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IMDbPro

Baby Boy

  • 2001
  • T
  • 2h 10min
VALUTAZIONE IMDb
6,5/10
17.632
LA TUA VALUTAZIONE
Snoop Dogg and Tyrese Gibson in Baby Boy (2001)
Home Video Trailer from Columbia Pictures
Riproduci trailer2: 32
12 video
66 foto
Coming-of-AgeCrimeDramaRomanceThriller

A South Central L.A., un giovane uomo afroamericano di vent'anni, immaturo e smarrito deve ora affrontare impegni della vita reale.A South Central L.A., un giovane uomo afroamericano di vent'anni, immaturo e smarrito deve ora affrontare impegni della vita reale.A South Central L.A., un giovane uomo afroamericano di vent'anni, immaturo e smarrito deve ora affrontare impegni della vita reale.

  • Regia
    • John Singleton
  • Sceneggiatura
    • John Singleton
  • Star
    • Alexsandra Wright
    • Tyrese Gibson
    • Taraji P. Henson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    17.632
    LA TUA VALUTAZIONE
    • Regia
      • John Singleton
    • Sceneggiatura
      • John Singleton
    • Star
      • Alexsandra Wright
      • Tyrese Gibson
      • Taraji P. Henson
    • 87Recensioni degli utenti
    • 42Recensioni della critica
    • 55Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 14 candidature totali

    Video12

    Baby Boy
    Trailer 2:32
    Baby Boy
    Baby Boy: Saved
    Clip 0:54
    Baby Boy: Saved
    Baby Boy: Saved
    Clip 0:54
    Baby Boy: Saved
    Baby Boy: B-Roll Selects
    Clip 0:33
    Baby Boy: B-Roll Selects
    Baby Boy: Selected Soundbites
    Clip 0:36
    Baby Boy: Selected Soundbites
    Baby Boy: Pillow Talk
    Clip 1:08
    Baby Boy: Pillow Talk
    Baby Boy: My House
    Clip 0:39
    Baby Boy: My House

    Foto66

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 60
    Visualizza poster

    Interpreti principali57

    Modifica
    Alexsandra Wright
    • Woman Inside
    • (as Alex Wright)
    Tyrese Gibson
    Tyrese Gibson
    • Joseph Summers
    Taraji P. Henson
    Taraji P. Henson
    • Yvette
    Omar Gooding
    Omar Gooding
    • Sweetpea
    Tamara Bass
    Tamara Bass
    • Peanut
    • (as Tamara LaSeon Bass)
    Candy Ann Brown
    Candy Ann Brown
    • Ms. Herron
    • (as Candy Brown Houston)
    A.J. Johnson
    A.J. Johnson
    • Juanita
    Ving Rhames
    Ving Rhames
    • Melvin 'Mel'
    Snoop Dogg
    Snoop Dogg
    • Rodney
    Angell Conwell
    Angell Conwell
    • Kim
    Kareem J. Grimes
    Kareem J. Grimes
    • Do Dirty
    • (as Kareem Grimes)
    Tracey Cherelle Jones
    Tracey Cherelle Jones
    • Sharika
    Kaylan Bolton
    Kaylan Bolton
    • Joe Joe
    Kylan Bolton
    • Joe Joe
    Freez Luv
    Freez Luv
    • Cake Man
    Mo'Nique
    Mo'Nique
    • Patrice
    Juanita Jennings
    Juanita Jennings
    • Rachel
    Liris Crosse
    Liris Crosse
    • Receptionist
    • Regia
      • John Singleton
    • Sceneggiatura
      • John Singleton
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti87

    6,517.6K
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    Recensioni in evidenza

    David, Film Freak

    Good.

