Liam

When little Liam's father loses his job during the Depression, the family struggles to hold things together. As the world around them comes apart, we see how everyone in the family deals with the stress in their own way. Liam's dad joins the fascists, his brother attends secret meetings of the socialists, his sister goes to work as a housekeeper for a wealthy Jewish family, and Liam searches for answers in Catholicism, under the strict guidance of his haggard mum, his teacher, and the local priest.

As life becomes increasing more insecure, people begin to turn more desperately to their own belief system for answers. Religious, ideological, class and family ties all compete for primacy. We see Protestant versus Catholic, gentile versus Jew, fascist versus socialist, neighbor versus neighbor and father versus son. Unfortunately, life is not so simple as that, and each family member finds themselves torn between their loyalty to their loved ones, and their own pride and perception of righteousness. The tragic climax leaves no doubt as to the director's own perspective.

The young actor who plays Liam is perfectly cast as an innocent child forced to deal with the harsh realities of life. Although reminiscent of some recent films, this one is more raw than "Life is Beautiful" and more genuine than "Billy Elliot." This is not a movie for anyone who is merely seeking an escape, as it demands an intellectual commitment from the viewer. And while it makes some profound points beautifully, it ultimately leaves you with more questions than answers.

It is surprising to read some of the reviews obviously from the young and wealthy. Life, even 50 years ago, was like this in the north of England. A Hovis advert maybe but a totally brilliant film, beautifully observed, with all the settings and trimmings of the era.

How many others can remember this kind of school, the hard life in the home, the metal bath - usually in front of the fire. The film was faultless. The children superb and the adults just as I remembered them. 10 out of 10

Having seen the (in my opinion excellent) "Dirty Pretty Things" before, I knew pretty well what to expect from Stephen Frears. I expected to see a socially engaged drama and that's exactly what I got. This time however, the movie is situated during the time of the Depression and not at the present day. But being very interested in that time period, that was just another fine reason to watch this movie.

It tells the story of two young children in Liverpool during the Depression, called Liam and Teresa. When their dad loses his job at the ship yard, their family is facing very difficult times. Blaming the cheap Irish labor and the rich Jewish owners, their dad joins the fascists. In the mean time Liam is about to make his first Holy Communion, which makes it even more difficult for the poor family, because it will cost them too much money on new clothes. Their father, too proud and stubborn to ask for help, hating the church for their immoral behavior (monthly asking for more money, while they already have so much and the family hasn't got anything left) and hating all people who aren't 'English' he decides to go for drastic measures. But just as his hatred reaches its top, it will all explode into his own face...

When you aren't able to face criticism on the Catholic church, you better don't even think about watching this movie. You'll find plenty of it from the beginning until the end and I know that not too many people like that or are able to cope with it, believing that it is not true or perhaps exaggerated. But it has to be said that it isn't wrong. Despite what many of you might believe, this was really the way how it all went at that time (My mother told me several times that even in the fifties and sixties this was still common practice). However, when you are able to cope with that anti-religious 'fanatism', you'll see that this is a very good and relevant social drama. The story does a very good job in showing the poverty, the rise of fascism, the desperation and the tough grip that the Catholic church had on the ordinary man and woman. Of course, this story would have been nothing if it hadn't been supported by a fine cast. Especially the young Anthony Borrows did a very nice job, but the other actors like Ian Hart, Claire Hackett, Megan Burns,... sure deserve to be mentioned as well.

Overall this is a very nice movie with a very good story, some fine acting and a sober, but powerful message. I really liked what I saw and I consider this as the second hit for Stephen Frears. I give it a 7.5/10.

Move a Dickens story up into the time of the Depression. Add elements of Steinbeck's "Grapes of Wrath." Add the blackshirt Fascists from "1900." Add a little boy whose father and brother are involved in desperate economic problems complete with unions and favoritism, as in "Billy Elliot."

Make it very dark, and very drear. Let the camera see drearily, smokily, darkly, unclearly.

Let the characters speak in their own, natural way, without regard to an American audience having difficulty understanding them.

This is "Liam." It is an indictment of religion, the undeniable caste system of the UK, and of government in general. It is a film that was difficult to watch, although never did I say anything like "this is bad." It was just difficult to watch.

Everything rang true, and it was heartbreaking, with a few uplifting moments...but very few. This is an excellent film, a very well-acted film, well-directed and with an excellent screenplay. But difficult to watch, in spots.

this movie told a story that was hard to tell and they did it well. the last couple of years as had many up lifting and happy ending british films that have done well in the US, but LIAM breaks that and has a sad story with a sad ending that leaves us with little up for this family that has been torn this way and that way.