Baby Boy

I really liked "Baby Boy." But maybe that's because I'm as white as they come. I've just read some other User Comments here, and whether John Singleton does or does not dish-up nothing but stereotypes about blacks, I won't debate. Look, I totally dug this film because of other reasons. While watching "Baby Boy," I had two thoughts: 1) that I don't relate to the 'black' culture presented, but 2) this didn't matter because I did relate TOTALLY to a lot of the issues at the core of this story. Psychological and emotional issues about growing up, about cheating, about love, about undesirable characters working their way back into your life and screwing everything up. And so on. OK, I understand Users' complaints here about "stereotypes," but I say to them, "Don't worry about it... this white guy kind of thought the same thing, too, and so this movie didn't paint a picture for me of 'what all blacks' lifestyles must be.'" Dudes, all I saw were universal themes about, like I said, about love, about becoming a responsible adult, and all that. White people go thru exactly the same shi.. stuff. Those universal themes just happened to be wrapped up in some kind of black wrapping paper. This viewer set that paper aside, and appreciated the gift inside. This movie really pressed some emotional buttons with me, and I appreciated it. [And by the way, we white people don't assume that all black people see all white people as the characters we are presented as in films: all the terrorists, rapists, mid-western nerd housewives, financiers, CEOs, trailer-trash, etc etc etc. Why do (some of) you assume we think ALL blacks "are" as presented in films such as "Baby Boy"? We don't. Period.]

In fact, I could relate to the issues of this film's men AND women. So, this script was universal in that way, too. Anyway, here's all what I really wanted to say about this film: All these emotional issues were brought to life by EXCELLENT performances. (I say Ving Rhames is one of our best actors working in America today. He is consistently excellent; I never see him "acting," I always only see him "being" his character. And his performance here in "Baby Boy" was Oscar-worthy, if you ask me).

I had no idea, until the ending credits, that "Baby Boy" was written and directed by John Singleton. Honestly, while watching it (on cable) I was convinced that it must have been written by a woman, because it so perfectly expressed such poignant emotional moments. Of course, the actors - and Singleton as director - can also share credit for those moments. Also while watching, I had the thought that "this is well-directed; who did this?" I guess my point here is [and this comment may annoy some Users here] that "Baby Boy" offers proof of Singleton's talents as one of those very good filmmakers who actually DESERVES the accolades critics and "industry" people give him. [Although, I never saw "Higher Learning," which Users here say stunk.] Anyway, not the BEST film ever, but a solid 3 out of 4 stars. [Okay, one more word about the acting in this flick: I'm an actor myself, and many of the performances here made me LOVE acting... there were nice meaty scenes and speeches here, and always so well done that it made me proud to be an actor. (Especially one monologue by Mr Rhames -- phenomenal, Sir!). Bravo to all this cast.] Perhaps the best overall thing I can say about "Baby Boy" is that it left me wanting to see it again.

Baby Boy (2001) is a John Singleton picture that I recently rewatched on Tubi. The storyline follows a young man who lives with his mom, has a baby mama and has a side chick. He does his best to treat his baby mama right and create a direction with her...but is too selfish to let his side chick go. Meanwhile, his mom has a new lover and he's worried about getting kicked out. Will Baby Boy grow up and become a man and do what he needs to do to do right by the women in his life, or stay at his mom's house for life acting like the world owes him something?

As previously referenced, this movie is written and directed by John Singleton (Boyz N the Hood) and stars Tyrese Gibson (Transformers), Taraji P. Henson (Hustle & Flow), Ving Rhames (Pulp Fiction), Omar Gooding (Ghost Dad), Mo'Nique (Precious), A. J. Johnson (House Party), Snoop Dogg (Training Day) and Tamara Bass (Boston Public).

This movie is so well cast and written and contains a nice blend of comedy, drama and self-discovery. A. J. Johnson and Taraji P. Henson are absolutely gorgeous in this picture. There's some good shower and sex scenes in this picture. Ving Rhames steals the show though as his performance is hilarious, strong and impactful. Every scene he is in is tremendous. The breakfast scene, mom sex sounds through the wall and clothes selling sequences always crack me up. The acting is also very good, Henson's "he don't love me anymore" scene is tremendous. The ending with the character evolutions and new perspectives is also perfectly written. The one aspect of the movie that frustrated me was Tyrese's acting, which was inconsistent. His dreams and the shooting sequence were poorly done.

Overall, this is a very worthwhile film that isn't Singleton's best work but is definitely worth a viewing. I would score this a 7-7.5/10 and strongly recommend it.

While watching this movie, I had absolutely no idea what I would end up rating it. It was not an enjoyable experience. Not until it was over did I realize what a good job John Singleton had actually done. This was not a comedy, nor a romantic story, but a true depiction of SOME (NOT ALL) aspects of Black life. I recognized each and everyone of these characters, for better or worse. They were not exaggerated or sugar-coated, but portrayed in a true light which is often difficult to watch or accept. Which explained my uncomfortableness, I'm sure that was the point and it was well received. 7 out of 10***

Baby Boy, the sequel-cum-remake of Singleton's last great feat Boyz 'N' the Hood, returns to the same neighborhoood 10 years later to look at new people in the hood, very personally at that, and it is fascinating.

The film stars in a debut of Tyrese Gibson (some may remember Cuba Gooding got his first speaking role with Boyz) as Jody, a boy (age 20) who still lives with his mother, is the father of 2 children from 2 different mothers, has no real job and often just hangs about complaining and being spoiled. The film looks at this character, but also the forces that sort of make him into what he is. It is a really good character portrait that also has some really fired up performances from Ving Rhames, as a new ex-con boyfriend of his mother, A.J. Johnson as the mother, Omar Gooding (Gooding Jr.'s brother) as Jody's good friend, especially Taraji P. Henson in one of the best female performances of the year as Jody's girlfriend and also mother of one of his children, and of course, Snoop Dogg as a version of himself (albiet evil). It's a delight from the streak of not that good movies out now, and it should be able to appeal to both black and white audiences. Definately reccomended. A-

In 2001, I did not like this move. In 2021, I can appreciate why it is loved by so many.

With age and life experiences comes understanding as well as an appreciation of things.

John Singleton had a way of capturing the heart, creativity, culture, love and struggle of black people that still resonates today. You can see how his movies set the stage for other classics such as Jason's Lyric, The Wood, Friday and many others.