    R&B Crooner Tyrese takes a stab at acting in this realistic film about 'Baby Boy' . He thinks he's a man... he's got 2 kids. But really, he's just a baby who doesn't want to leave the cosy confines of his momma's house. There's no actual real plot-line to this movie, it's basically just an excerpt from Baby Boy's life - detailing his relationships with his mother, his kids, his kid's mothers and his mother's new man. Rapper Snoop Dogg also appears in this, as a rather nasty-lookin ex-boyfriend of Tyrese's woman. Fine directing, strong acting, a good metaphorical element about him being in the womb and sly humour make Baby Boy a good watch... although those sexually inhibited might find this a bit strong!
    Sardony

    "Baby Boy" has value beyond stereotypes

    I really liked "Baby Boy." But maybe that's because I'm as white as they come. I've just read some other User Comments here, and whether John Singleton does or does not dish-up nothing but stereotypes about blacks, I won't debate. Look, I totally dug this film because of other reasons. While watching "Baby Boy," I had two thoughts: 1) that I don't relate to the 'black' culture presented, but 2) this didn't matter because I did relate TOTALLY to a lot of the issues at the core of this story. Psychological and emotional issues about growing up, about cheating, about love, about undesirable characters working their way back into your life and screwing everything up. And so on. OK, I understand Users' complaints here about "stereotypes," but I say to them, "Don't worry about it... this white guy kind of thought the same thing, too, and so this movie didn't paint a picture for me of 'what all blacks' lifestyles must be.'" Dudes, all I saw were universal themes about, like I said, about love, about becoming a responsible adult, and all that. White people go thru exactly the same shi.. stuff. Those universal themes just happened to be wrapped up in some kind of black wrapping paper. This viewer set that paper aside, and appreciated the gift inside. This movie really pressed some emotional buttons with me, and I appreciated it. [And by the way, we white people don't assume that all black people see all white people as the characters we are presented as in films: all the terrorists, rapists, mid-western nerd housewives, financiers, CEOs, trailer-trash, etc etc etc. Why do (some of) you assume we think ALL blacks "are" as presented in films such as "Baby Boy"? We don't. Period.]

    In fact, I could relate to the issues of this film's men AND women. So, this script was universal in that way, too. Anyway, here's all what I really wanted to say about this film: All these emotional issues were brought to life by EXCELLENT performances. (I say Ving Rhames is one of our best actors working in America today. He is consistently excellent; I never see him "acting," I always only see him "being" his character. And his performance here in "Baby Boy" was Oscar-worthy, if you ask me).

    I had no idea, until the ending credits, that "Baby Boy" was written and directed by John Singleton. Honestly, while watching it (on cable) I was convinced that it must have been written by a woman, because it so perfectly expressed such poignant emotional moments. Of course, the actors - and Singleton as director - can also share credit for those moments. Also while watching, I had the thought that "this is well-directed; who did this?" I guess my point here is [and this comment may annoy some Users here] that "Baby Boy" offers proof of Singleton's talents as one of those very good filmmakers who actually DESERVES the accolades critics and "industry" people give him. [Although, I never saw "Higher Learning," which Users here say stunk.] Anyway, not the BEST film ever, but a solid 3 out of 4 stars. [Okay, one more word about the acting in this flick: I'm an actor myself, and many of the performances here made me LOVE acting... there were nice meaty scenes and speeches here, and always so well done that it made me proud to be an actor. (Especially one monologue by Mr Rhames -- phenomenal, Sir!). Bravo to all this cast.] Perhaps the best overall thing I can say about "Baby Boy" is that it left me wanting to see it again.
    8capitoldog

    Take 2

    John Singleton did an excellent job portraying a young African American urban male, who is not a gang member or a street pharmacist. Jody is just trying to live. I thought the opening scene was very artistic, didn't love it though. I loved the relationship between Jody and his best friend Sweetpea. Both are trying to live but with different ways to do it. But despite differences, they both have each other's back. I liked Ving Rhames character as well (Melvin). Melvin showed that the street mentality never leaves a street thug, but he can learn to make better and more positive choices. His character showed that anyone can make it in life, once they have accepted who they are and where they are going. The women played strong roles as well. Not the typical cinematic role for a black woman either. Both Yvette and Jody's mother, Juanita, proved to be strong black women in their own way. Excellent movie, a little sluggish once or twice, but whose life isn't?! Singleton kept it true to the game. No one's life is truly cinematic, if it was then we wouldn't need cinema.
    7letiamj-95088

    I did not like it the first time I saw it. Now, I like it.

