awfully immature way to describe my experience with Hunchback II, but that's exactly what this thing did to the original Hunchback. It took the very dark (for Disney, at least) original and removed everything from it that made it mature and compelling. The only thing to remain fairly untainted by this incarnation of the film was the one element that was out of place in the original...the gargoyles. They were right at home in this one. That's a bad sign...it's indicative of the overall decline in the film's maturity level.
The first film centered around our protagonists' struggle against Frollo, whose lust for power and for Esmerelda provided a conflict more psychological than would have been found in an average Disney movie. This centers around a guy who wants to steal a big, fancy bell from the bell-tower along with his lovely assistant (who happens to fall in love with Quasimodo along the way). That's it. And people say the first film would have sent Hugo spinning in his grave! The returning characters are not immune from this either. They were at least somewhat well rounded out in the first film, but they have become two-dimensional cardboard cut-outs of themselves.
In fact, pretty much every aspect of the film has become flat. The music has regressed from the choral chants which were so appropriate to the movie's setting and the songs which so perfectly fit the moods and characters in the film to more-or-less generic Disney movie music (if I remember correctly; I've tried to block several aspects of the movie from my memory). There's no use commenting on the "artwork"; it's the same DTV schlock that we've become used to seeing from Disney's TV animation unit. The difference between it and the artwork from the original is like the difference between a child's messy crayon drawing and finely-rendered computer animation.
So, how to sum up? What can I say here that hasn't been said in previous reviews of this and other Disney DTV sequels? Ending with the plea for Disney to stop the insanity would be futile, seeing that sequels are in the works for "Mulan" and "The Jungle Book" (that one should break my will to live). I suppose it's just best to keep our eyes peeled for more of these imposters to the throne of what was once Disney quality. (Heck, these aren't imposters...they're not even trying to masquerade as quality films!)
Of course there are things wrong with it, but it is not unbearable, no way it isn't. I absolutely love the original, (dark, powerful, poignant and chilling)which is THEME driven not plot driven, and the music overall made a suitably poignant film, based on a disturbing story by Victor Hugo, who seems to have a relationship with sad endings.
One thing I didn't like about the sequel was the change to Esmeralda. She was my favourite character in the original, however you don't see much of her, and when you do, you don't empathise with her as much, if at all. And there were some early scenes when they animated her with no nose. Pheobus is basically a jerk here with some awful dialogue mostly. The songs were not brilliant to be perfectly honest with you, but they could have been worse, although the one over the end credits was lovely. So was Ordinary Miracles, even if it was a clone of Out There. Likewise with the animation, very Saturday morning standard, and often horrible to look at. The rather pantomime villain was neither sinister or frightening, a complete contrast to the legendary Frollo in every aspect, but Michael McKean did a serviceable job with the voicing, so I'll give the character some credit. I didn't think much of the overall plot, as it was very predictable, like most DTV sequels. The studio should have made this theme driven too. A major reason why the plot and characters weren't as good this time around is because the short is far too short at a meagre 63 minutes.
On the other hand, the main positive was a surprisingly good performance from Jennifer Love-Hewitt, as Quasimodo's love interest, Madelleine, I just loved her personality. Zephyr was a spirited boy also, and his well-developed relationship with Quasimodo, was a delight to see, and very sweet. The film was a little short, but moved along at a reasonable pace. You really feel for Quasimodo here like the original., and the gargoyles are marginally better than they were in the original, where their song was very good but misplaced(the only criticism of the original). I just want to clear up one thing. The gargoyles as explained in the book, are made of stone, and are part of Quasimodo's imagination. Also, there are parts of the book, that just wouldn't work for animation, so please stop criticising the original for its unfaithfulness to the book, because there was a reason for that.
All in all, a short and sweet, if flawed sequel, that isn't as awful as many infer. 5/10 Bethany Cox
One thing I didn't like about the sequel was the change to Esmeralda. She was my favourite character in the original, however you don't see much of her, and when you do, you don't empathise with her as much, if at all. And there were some early scenes when they animated her with no nose. Pheobus is basically a jerk here with some awful dialogue mostly. The songs were not brilliant to be perfectly honest with you, but they could have been worse, although the one over the end credits was lovely. So was Ordinary Miracles, even if it was a clone of Out There. Likewise with the animation, very Saturday morning standard, and often horrible to look at. The rather pantomime villain was neither sinister or frightening, a complete contrast to the legendary Frollo in every aspect, but Michael McKean did a serviceable job with the voicing, so I'll give the character some credit. I didn't think much of the overall plot, as it was very predictable, like most DTV sequels. The studio should have made this theme driven too. A major reason why the plot and characters weren't as good this time around is because the short is far too short at a meagre 63 minutes.
