Perfect Strangers

I would just like to take this moment to withdraw an earlier comment I have made, Stephen Poliakoff is not the second greatest person working on T.V, he is THE greatest person ever to work on T.V and Perfect strangers is his masterpiece. Developing themes explored in his earlier work Shooting the Past, Perfect Strangers captures the magic and wonder surrounding such things as war stories, mysterious photographs, and dark secrets and hidden stories from family trees. But it's the way he tells these stories, using instantly likeable characters and beautifully worded passages to create a tale, which anyone with a childhood will instantly recognise and relate to. Although the programme is only a third the way through, the final part comes next Thursday, I feel it's safe to say that Poliakoff has created an everlasting programme which will be rediscovered and repeated for years to come. Perfect Strangers deserves to win all the BAFTAs and Media awards it will surely be nominated for.

This is one of the best TV productions of the last ten years. It is being screened on BBC4 as part of the Poliakoff season, and it's a complete delight to see again. The whole cast is terrific. I could watch Gambon just standing in a bus queue.

Poliakoff himself says - a little diffidently - that he wants to make television that people remember. I expect most directors do, but few succeed. I have remembered stills, scenes, even expressions from this drama after five years. Watching it again was like looking through a photo album. It was 'familiar' in more ways than one.

(I've finally worked out that Jason Klamm's perplexing comment on this board is based on the presumption that Stephen Poliakoff's original drama is following on from some late 80's US comedy series. I promise you, the two productions have NO connection apart from the title... not even fifth cousins.)

Perfect Strangers was first aired in May 2001. I was in the midst of my final year degree exams. The first part was shown the night before one of my exams and I recorded it to watch another time so that I could do revision. About 20 minutes into the programme, I took a break from revision and decided to watch the programme for a short time. Perfect Strangers was so captivating that I didn't return to my revision until the programme finished!

Perfect Strangers has a wonderful music score by Adrian Johnston. I was thrilled to find that the following year, a CD of the score had been released. (It includes Adrian Johnston's score from Shooting The Past, an earlier drama also by Stephen Poliakoff and starring Lindsay Duncan and Timothy Spall.)

So, are you ready to meet the family?

This drama is 4+ hours long but it held us in its power throughout. It was not originally intended to be seen all in one day, of course, but is so gripping that if you have it all you'll want to see it all. Some of Britain's finest stage and TV talent was gathered for this - the BBC must have known they were on to a good thing when they saw the script - and that talent is deployed masterfully.

It bears a passing resemblance to "Shooting the Past", another Poliakoff piece for which we have a lot of time. But Perfect Strangers is better. The story is more plausible, the script is better and the characters more rounded.

As far as TV drama goes, this is about as good as it gets. Highly recommended.

I was totally enthralled. I thought this was one of the best things I have seen on Television. I still think about it several years later and will certainly get a copy to keep in my collection to watch again. But not too often - I don't want to spoil a good thing by over familiarity. Since I first saw Perfect Strangers I have sought out everything Stephen Poliakoff has written. I have not been disappointed with the quality of his other plays and television writing. He is simply brilliant. In the Perfect Stranger the cast was Perfect with the mood evocative of an earlier gentler more refined age. Understated, sad, interesting nostalgia but never overly sentimental nor cloying. The sort of thing which British television is so good at. It would be unfair to pick out any particular aspect for praise as it was all so good. Having said that however I must mention Claire Skinner. I don't know why she has not become an A list Superstar. Maybe that is her own choice, but I would rather go and see her in anything she does rather than see any of the other so-called superstars. Maybe she is just famous on British television but if so Amercian television and Hollywood have certainly missed the boat by not grabbing her.