    In 2001, I did not like this move. In 2021, I can appreciate why it is loved by so many.

    With age and life experiences comes understanding as well as an appreciation of things.

    John Singleton had a way of capturing the heart, creativity, culture, love and struggle of black people that still resonates today. You can see how his movies set the stage for other classics such as Jason's Lyric, The Wood, Friday and many others.
    7LukeG

    Difficult to watch; doesn't make it a bad movie

    While watching this movie, I had absolutely no idea what I would end up rating it. It was not an enjoyable experience. Not until it was over did I realize what a good job John Singleton had actually done. This was not a comedy, nor a romantic story, but a true depiction of SOME (NOT ALL) aspects of Black life. I recognized each and everyone of these characters, for better or worse. They were not exaggerated or sugar-coated, but portrayed in a true light which is often difficult to watch or accept. Which explained my uncomfortableness, I'm sure that was the point and it was well received. 7 out of 10***

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Jody listens to the song "Hail Mary" by Tupac Shakur and has a mural of him in his room. Tupac Shakur was originally supposed to play the role of Jody, but was fatally shot in a drive-by shooting in 1996.
    • Blooper
      When Yvette is walking back to her friend's car while holding her son and an umbrella, as she gets in the car, the umbrella is never retracted or put in the vehicle. It just vanishes.
    • Citazioni

      Sweet Pea: Dear Lord, Please forgive us for all the sins we have brought upon us. And look down upon us with forgiveness for the the sins we will have in the future. I know you understand that niggas ain't perfect, but we try lord. We try to keep our heads up in bad times. This is a bad time, show us the way. And if you can't show us the way, then forgive us for being lost.

    • Curiosità sui crediti
      From L.A. South Central Cinema, dealing a new hand. The new deal has struck again.
    • Versioni alternative
      DVD features deleted scenes from the movie, plus bloopers and outtakes:
      • Love In The Afternoon: Jody and Peanut have sex.
      • A scene where Jody and Sweetpea slap box.
      • Jody and Yvette watch a lion documentary then he puts her to bed.
      • Jody and Yvette have a picinc in the park, he takes Jo-Jo to swing and checks out ladies
      • Juanita and Jody talk about the mantra
      • Back Then-Juanita and Melvin have a talk that leads to sex.
      • The Card Game: Melvin and his boys paly cards
      • Phone Calls: Yvette talks on the phone with Sharika and Rodney.
      • Don't Go There: Jody sells clothes to women and Yvette tells him no sex with coworkers.
      • That's What I Know: Juanita and Jody talk about Ray-Ray
      • The Break In: SweetPea and Do-Dirty break into a couples house.
      • Adam's Rib: Jody beats up Peanuts new man,Jody and Peanut break up the cops arrive and Melvin talks to Jody about Adam's rib.
      • Cold Bumper: Sweetpea and Jody talk to Kim.
      • Say Dip: Jody and Jo Jo play with a toy car and Tonio arrives in a real car.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Crazy/Beautiful/Baby Boy/Pootie Tang/Lost and Delirious/The Crimson Rivers/Himalaya (2001)
    • Colonne sonore
      Summer Madness
      Written by Robert 'Kool' Bell (as Robert Bell), Ronald Bell, George 'Funky' Brown (as George Brown),

      Robert 'Spike' Mickens (as Robert Mickens), Claydes Smith, Alton Taylor,

      , Dennis D.T. Thomas (as Dennis Thomas) and Ricky Westfield

      Performed by Kool & The Gang

      Courtesy of The Island Def Jam Music Group

      Under license from Universal Music Enterprises

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    • Did Yvette get an abortion?

    Dettagli

    Modifica
    • Data di uscita
      • 9 novembre 2001 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • El rey de la calle
    • Luoghi delle riprese
      • 4509 11th Avenue, Leimert Park, Los Angeles, California, Stati Uniti(Sweatpea's pad)
    • Aziende produttrici
      • Columbia Pictures
      • New Deal Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 16.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 28.734.552 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 8.606.403 USD
      • 1 lug 2001
    • Lordo in tutto il mondo
      • 29.381.649 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 10 minuti
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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