On the other hand, the main positive was a surprisingly good performance from Jennifer Love-Hewitt, as Quasimodo's love interest, Madelleine, I just loved her personality. Zephyr was a spirited boy also, and his well-developed relationship with Quasimodo, was a delight to see, and very sweet. The film was a little short, but moved along at a reasonable pace. You really feel for Quasimodo here like the original., and the gargoyles are marginally better than they were in the original, where their song was very good but misplaced(the only criticism of the original). I just want to clear up one thing. The gargoyles as explained in the book, are made of stone, and are part of Quasimodo's imagination. Also, there are parts of the book, that just wouldn't work for animation, so please stop criticising the original for its unfaithfulness to the book, because there was a reason for that.
All in all, a short and sweet, if flawed sequel, that isn't as awful as many infer. 5/10 Bethany Cox
Surprisingly touching and fun, most can not get passed the down-graded animation, but it was created by the animators for TV cartoons in Japan. The story itself is sweet and engaging and I love how the original cast returns to their roles. True this film can not compare to the music of the original, yet I am glad to see this film created, because Quasimodo deserves love and they created a worthy character in Madeline. If the film had been created by the Disney animation studio I bet people would have a much better opinion of it. You should see it, it is a cute and bouncy tale. I don't much care for direct to video animated movies, but this one won me over
The first HOND is my favorite Disney film of all time, and definitely ranks in my top five films favs EVER. This film, however, is just a joke to try and entertain children with a watered-down, lighthearted comedy movie that fails to be original or entertaining. The animation is crap, the plot line is simple enough to bore you to death, and the villain is not even a fraction of the greatness Frollo was. All the villain is after is a stupid bell, how boring is that? The characters aren't even that likable, even Esmeralda, Phoebus, and Quasi don't share the same spark of personality they had in the first film. They're basically cardboard cutout characters. The songs are annoying and guess what? The may have killed off Frollo, one of the deepest villains in Disney history, but at least they still have the cute gargoyle sidekicks! (shoot me now.) Don't bother seeing this film, just don't. It is absolutely the worst Disney sequel I have ever seen in my entire life.
Lo sapevi?
- QuizThis film boasts an unusually star-filled cast for a low-budget direct-to-video cartoon. In fact, all of the characters who reprise in this sequel are played by the same actors except for Laverne, Djali, and Achilles. Laverne actress Mary Wickes passed away in 1995 shortly before completing her work in the original. Jane Withers, who finished Wickes' work on that film (uncredited), voices the character in this one. Mary Kay Bergman committed suicide in 1999 so Djali was voiced by Frank Welker, who played the baby bird in the first film, while also taking over for Achilles. Bob Bergen, the original voice of Achilles, is the only living actor to not return for the sequel for a character that returned.
- BlooperWhile working as a metaphor for the movie's "beauty is within" message, La Fidele bell is an impossible object: with the interior covered in gold and jewels, it would be both impractical (nobody would see it, and church decorations are meant to be seen) and useless, since the acoustics would be terrible, not to mention the clanger of the bell would damage the decoration every time it rang.
- Citazioni
Madellaine: [seeing La Fidele for the first time] Oh, it's beautiful.
Quasimodo: Yes, you are. I-I mean, yes, she is! La Fidele, that is. That's her name, La Fidele. "The Faithful One."
[lifting La Fidele up to reveal the inside to Madellaine]
Quasimodo: But she's even more beautiful on the inside.
[Madellaine gazes eagerly]
Quasimodo: I'll-I'll show you.
- Curiosità sui creditiAs with the original first film, no opening credits aside from the film's title are shown.
- ConnessioniFeatured in Troldspejlet: Episodio #26.8 (2002)
- Colonne sonoreLe Jour D'Amour
Written by Randy Petersen and Kevin Quinn
Arranged by Carl Johnson
Performed by Jason Alexander, Tom Hulce, Paul Kandel, Charles Kimbrough, and Jane Withers
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- Celebre anche come
- The Hunchback of Notre Dame 2: The Secret of the Bell
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 8 minuti
- Colore
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- 1.66 : 1
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