VALUTAZIONE IMDb
6,9/10
3307
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaSamuel Curtis, an interplanetary trader, sets forth through a rustic and remote solar system, unaware that his old friend Professor Hess is trying to kill him.Samuel Curtis, an interplanetary trader, sets forth through a rustic and remote solar system, unaware that his old friend Professor Hess is trying to kill him.Samuel Curtis, an interplanetary trader, sets forth through a rustic and remote solar system, unaware that his old friend Professor Hess is trying to kill him.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
Derrick Damions
- Astronaut
- (non citato nei titoli originali)
Amir Darvish
- Mars Worker
- (non citato nei titoli originali)
Recensioni in evidenza
10halfordt
I saw the film at the Toronto Film Festival in 2001 and loved it. Just rented the DVD and it's a treat. Not only did I enjoy the film even more than the first viewing, but I immediately rewatched it via the Director's Commentary. The commentary makes you love the film exponentially more if only because it's done in a unique way: Cory McAbee narrates at a live screening, taking questions from the audience. McAbee is uniquely eloquent in his commentary. I've heard many commentaries that simply leave me numb, praying for narcolepsy to strike. Instead, the heart and mind of a true Renaissance man were revealed, imbuing the film (and the music) with new life (just when you thought you couldn't love a film more). There are some perfect cinematic scenes in this film. I watch literally hundreds of films a year and it's rare that I'm surprised by some narrative trope but to my joy, Hey Boy! is there to give me new faith in cinema. However impressed I was with Cory McAbee before, now I'm awestruck. And it's always a treat to hear Brian Eno's name a few times in a commentary. Wow. Congratulations.
I saw this film at the International Film Series in Boulder, Colorado, and was initially bowled over by its inventiveness. Even though this appears it's his first film, Cory McAbee plunges us into a bizarre world with supreme confidence. The budget is low but it doesn't seem like the filmmakers sweated it - they spent the money on production design and great costumes rather than trying to do convincing spaceships-flying-through-asteroids shots. It reminded me of Eraserhead more than any other movie - using lighting, props and sound effects to set the tone. But, ultimately, what is this movie other than a showcase for the band's music? The musical interludes occasionally drive the whole film to a grinding halt. They brought me out of the movie and I got very conscious of sitting in a movie theater restlessly waiting. The songs are funny but they frequently have very little to do with the action of the movie. I wonder if all of them were written for the film or if the band just wanted to put in some of their regular songs. And, the ending was very unsatisfying. I mean, I definitely feel like I got my money's worth but after sitting through an amazingly creative patchwork of sci-fi serial/western/off-off-Broadway musical you'd think they could have summed it up with one more setpiece. There seems to be a totally-unforeseen mini-revival of the musical going on nowadays and if you ask me, Hedwig and the Angry Inch is the only film that's really pushed the genre forward into new territory.
'The American Astronaut' promises much more than it delivers, I'm sorry to say. It has all the hallmarks of a cult movie - comedy musical western with a rock score - but falls short of what it could have been.
Cory McAbee (director, writer, star), who doesn't come across as particularly interesting as himself - guesting at a screening of this recently - plays Curtis, the astronaut of the title who wins a dance contest on Ceres, gets given a job to do, and - well, it's downhill from there, really.
As Professor Heiss, Rocco Sisto comes across as very Ed Wood, moaning about everyone ignoring his birthday, reducing people in his wake to piles of sand. Greg Russell Cook is 'the boy who actually saw a woman's breasts', a bored cutie in a Greek God uniform; while Tom Aldredge is a bitter old man in the pub on Ceres who tells the long-winded, and rather silly 'hertz doughnut' joke.
The main premise of this messy film is to showcase the real-life band (made up from McAbee, the producer, and the Ceres house musicians) who wrote and perform the score. There's a lot of promise in the musical numbers - one performed in the men's room (now, that was funny); one performed in silhouette in a shed floating in space; one performed by 'the Boy' on stage; one performed by Professor Heiss after a murderous spree, one performed by fat dull Eddie the barman on Ceres, etc. etc.
