The Point Man - Creato per uccidere

THE POINT MEN, made in 2001, is an action vehicle centred around waning star Christopher Lambert, whose HIGHLANDER days were long behind him by this stage. The plot is very much run of the mill for genre, involving a shifty Middle Eastern villain who's got a vendetta against a team of crack operatives, and it's all very familiar. But there's one thing that makes this special: the presence of Bond director John Glen at the helm.

Yes! Incredibly enough, Glen's star has also fallen far enough for him to be reduced to this kind of low-budget fare. That's great news for the film, which incorporates a series of stunning action sequences which are clearly handled by a master director; the opening chase is particularly vivid and exciting, good enough to rival Glen's work on the Bond films a couple of decades earlier.

As the story progresses I found myself highly entertained, purely down to the direction. The bit with the truck is also excellent, and if it does tail off a bit towards the end then that's forgivable. Cast-wise, Lambert gives a typical turn, leaving me with the usual impression: that he's a nice guy, but that he doesn't have much presence. Kerry Fox is miscast, but GAME OF THRONES star Donald Sumpter lends some gravitas and Vincent Regan is ever decent, this time as the bad guy. Watch out for former Bond girl Maryam d'Abo in a minor role...

Hard to believe that the director of this film was once trusted with directing some of the films in the James Bond series. This is a worse than average action film, badly written, acted and directed. The subject is of an Israeli anti-terrorist squad mistakenly targeting the wrong man, and as a result its members becoming the target of a revenge series of murders. The way the Israeli ambiance and individuals are being described is completely wrong, and the complete idealization of the Israeli side does not help. The Middle East conflict is much more complex than a good vs. bad guys gun fight, but even for an action movie there are not too many new, unexpected or interesting things to be seen. A waste of time - 3 out of 10 on my personal scale.

I was interested in watching this film in part because it was directed by John Glen, who had directed several James Bond movies in the 1980s that I had liked. However, after watching this movie, all I could think was that Glen's status as a director had fallen greatly in the years between James Bond and this film. To be fair, Glen was working with a script that really needed a few more rewrites before filming - the opening is kind of vague, the chief villain character is kind of vague, and various plot details here and there are vague as well. Despite this inadequate script, the movie could still have been fun with some energetic direction. But the movie is slow-moving and the few action sequences really lack zip and punch. Though this may have been in part due to the low budget, which also results in the movie having a somewhat cheap look and feel that resembles low budget Canadian television shows from the 1990s. To date, this is the final movie that Glen has directed. Maybe that's for the best.

Some time after their botched operation to capture a known Palestinian terrorist named Amar Kamil (Vincent Regan) , a secret team suffers events go awry . After getting away an assassination's attempt in Luxembourg , a bunch of Israeli agents starts to get killed off one by one . Their leader (Christopher Lambert) must get to the bottom of things before the murderous plan to be completed as he takes one to kill one .

European co-production by UK|France|Luxembourg that contains action , intrigue , thrills , suspense ; however resulting to be some tiring and dull . It's a direct to video film made in low budget and failed at box-office . Based on the novel titled "The Heat of Ramadan" by Steven Hartov and screenplay by Ripley Highsmith , the film develops an intrigue about secret agents from Mossad and OLP . Regular performances from two main protagonists Christopher Lambert and his nemesis Vincent Regan . The best acting turns out Kerry Fox , a notorious British actress who has not achieved a great success. There appears in a pretty secondary role Maryam d'Abo who formerly was Bond-girl for John Glen in 'The Living daylights' . Functional cinematography by Alec Mills shot in Luxembourg , Israel and beach scenes in Nice, Alpes-Maritimes, France . Atmospheric musical score by Waltzing , including Arab and Israel sounds .

The film was produced by the Jewish Avi Nesher , being professionally made by John Glenn . John keeps this moving, though with no much originality and with some flaws and gaps . He has directed the most number of James Bond movies , totaling five . Glenn filmed various 007 outings , previously directed 2nd unit and edition on some early Bond movies . He directed several entries such as ¨Licence to kill¨, ¨A view to kill¨ , ¨For your eyes only¨ and ¨Octopussy¨ that are incredibly fast pace . The film will appeal to Christopher Lambert enthusiasts , but good for fans only . Rating : Mediocre .

Rare are the authors that are able to create a vivid movie about the clashes of Israeli hitmen and Arab terrorists. 007 - veteran John Glen joined the legion of these greats with his latest feature THE POINT MEN. "Ripley Highsmith"`s script (based on Steve Hartov`s novel THE HEAT OF RAMADAN) served as an exceptional reason for the reunion of the reliable B - cast that doesn`t even warm the bench in the mainstream cinema these days. Action fans eventually got an opportunity to enjoy a pretty smart conception of heartwarming cliches from the , allegedly dead, MOSSAD - genre that was revived by an intelligent script, above average budget and Glen`s crafty direction of gunfights and car chases where bullets really hit the flesh and real cars get smashed up. No comment belongs out of this statement. There`s just home cinema for all those action buffs who craved for a good flip of an expensive Mercedes ever since McTiernan`s DIE HARD WITH A VENGEANCE.