Dopo una devastante rottura, un giovane giura di rimanere celibe durante i quaranta giorni di Quaresima, ma trova la ragazza dei suoi sogni e non può farci nulla.Dopo una devastante rottura, un giovane giura di rimanere celibe durante i quaranta giorni di Quaresima, ma trova la ragazza dei suoi sogni e non può farci nulla.Dopo una devastante rottura, un giovane giura di rimanere celibe durante i quaranta giorni di Quaresima, ma trova la ragazza dei suoi sogni e non può farci nulla.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
- Bagel Guy
- (as Michael Maronna)
- Girl in Chinatown
- (as Stefanie Von Pfetten)
Recensioni in evidenza
The best thing this film has going for it, is the nice on-screen chemistry between the two leads. Both Josh Hartnett and newcomer Shannyn Sossamon do well with their characters - or at least as well as the juvenile script allows them. The funniest moments in the film were the condom scene at the beginning, dinner with the parents and the "examination" of Matt's sheets. It's also nice to see a Hollywood movie that doesn't drag on beyond the two hour point. "40 Days..." clocks in at a pleasant 94 minutes, which feels just about right.
All in all, it's a mildly enjoyable film, but nothing memorable. I'll rate it 3 out of 6 on my dice.
I watched this film with two friends of mine, and despite the fact that we have fairly liberal views, all three of us (this includes both female and male) were rather appalled at what was shown, and found that there are some serious moral problems at hand. First and foremost, while some viewers might not realize it, Josh Hartnett's character is raped towards the end of this movie. His ex-girlfriend has sex with him, while he is tied to a bed, intoxicated, and only marginally aware of what is going on. In spite of this, the film does not seem to show the seriousness of the incident. The main character seems to be casual about what happened, albeit disappointed that his celibacy did not reach the 40 day mark; his current love interest, played by Shannyn Sossamon, chooses to be angry, instead of being supportive, and his ex-girlfriend revels in snide triumph. The rape of men by women does occur in real life; it is a horrific crime, as is any other form of rape, and this movie certainly doesn't help in making the society aware of its existence.
The film also paints an inaccurate and incomplete picture of human sexuality, since men are portrayed as sex fiends, who find it next to impossible to not be controlled by their desires, while women are depicted as manipulative whores. Shannyn Sossamon's aforementioned character is an exception, but she appears to be emotionally unstable, since she walks out whenever there is a problem, instead of making an attempt to communicate. When the main character ends up with her, this is treated as an "and they lived happily ever after" sort of ending, whereas realistically, what he probably has in store for him is another psychologically-damaging relationship.
The problem at hand is not in what happens in the film, but in the film's attitude towards what happens. I am not saying that a rape scene in a movie is always unacceptable. What I am saying, is that such a scene should be treated as a rape scene, and not as a casual sexual encounter. While I believe in artistic freedom, I also believe that film producers hold a level of responsibility for the sort of message that they carry across, and that is why I felt that something needed to be said. I would generally not recommend this movie, but to those who are planning on watching it - please be aware of what is going on.
Someone who wants to have sex but is somehow thwarted; now THAT'S funny ... well, potentially funny. Someone who wants NOT to have sex but is somehow coerced into doing so; that's NOT funny.
-Actually, very frequently it IS funny, but under conditions that don't hold here. The man who simply wants to read a book or work on his woodcarving but has an insatiable spouse; that can be amusing. The man who for obscure "because it's in the script, that's why" reasons gives up sex for Lent well, whatever. If the film wants to ignore this tepid premise and tell jokes about, say, badminton, that could work. But the sex that's been renounced is something we never hear the end of. It's like listening to someone say, "No thanks, I don't want any sugar in my coffee," six hundred and fifty times.
How long is this guy doing without, anyway? Forty days; a little over a month. Please. Most of us spend, give or take, the first five THOUSAND days of our lives without sex (and it's only so few if you accept the film's extended definition). How hard can it be?
Not a single player in the story has a brain, and the central character is in addition one of the wettest schmendricks ever to be pushed forward as a romantic lead.
That said the two main characters are somewhat lacking in life and could have done with a bit more development. This is a largely French funded film and it does show in places. There are elements of French farce about it but with transposing the action to California it was always inevitable there'd be the standard Hollywood ending and it doesn't "disappoint" in that respect.
Hopefully this won't be the best film you'll see this year but it certainly could be worse.
Lo sapevi?
- QuizJosh Hartnett tried to emulate his character's celibacy. He lasted for two weeks.
- BlooperThe sports page of the Chronicle that Paul Constanzo's character is holding has a headline about the Raiders beating the Seahawks, a game that would not have occurred during the Lenten season.
- Citazioni
Mandy: [Mandy describes to Matt the importance of women's power of abstinence] Women have been doing this since, well, forever, so we know all about the power. See, us having the power, that's part of the system, and by you taking the power, you're fucking with the system. And I think you see why we can't let that happen.
- Versioni alternativeThe TV version aired in the USA blurs out the nudity.
- Colonne sonoreBig Blue Sea
Written and Performed by Bob Schneider
Courtesy of Universal Records
Under license from Universal Music Enterprises
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- 40 días y 40 noches
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 17.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.950.822 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.229.529 USD
- 3 mar 2002
- Lordo in tutto il mondo
- 95.146.283 USD