The photography, when it isn't being 'look how low budget we are' (any of the shots with the space ship), is pretty good. The film appears in black and white and uses minimal sets and cheap costume to move its (limited) story along. But it could have been a lot more far-out and wacky. I came away feeling just a bit disappointed and felt that the film-makers themselves lost interest a fair way from the end. Pity.
Cory McAbee (director, writer, star), who doesn't come across as particularly interesting as himself - guesting at a screening of this recently - plays Curtis, the astronaut of the title who wins a dance contest on Ceres, gets given a job to do, and - well, it's downhill from there, really.
As Professor Heiss, Rocco Sisto comes across as very Ed Wood, moaning about everyone ignoring his birthday, reducing people in his wake to piles of sand. Greg Russell Cook is 'the boy who actually saw a woman's breasts', a bored cutie in a Greek God uniform; while Tom Aldredge is a bitter old man in the pub on Ceres who tells the long-winded, and rather silly 'hertz doughnut' joke.
The main premise of this messy film is to showcase the real-life band (made up from McAbee, the producer, and the Ceres house musicians) who wrote and perform the score. There's a lot of promise in the musical numbers - one performed in the men's room (now, that was funny); one performed in silhouette in a shed floating in space; one performed by 'the Boy' on stage; one performed by Professor Heiss after a murderous spree, one performed by fat dull Eddie the barman on Ceres, etc. etc.
The photography, when it isn't being 'look how low budget we are' (any of the shots with the space ship), is pretty good. The film appears in black and white and uses minimal sets and cheap costume to move its (limited) story along. But it could have been a lot more far-out and wacky. I came away feeling just a bit disappointed and felt that the film-makers themselves lost interest a fair way from the end. Pity.
A low budget B&W film. The look is modeled after old Sci-Fi films like Flash Gordon. Including drawings for the spaceship exterior with camera zooms and pans. The cinematography is more "film noir" and is interesting in parts and just contrasty in others.
The acting is very good in this campy storyline. There isn't a plot or character development worth mentioning the campy wierdness and design is what drives this film.
Overall it is an interesting venture with some good jokes and situations but is very quirky for the general public.
As for the ending all I can describe is that it does.
If you have an interest in film, this is an interesting venture. If you are looking for mainstream films, this ain't it.
The acting is very good in this campy storyline. There isn't a plot or character development worth mentioning the campy wierdness and design is what drives this film.
Overall it is an interesting venture with some good jokes and situations but is very quirky for the general public.
As for the ending all I can describe is that it does.
If you have an interest in film, this is an interesting venture. If you are looking for mainstream films, this ain't it.
A true original. I loved this film and the wild wonderful universe that McAbee was able to create on what must have been a $1.80 budget. It has a hypnotic quality, off beat characters, and even a touching father /son relationship.. what more could you want? There is a rousing scene at the beginning when the astronaut walks from his ship to the space bar. His walk goes for some time while a wonderful instrumental plays. If you don't enjoy this part for its simplicity, you probably won't like the rest of the flick. While it dosn't look like this film will get a major distributer ( I got to see it at the Washington DC Film fest with McAbee there to discuss it!) the soundtrack album is available at americanastronaut.com. I'm listening to it as I write this! This is the fist movie in a long time that I have seen that I didn't want it to end.. McAbee knows the first rule of showbusiness: Always leave them wanting more!
Lo sapevi?
- QuizBill Buell's dance during "Love Smiles" was choreographed on the spot by director Cory McAbee by shouting things like "show us your karate, Bill!" and "the birds are attacking, Bill!"
- Citazioni
Old Man: Hey. Is it just me, or do my balls itch?
Samuel Curtis: I think it's you.
Old Man: Good. For a minute, I thought my balls itched.
- Curiosità sui creditiWe Remember Desmond Harvey
- ConnessioniFeatured in Drugoe Kino: The American Astronaut (2008)
- Colonne sonoreThe American Astronaut
Written by Cory McAbee, Robert Lurie (as Bobby Lurie), and Lee Vilensky
Performed by The Billy Nayer Show
Published by Fickey Music (BMI)
Courtesy of BSG Records
Administered and Licensed by BNS Productions
©2000 Cory McAbee, Bobby Lurie, and Lee Vilensky
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Американський астронавт
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 38.170 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6206 USD
- 14 ott 2001
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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