VALUTAZIONE IMDb
3,9/10
405
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaReiko is a sex robot programmed to accumulate sexual experience. She goes through seven body types to experiences a variety of couplings. She returns to the company to download her accumulat... Leggi tuttoReiko is a sex robot programmed to accumulate sexual experience. She goes through seven body types to experiences a variety of couplings. She returns to the company to download her accumulated info and escape from their control.Reiko is a sex robot programmed to accumulate sexual experience. She goes through seven body types to experiences a variety of couplings. She returns to the company to download her accumulated info and escape from their control.
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- Sceneggiatura
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- 2 candidature totali
Recensioni in evidenza
IKU isn't even worth being called porn, because simply it lacks anything resembling erotic. There isn't anything here for anyone other than young teens who are unable to purchase porn from the local adult store. Like another movie called BAISE MOI, IKU was made for people who thinks getting plain brown packages in the mail is still too indiscreet for their tastes.
In other words, no one with any obvious taste would watch IKU. Even for porn, it's not well done and doesn't offer up enough porn material to make it worthwhile.
Stay away.
2 out of 10
(go to www.nixflix.com for a more detailed review of the movie and reviews of other foreign films)
In other words, no one with any obvious taste would watch IKU. Even for porn, it's not well done and doesn't offer up enough porn material to make it worthwhile.
Stay away.
2 out of 10
(go to www.nixflix.com for a more detailed review of the movie and reviews of other foreign films)
Well I am not sure I got that right - sex explored? May be closer to what the movie is actually about (no pun intended). Also be very aware that this is quite explicit. A lot of nudity in this, but also quite a bit of penetration. Not sure if it is a stylistic choice or if they pay "homage" to japanese porn, when they obscure some of the actual sex act itself ... but I'm giving you the information, so you won't be surprised/appalled or whatever else you may come up with (sorry for the pun).
I don't think you will come to many or new conclusions watching this. But I do think the filmmaker tried to make us aware of stuff ... I just couldn't tell you what that would be exactly apart from certain cliches. The whole robot/android thing trying to figure out love (or rather sex or intimacy I reckon) ... well again, not sure what to make of it.
I also don't think there is much enticement or excitement - there are probably other/better places to look for that. Also there are glimpses of homo-erotic going on here ... even if most is heterosexual. Again just a heads up to anyone who needs to know.
I don't think you will come to many or new conclusions watching this. But I do think the filmmaker tried to make us aware of stuff ... I just couldn't tell you what that would be exactly apart from certain cliches. The whole robot/android thing trying to figure out love (or rather sex or intimacy I reckon) ... well again, not sure what to make of it.
I also don't think there is much enticement or excitement - there are probably other/better places to look for that. Also there are glimpses of homo-erotic going on here ... even if most is heterosexual. Again just a heads up to anyone who needs to know.
IKU: This film, titled I.K.U., which simply translates from Japanese to English as "orgasm" as in "I'm Coming!", is quite the mixed bag of feelings for me. First off, it's tag line of "This Is Not Love, This Is Sex. A Japanese Sci-Fi Porn Feature" already hands us the delightful notion that this is going to be chock full of Oriental nudity and hopefully plenty of great looking Japanese gals engaging in softcore sex. But not only that, these glorious scenes of gratuitous nudity will be splapped into a snazzy science fiction, computer animation enhanced cyber-punk action flick. Right? Nope! I was wrong. It's EXACTLY what female Taiwanese director SHU LEA CHEANG claimed it would be... PORN, pure and simple. Not so much as in straight hardcore "stick it in and pull it out" triple X adult video store porn but more like an attempt to be an "avant garde" experimental sex film. I mean it's loaded with niffty camera angles, neon lighting, quirky CGI effects, futuristic set pieces, and a techno/industrial soundtrack performed by the SABOTEN Band. Oh, and not to mention, the most appealing aspect of all, lots and lots of sex. Story, as if we need one, goes something like this... the Genom Corporation (no relation to the classic Anime series BUBBLEGUM CRISIS) makes beautiful female replicants, or better put, "sex-droids" who venture out into the public and engage in "love making" acts with various lucky fellas of a future Tokyo. They record the orgasmic pleasures (both his and hers) and return to the home office where this "sex info" is uploaded into Genom's main computer databank. This information will later be used to make some sort of ultimate virtual reality sex program, or game, or a better "love-bot", or hell, I don't really remember anyway. I lost track of the so-called story after the first naked Japanese babe showed up on screen. And there's a-plenty of them to go around too. The featured "robo-chick" is named Reiko of the XXX Generation (played by the elf-like actress TSOUSIE, who could be the closest thing to an Oriental TANK GIRL) and she can assume numerous different appearances throughout her multiple sex encounters. Whatever her sexual partner desires, I suppose. This also gives us, the audience, the chance to catch lots of other gorgeous "real life" pornstar Asian hotties in some down and dirty sweat sessions. Casting credits go to actresses AYUMU TOKITHO as Reiko #1, MARIA YUMENO as Reiko #2, YUMEKA SASAKI as Reiko #3, MIHO ARIGA (!) as Reiko #4, MYU ASOU as Reiko #5, and ETSUYO TUCHIDA as Reiko #6. And well, believe it or not, that's pretty much it for the film. There's actually some other stuff happening now and then but nothing really important since you're here for the exact same reason I was, to see those good looking Japanese sweeties in their birthday suits. However, let me warn the guys out there though, please fast forward past the "underground parking lot" chapter if you're easily offended by homosexual activity. There's a scene where two dudes get way too "friendly" with each other that was so sickeningly foul to watch, it nearly ruined the whole movie for me. Steer clear of it, trust me on this. But other than that, IKU certainly wasn't bad at all if you know what you're getting into from the start. Don't let yourself be surprised like I was by expecting a regular movie-type movie here. This isn't one, but hey, if you think about it, Japanese porn is ALWAYS a great thing to see no matter what.
