El Bola

What is particulary gut-wrenching about this film is being reminded very vividly how utterly helpless our children actually are once delivered to the mercies of adults. It must remind one of Dostoevsky's great parable questioning the very foundations of faith and life on this planet: the tears of a brutalized child, how can anything be right if the innocence itself gets choked and humiliated so early on? Who knows how many millions upon millions of defencless little men and women gets brutalized physically and mentally on an endless train of abuse? And to think that this is the age where there's at least some inkling of how horridly despicable abuse patterns are. +++ *Within this framework, shore, one would find the delicate homage to Les 400 Coups (the amusement park scenes, the friendship among the city boys...) *The music score is so brilliant that is stand out on its very own.

Hi all, I've just presented this film to my students, I'm a lecturer at Purdue University(IN) and I read the comments here. I have to say that many people are completely wrong when they think that el Alfredo's parents are homosexual. You have to be aware that Spanish language is quite genuine when talking about curses. The fact that Alfredo's father calls his friend "maricón" (literary, "faggot") does not imply AT ALL that he is actually homosexual, it's only a very informal way of addressing a friend, you have to be aware that it is a very different culture. When I read that someone wrote that he found very strange that Alfredo's parents were homosexual, it called my attention and I wanted to double check that, because I really know Spanish culture and society and you can be sure that that is not normal there in Spain so far. Well, I just wanted to point that out. Thank you very much.

Great film. You'll recall classics like Truffaut's 400 BLOWS. There are scenes of such warmth and such brutal stillness, it made me want to reach into the screen and affect the course of these characters lives. A lot of assumptions I made about these characters were challenged along the way. It's rare that a film actually teaches you something about yourself. Phenomenal cast and director who deserved the Best Director and 5 Goya (Spanish Oscars) the film received. El Bola's abusive father was played to a perfect pitch by Manuel Moron as a cold, abusive father, turned sheepish when the outside world learns of his transgressions against his own son. You want to strangle him! Turns out it was a Spanish indie underdog that upset a lot of larger, bigger Spanish films. Like the other reviews say, be prepared to laugh, cry, and become infuriated. Definitely a film to check out and a director to watch!!!

El Bola, a 12 year old boy named Pablo (Juan Jose Ballesta) suffers problems at home . Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy (Pablo Galan) at school changes his attitude towards his classmates, and friendship. Pablo befriends Alfredo , and both of whom share amusing as well as unhappy experiences . The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate . El Bola or Pablo suffers bruises and scars but he is too afraid to confess that has been beating . Pablo does not come to school for a week and Alfredo and his his father (Alberto Jimenez) become deeply concerned for him .

Dramatic film dealing with domestic violence , friendship , parents-sons relationship and many other things . This is a perceptible and enjoyable portrait of a pair of big city kids, reminiscent of François Truffaut's 400 blows (1959). The picture achieved big success - both public and critical - and getting several prizes as national : Goya Award as international : Prix la Présidence Belge De l'Union Européenne 2001 and Nominé Pour Grand Prix Festival de Montpellier . Agreeable performances by entire cast as Juan Jose Ballesta as a deeply abusive boy at 12-year-old raised in a violent and sordid environment , Alberto Jimenez as a fun-loving Bohemian daddy and Manuel Moron as a tyrannical father . Colorful and appropriate cinematography by Juan Carlos Gomez . Emotive and adequate musical score by Eduardo Arbide , Achero Mañas' usual musician .

The motion picture was compellingly directed by Achero Mañas , a prestigious actor and filmmaker . Achero first followed in the steps of his mother, actress Paloma Lorena who played in two of his films, and his father , a notorious producer named Alfredo Mañas , but he soon turned from thespian to filmmaker. He made three shorts before meeting a big hit as ¨El Bola¨ that is dedicated to Laura Mañas . His second feature ¨Noviembre¨ (2003) also garnered least five awards but he was less successful with ¨Blackwhite¨ (2004). After five years in the wilderness, Mañas is making a come back with "Anything You Want" (2010). Rating : Better than average , well worth watching .

Very simple movie, but so powerful, the type of movie you won't find in the theater near you,a little hidden treasure. Excellent cast and performances. A lesson in life growing up, of friendship, despair and hope. You do not want the movie to end, to me its a sign of something special. I see the game they are playing on the train tracks as a dare, but also a death wish, even as children they are playing a game that are similar to their way of life, comes the newcomer who has a normal upbringing and find the game stupid and refused to play it,shows the difference between the children depicted in the story, one raised by loving parents, the others living their life with no structure, no love, having to fight their own battles.