Nell'intimità - Intimacy

I've seen this film in USA and the taste that I felt is quite bitter; not because it was a lousy film, per contra, but because of the way that a man and a woman try desperately to escape from a lonely and abortive life, is so vivid and so authentic. I was tempted to catalogue the sex scenes, too daring but let's face it, this is the reality. Like probably Zola would say "naturalism not hypocrisy". If you want to see this film it's better to leave home all your prejudices about how life should be.

"Intimacy" tells of a divorced man and a married woman who have weekly loveless sex while each knows little of the other. The film explores the "why" of their peculiar relationship and follows the pair of protags to their inevitable conclusion. Whatever you know, think, or read about this film, it does break new ground as it pushes legitimate cinema one small measure toward its destiny by illuminating that dark corner of human behavior currently occupied only by pornography. Be prepared for graphic sex/nudity and some intensely personal scenes in a stark, austere, somewhat depressing but very courageous drama. Not for prudes, "Intimacy" will be most enjoyed by mature drama enthusiasts. (B)

'Intimacy' is a very well acted drama, set in London. Jay has left his wife and son a year ago, and lives a disordered life, working as a barman, and carrying some ambiguous relationships with a couple of friends. He meets weekly a woman, Claire, with which he has a pure sexual affair, without any communication, a la 'Last Tango in Paris'. Things start to go wrong in this affair, when apparently involved he follows and finds out the background of the woman, and befriends her husband and young son.

The film is not easy, and sometimes the border between complexity and confusion is crossed. However, the acting is so good that the characters are just alive. Life is confusing as well many times, after all.

The film has many explicit sex scenes, and they have their place in the story line. This film is to a big extend about communication, and sex is the main way of communication between Jay and Claire for much of the film. Will this be enough to sustain their relationship? Well, go and see the movie and you will find out.

8/10 on my personal scale.

This film was controversial when it first appeared because of the fairly frank sexual scenes, although thy are mostly not real (apart from what seems to be actual oral sex at one point). But there is absolutely nothing erotic or unusual about them; they chiefly resemble farm animals mating in a mucky stable. Their coldness is deliberate, and an intrinsic part of this story about emotional chasms. Intimacy is what is missing from the character's lives. The overall milieu, which might be characterised as 'tatty-London' helps this a lot; the whole film is quite depressing in that sense. The least successful part of the film is the depiction of the relationship between Claire and her drama class student, which becomes tedious. The film is immeasurably helped by Timothy Spall's lugubrious taxi driver husband, at once knowing but also in denial.

Though it may not achieve all its aims, Patrice Chereau's would-be existentialist drama, adapted from stories by Hanif Kureishi, makes a welcome change from the recent run of London-based thrillers and comedies. Intriguing while it focuses on the obsessive sexual relationship between non-committal Claire (Kerry Fox) and embittered, divorced Jay (Mark Rylance), the film tends to lose its way as more characters and situations are introduced. Shot, with a lot of hand-held camera, in Jay's untidy flat, in crowded bars, and in busy South London streets, about the only visually beautiful frames are those showing Claire's and Jay's intertwined naked bodies, relaxing after their frenzied love-making.

Meeting once a week, and hardly speaking to each other, both Claire and Jay seem to be satisfied with little more than sex; but his curiosity takes over, he begins to follow her, and is resentful and envious when faced with the realisation that she has a life of her own and may simply be using him. The movie explores questions such as - how far can sex alone can take a relationship; and do words add to or detract from love? Another theme is that of role playing, on the stage and in life.

Both Fox and Rylance are superb in their scenes together; and Timothy Spall is excellent as Claire's talkative, down-to-earth husband. But I confess to finding Claire's friend Betty (Marianne Faithfull) a baffling character. Some sequences, particularly those involving Jay's friend Victor (Alastair Galbraith) and gay French barman Ian (Philippe Calvario), seem simply to be padding. Possibly, Chereau felt the need to insert personalities and scenes from Kureishi's books, even though these were not relevant to the central Claire-Jay situation. Finally, yes, the over-hyped explicit sex is necessary for the movie to work.