I know its possible to have a serious movie that has explicit sex in it. I encounter these enough to know that they should exist and I am glad of it.
Its a bit different when the intent of a film is to serve a prurient need outside of the context of what we consider "real" movies. Porn is usually discriminated from other films by existing outside of the need for story. This isn't quite right because there's always story, its just with porn the stories the viewer brings are so strong and deep that they only have to be referenced in the briefest of shorthands. These stories and shorthands interest me because the implied stories are (I think) complex and the shorthands are clean, universally understood and succinct in their visual form.
So I spend time with films that purport to mix porn and real storytelling. Michael Ninn impressed. Max Candy maybe. Some single projects from the 70s.
Now this. Its unapologetically porn, but on the softish side. What's interesting is that if you take it as porn it seems to deliberately cancel itself because (like "Sex Psycho") it covers so many types of sexual encounter that it is bound to offend whatever story a porn-inclined viewer will bring.
The story thread of this is clever enough to warrant description. Its designed as if it were a chapter in a "Bladerunner" world: replicants designed for (or at least adapted for) sex. The story is pretty complex, not in what you see but in what is explained. A replicant takes on seven bodily forms, so as to collect a variety of intense orgasms (apparently the Japanese term for orgasm is iku). The purpose of this is to transfer them to a pill so an evil corporation can make money and gain power. By transferring the orgasmic knowledge to the company, the replicant will buy her freedom.
The "Bladerunner" allusions are scant except for one critical piece in the very beginning where we (and it seems the replicant's control) encounter an origami crane from "Bladerunner." If you know that movie, you'll know that the crane plays a key role in switching the whole focus of the story from that of the theatrical release to a radically different and more exciting one in the "director's cut." I won't detail the shift here, but it had to do with shifting into the realm of directed dreams. And that's big when it comes to stylish porn. Worth looking into.
Speaking of "into," for some reason the filmmaker chose to have a repeated effect of a woman's (and one a man's) "insides" as penis/hand/probe thrusts. Its a puzzling choice.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Its a bit different when the intent of a film is to serve a prurient need outside of the context of what we consider "real" movies. Porn is usually discriminated from other films by existing outside of the need for story. This isn't quite right because there's always story, its just with porn the stories the viewer brings are so strong and deep that they only have to be referenced in the briefest of shorthands. These stories and shorthands interest me because the implied stories are (I think) complex and the shorthands are clean, universally understood and succinct in their visual form.
So I spend time with films that purport to mix porn and real storytelling. Michael Ninn impressed. Max Candy maybe. Some single projects from the 70s.
Now this. Its unapologetically porn, but on the softish side. What's interesting is that if you take it as porn it seems to deliberately cancel itself because (like "Sex Psycho") it covers so many types of sexual encounter that it is bound to offend whatever story a porn-inclined viewer will bring.
The story thread of this is clever enough to warrant description. Its designed as if it were a chapter in a "Bladerunner" world: replicants designed for (or at least adapted for) sex. The story is pretty complex, not in what you see but in what is explained. A replicant takes on seven bodily forms, so as to collect a variety of intense orgasms (apparently the Japanese term for orgasm is iku). The purpose of this is to transfer them to a pill so an evil corporation can make money and gain power. By transferring the orgasmic knowledge to the company, the replicant will buy her freedom.
The "Bladerunner" allusions are scant except for one critical piece in the very beginning where we (and it seems the replicant's control) encounter an origami crane from "Bladerunner." If you know that movie, you'll know that the crane plays a key role in switching the whole focus of the story from that of the theatrical release to a radically different and more exciting one in the "director's cut." I won't detail the shift here, but it had to do with shifting into the realm of directed dreams. And that's big when it comes to stylish porn. Worth looking into.
Speaking of "into," for some reason the filmmaker chose to have a repeated effect of a woman's (and one a man's) "insides" as penis/hand/probe thrusts. Its a puzzling choice.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Japanese sci-fi porn about sex robots going out and collecting sexual data by having sex. There really isn't a plot (There's an idea but it doesn't amount to much of anything),just flashy visuals and erotic imagery.
As a collection of images its great but there is little beyond it. Its a variety of couplings with text over them explaining the company that makes the robots and what the background for it all is. A chunk of it is pixelated and a few shots are graphic, but after about ten minutes, when you realize its not going anywhere, it begins to fall down. While I like the idea of the flashy visuals mixing with sex and a semi clever idea, I hate that it just doesn't go anywhere (and does so really fast).
Better to rent an Japanese porn video.
As a collection of images its great but there is little beyond it. Its a variety of couplings with text over them explaining the company that makes the robots and what the background for it all is. A chunk of it is pixelated and a few shots are graphic, but after about ten minutes, when you realize its not going anywhere, it begins to fall down. While I like the idea of the flashy visuals mixing with sex and a semi clever idea, I hate that it just doesn't go anywhere (and does so really fast).
Better to rent an Japanese porn video.
Lo sapevi?
- QuizThe film takes place in 2030.
- ConnessioniReferences Barbarella (1968)
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- 11.678 USD
- Tempo di esecuzione1 ora 30 minuti
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