Perfect Strangers

This drama is 4+ hours long but it held us in its power throughout. It was not originally intended to be seen all in one day, of course, but is so gripping that if you have it all you'll want to see it all. Some of Britain's finest stage and TV talent was gathered for this - the BBC must have known they were on to a good thing when they saw the script - and that talent is deployed masterfully.

It bears a passing resemblance to "Shooting the Past", another Poliakoff piece for which we have a lot of time. But Perfect Strangers is better. The story is more plausible, the script is better and the characters more rounded.

As far as TV drama goes, this is about as good as it gets. Highly recommended.

I was totally enthralled. I thought this was one of the best things I have seen on Television. I still think about it several years later and will certainly get a copy to keep in my collection to watch again. But not too often - I don't want to spoil a good thing by over familiarity. Since I first saw Perfect Strangers I have sought out everything Stephen Poliakoff has written. I have not been disappointed with the quality of his other plays and television writing. He is simply brilliant. In the Perfect Stranger the cast was Perfect with the mood evocative of an earlier gentler more refined age. Understated, sad, interesting nostalgia but never overly sentimental nor cloying. The sort of thing which British television is so good at. It would be unfair to pick out any particular aspect for praise as it was all so good. Having said that however I must mention Claire Skinner. I don't know why she has not become an A list Superstar. Maybe that is her own choice, but I would rather go and see her in anything she does rather than see any of the other so-called superstars. Maybe she is just famous on British television but if so Amercian television and Hollywood have certainly missed the boat by not grabbing her.

There's a lot to like about this excellent British drama. The story about the relationships between the members of a family, may seem a bit too simple, and the lack of big surprises may disappoint some people, but anyone who takes a closer look, will discover a rich, subtle, heartwarming family drama that offers very authentic, original characters and more emotions and reality than any soap opera will ever do. Stephen Poliakoff's direction is impeccable, the casting is truly perfect (even for the smallest roles), the actors never less than wonderful. The beautiful music supports the dramatic events in a way that 'Perfect Strangers' will be in your head for several days. An absolute masterpiece.

I am approaching 40, and have a family of my own. I also recall memories from my childhood; family celebrations; weddings; christenings.

One recalls all those people that seemed immortal. One's parents,captured in photographs; cousins whom one has not seen for years. Then in middle age, you meet people to whom you are related. but have not seen for years. You see pictures of those that are no longer with you.

Perfect Strangers is a sublime drama, one which evokes much of the above and so much more. The central performances are touching and evocative. Matthew Mcfadyen is totally convincing as Daniel, and he is well supported by Michael Gambon, Lindsay Duncan, Claire Skinner and Toby Stephens.

Stephen Poliakoff creates a memorable drama, more remarkable in an age of instant TV, reality TV and vapid game shows. Lose yourself in the characters, and the charming, touching story. I dare you not to shed a tear, not to be drawn into the images, the music....in an all to shallow world, this reminds us of what drama can do. Enchanting.

This is one of the best TV productions of the last ten years. It is being screened on BBC4 as part of the Poliakoff season, and it's a complete delight to see again. The whole cast is terrific. I could watch Gambon just standing in a bus queue.

Poliakoff himself says - a little diffidently - that he wants to make television that people remember. I expect most directors do, but few succeed. I have remembered stills, scenes, even expressions from this drama after five years. Watching it again was like looking through a photo album. It was 'familiar' in more ways than one.

(I've finally worked out that Jason Klamm's perplexing comment on this board is based on the presumption that Stephen Poliakoff's original drama is following on from some late 80's US comedy series. I promise you, the two productions have NO connection apart from the title... not even fifth cousins.)