Subterano

...since all of the originality this script needed really IS "buried!" At least it is another opportunity to see the chiseled talent of Alex Dimitriades at work, though a bit of a letdown after his career-making performance in the searing indie HEAD ON.

Set in a future where VR video games aren't just a way of life, but have infused nearly every aspect of pop culture, (in other words, not all that different from today), Dimitriades plays one of the underground rebels of a faction known as the "Orphans Of The Revolution." It all gets kind of "JUDGE DREDD-meets-THE-MATRIX" from here, so I'll just skim over what passes for the "finer points." Having escaped an execution date with the help of an old flame (Tasma Walton), both renegades find themselves in the wrong place at a VERY wrong time, trapped in the parking deck of a high-rise with several other unlucky people.

Because living in this high-rise is the part-time sociopath/full-time "daddy's boy" who has just perfected a VR game called...you guessed it, SUBTERANO. Sonny has one of those dysfunctional relationships with his dad, and therefore has channeled all his hate, frustration and aggression into a game that has now transcended its VR origins and become part of the real world...and the captives in the parking deck must now play for their lives, or suffer the deadly consequences.

It certainly sounds more interesting than it is, and it isn't hard to believe that it actually sat on a shelf two years after its completion. I always wondered how movies would begin to reflect the tech advances in special effects achieved with THE MATRIX, and in its own just-okay CGI work, SUBTERANO reflects the very beginnings of the beneficial influences reaped by low-budget projects from the much superior forerunner.

Unlike CUBE, to which SUBTERANO bears more than just a passing resemblance, the characterizations are not as fully realized, so to the actors' credit they do at least manage to keep us interested before the "game" dispatches most of them. The dialogue at best never rises above soap-opera level, which makes one wonder how much time was spent on the script development as opposed to the special FX (which obviously gobbled up most of the film's meager budget.) Once you get past the somewhat tedious set-up in the first third of the movie, SUBTERANO does get curiously watchable afterward. A few trims here and there would probably make it more palatable for kids with a PG-13 sensibility. As it is, it's a fairly harmless piece of late-night fodder when nothing else is on.

(Note to Alex and Tasma: fire your agents and get new ones.)

This has been sitting on my shelf gathering dust for months, so I figured I might as well watch it. I got it for $3 in a bargain bin, so I wasn't expecting much at all, but I got a rather pleasant surprise! Sure, it's not a great movie by any means, full of plot hole and continuity problems, but the actors were actually pretty good for a low budget flick like this. Same goes for the effects. The plot wasn't anything we haven't seen before, but it was handled well. I was pretty disappointed with the "Embo Man" villain in the end....looked like a bad Power Ranger villain. Oh well, it was still a lot better than expected for $3!

7/10

SUBTERANO is one of those low-budget movies that is, unfortunately, too ambitious for its own good. The idea is there, along with a good premise, but the resources to carry it out isn't. So as a result we get a movie that uses the same color scheme and repetitive nature of the highly creative CUBE, which managed to sell its low-budget nature because the story dictates repetitiveness. With SUBETERANO, the repeating of garage levels is just, well, repeating garage levels.

Also, the screenplay is much too elaborate. There is a whole back story about revolution and the movie itself is supposed to take place in the future. I've always advised low-budget filmmakers to veer away from futuristic storylines for the simple reason that they don't have the resources to carry out the premise. And, as a result, their "future world" always ends up looking incredibly laughable.

SUBTERANO is not an entirely bad film. It has some good actors, but also some very irritating characters that, unfortunately, don't die off fast enough. There really is no surprise who will live or who will die, and who will end up being really irritating. In this respect, the screenplay fails.

5 out of 5

(go to www.nixflix.com for a more detailed review of this movie, including reviews of other films in this genre)

True, the special effects are a little lame in this low budget Australian movie, and the location for most of the action -- a parking garage -- is pretty cheap.

But, darn it. I was entertained.

One thing, though: This could be a good children's movie if all the four-letter words were removed.

In a future society apparently ruled by virtual games, Conrad (Alex Dimitriades), the leader of a revolutionary group called "The Orphans of the Revolution", escapes from the guards when he was going to be executed, and with the support of his girlfriend Grace Stone (Tasma Walton), he goes to the last level of a parking garage trying to escape to a sanctuary. However, the garage is shutdown by a crazy teenager that has developed a new version of a deadly game called Subterano, and Conrad and Grace, with four teenagers, a security guard and an elder accountant have to play the game and fight to survive.

What a crap is the screenplay of this low-budget movie! Indeed it is a silly game, with no development of the characters, the place and time, and even their motives, being a complete mess. The imbecile writer uses a shallow situation, indeed a rip-off of "Logan's Run"and "The Running Man", and a director uses some computer effects and makes this movie. The good point is the beautiful unknown actress Tasma Walton, who has a good performance. In the end, if the viewer shuts-down his or her brain, it may be a watchable movie for killing time only. My vote is four.

Title (Brazil): "Subterrâneo" (Ünderground")