L'isola

Ki-duk Kim's "Seom"/"The Isle" has to be one of the most beautiful movies I have ever seen.The cinematography,the silence and the themes under the surface are incredible.The film explores human relationships and the pain of being in love,and being loved.Both characters(Hyun-shik and Hin-jin)are lost human beings searching for love.They crave love,yet shun it when it comes to them,as they are deeply aware of the destructive qualities it brings out in them.Suh-Shik Hwang's cinematography is absolutely beautiful and captures many impressive visuals.Still there are some horrific images that will shock casual viewer,so the viewer should be prepared.9 out of 10.

Seom aka The Isle is written and directed by Korean film maker Ki-duk Kim. This bizarre film tells about happenings in strange fishing resort in which fishermen live and fish in floating cabins at daytime, and have fun and sex with local prostitutes at night time. The film's protagonist is an attractive, but very mysterious female (Suh Jung) who never talks, and works as some kind of "boat girl" who gets the food and prostitutes for the fishermen and other similar activities with her little boat. There is minimal amount of dialogue in The Isle, and it is hard to describe this ultra bizarre film after just one viewing.

The visuals are very astonishing and stunning as the settings are so atmospheric and natural. The calm mist and smoke above the water is very moody and even surreal, and this all is intensified even further by great use of camera, occasionally very weird angles and total feel of peace and magic. Blue is the main color in the film, and it is equally brilliant-looking as in many Hong Kong thrillers like Dr. Lamb by Danny Lee and Red to Kill by Billy Tang. The colors are always fantastic in Asian films, and The Isle once again proves and shows this. This film is a delight to the eye..at least before the infamous scenes involving fishing hooks.

The director has said that he wanted to depict relationships between men and women with this film, and that the film tells something about how dependent were are on each other, and especially on another sex. Once the first horrific "hook scene" comes, the only cure for his pain is the main female, who by giving him carnal pleasure, takes away or diminishes his pain - and vice versa later in the film. I think that this film is more feminist since the very surreal closing scene is so underlining as the man finally finds the "truth" and source of all life. Another reviewer thought that the end scene is gratuitous and only there to confuse things even further, and that may be the case, but still I want to interpret it as above, and it is very personal scene in depicting that eternal truth. Seeing is believing...

I think there's lot more than just this in the core of The Isle. The film really tells something about the relationship between humans and nature and nature's sources. There are many scenes depicting man exploiting nature and its inhabitants, and I think that the forthcoming scenes of mutilation are also symbolic as things turn upside down: humans become the victims of what they have practised and see the results. At this point, it is necessary to stress that there are many scenes of actual killing and off putting abuse of animals (mainly fish) which I, also, think are gratuitous since the message of the film is pretty hard to take since the film does the same exploitations it depicts committed by its characters. Then again, the killings show the real face of our world, since in order to stay alive, we have to use nature's resources and there's nothing wrong in that. So what's wrong in my opinion is that the animals in The Isle are not killed without pain and suffering, and that is not right nor human since I think that no living creature should die painfully or tortured. I wanted to think that the animals were not mutilated and killed in the film for real, but it all looks sadly too real. Still, I have to find the film's merits even though it becomes far more difficult when I remember these "animal snuff" scenes, that are unnecessarily explicit, albeit meant to be symbolic, which they of course are, if one can still accept this after the horrific imagery.

This film reminded me pretty much of Japanese film Naked Blood, which also is very beautiful and surreal film, but soon the horrific scenes of self mutilation and ultra splatter are on screen before the viewer's eyes. The self mutilations committed by fish hooks in The Isle are very gruelling to say the least, so this film will make the weakest viewers faint, as many festival screenings have proven. They are so sickeningly effective I wanted to stop thinking about what it would feel like to actually do something like that. Fish hooks are very small, but like Stuart Gordon has said (about the finger biting moment in Re-Animator), the smallest things may be the most horrific in many cases. These fish hooks really are symbolic as the humans are "turned to fishes" and get to see what they've done and created.

The Isle is very weird, bizarre, calm and also disturbing piece of cinema, and only minority of cinema lovers will stomach and appreciate films like The Isle. As I stressed earlier, I am sorry about the fact of animal mutilation presented in the film, and without those scenes, I would probably give more stars in the rating. Now it gets little less even if I wanted to give it more as a piece of art. 8/10 and to understand more about this film, it has to be seen many times since it unfolds pretty slowly.

Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.

What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.

It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10

The film gives you that heavy, unexplainable, load after watching. There's not much child-friendly scenes going on, and that's what made me love this. There's cruelty and profanity everywhere, with the injection of, on its face, irrelevant scenes which were either intentionally placed to stir our brains, or were unintentionally left by a director who lacked ideas. I have to believe its the former.

The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.

The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.

I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.

The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.

Now this is a great example of horror. Not your slasher, undead walking, predictable spoon fed story. Instead, the Isle's simple setting proves that looks can be deceiving as calm waters and clear blue skies belie the murky depths and secrets hidden within.

I never realized the symbolism in this movie: fishing, bait, the simple action of simply tossing back an unwanted catch back in the water. Scenes most striking and prominent contained little or even no dialogue. The soundtrack is subtle, yet highly effective in establishing mood. Then again, anyone who has gone fishing can appreciate the tranquil, and peaceful state which can be very rewarding. How about human relationships? How about the bad times or deep hurts so traumatizing which cannot be shared with anyone. Do we walk burdened carrying deep pains like say a wounded scaled fish? Although it may be wounded, it still goes on swimming in its daily routine. Our two main characters throughout the film really catch you offguard. Let's just say "misery loves company". This horror is more psychological and more tangible than what you would usually see on screen.

I was impressed by Jung Suh who really displays the strength of Hee-Jin, and at the same time shows a frail, tragic side. Her routine actions like steering the boat, tending to the renters' are done so convincingly that you feel like you're at the lake watching true events unfold. Credit also Ki-Duk Kim for directing this without making it into a sappy love story and not going overboard or too artsy. Be warned: the Isle is laced with dark humor and will have you thinking about it after it is done. I really appreciate films that are able to do that.