VALUTAZIONE IMDb
7,0/10
18.826
LA TUA VALUTAZIONE
Un uomo sparge la voce che è omosessuale falsamente con l'aiuto del suo vicino, per prevenire il suo licenziamento dal lavoro.Un uomo sparge la voce che è omosessuale falsamente con l'aiuto del suo vicino, per prevenire il suo licenziamento dal lavoro.Un uomo sparge la voce che è omosessuale falsamente con l'aiuto del suo vicino, per prevenire il suo licenziamento dal lavoro.
- Premi
- 1 vittoria e 1 candidatura in totale
Stanislas Forlani
- Franck
- (as Stanislas Crevillén)
Thierry René
- Victor
- (as Thierry Ashanti)
Recensioni in evidenza
This amiable and amusing film is delightful as it plays around with political correctness, homophobia, machismo, and business management.
The dull-witted and just plain dull main character keeps his job by pretending to be gay -- at the suggestion of a neighbor who is an industrial psychologist that once lost his own job BECAUSE he is gay. With that premise, the film is off to a wonderful series of misunderstandings and revelations as our hero discovers a great deal about life, people around him, and most of all, himself. The fact that all of this takes place is a very prim, high-tech condom factory makes the comedy all the more lively.
I wasn't expecting the lift that the film gave me. It has a flimsy giddiness about it lacking in most comedies about being gay or straight or anything else. See it if you get a chance.
The dull-witted and just plain dull main character keeps his job by pretending to be gay -- at the suggestion of a neighbor who is an industrial psychologist that once lost his own job BECAUSE he is gay. With that premise, the film is off to a wonderful series of misunderstandings and revelations as our hero discovers a great deal about life, people around him, and most of all, himself. The fact that all of this takes place is a very prim, high-tech condom factory makes the comedy all the more lively.
I wasn't expecting the lift that the film gave me. It has a flimsy giddiness about it lacking in most comedies about being gay or straight or anything else. See it if you get a chance.
Faced with a choice of American "look-alike" movies, I watched this little gem on the basis of the cast alone. What an excellent choice!
This is a brilliantly funny movie, with some unforgettable moments - particularly the "testing department" sequence in the condom factory. The story is amusing, the cast are perfect, particularly Gerard Depardieu's hilarious, touching, crazy mixed up macho/gay guy. The premise, that in order to keep his job a colourless little accountant has to pretend that he is gay (a very tongue in cheek comment on prejudice here) - the can of worms that he opens up has many aspects, both good and bad. And they gave us a happy ending - what more can one ask for? Recommended.
This is a brilliantly funny movie, with some unforgettable moments - particularly the "testing department" sequence in the condom factory. The story is amusing, the cast are perfect, particularly Gerard Depardieu's hilarious, touching, crazy mixed up macho/gay guy. The premise, that in order to keep his job a colourless little accountant has to pretend that he is gay (a very tongue in cheek comment on prejudice here) - the can of worms that he opens up has many aspects, both good and bad. And they gave us a happy ending - what more can one ask for? Recommended.
English: "The Closet"
This reminded me in some ways of M. Hulot (Le Vacance de M. Hulot, the greatest comedy I've ever seen), in others of some of the best of the Alec Guiness comedies. Not for style but for quality. It's at their level.
There were fine performances by all the main characters but I was fascinated by the unfolding of the plot. All the pieces fit together so intricately and well and so few liberties were taken of normal human reactions -- almost everything was within comfortable bonds of believability. Well, there were a couple of minor stretches -- the catalyzing role of a sexual encounter in finally transforming M. Pignon's personality was one, but wouldn't that be quaintly Gallic? And the transformation of his son was another, but then -- teenagers can sometimes be unpredictable, can't they? And it had only one broad sterotype, Mr. Santini (Gerard Depardieu). I left the theater amazed at how well the various facets of the plot fit so well together that it reminded me then of a Chinese wood block puzzle; now, a week later, that still seems most fitting.
This is _not_ a movie about being gay; that's only the gas that fuels the car that takes the people on that trip. It _is_ an observant, droll film about office politics and the way people's views of others can be distorted by labels. I'm sure -- within a few years -- this will be considered a classic and deservedly so.
This reminded me in some ways of M. Hulot (Le Vacance de M. Hulot, the greatest comedy I've ever seen), in others of some of the best of the Alec Guiness comedies. Not for style but for quality. It's at their level.
There were fine performances by all the main characters but I was fascinated by the unfolding of the plot. All the pieces fit together so intricately and well and so few liberties were taken of normal human reactions -- almost everything was within comfortable bonds of believability. Well, there were a couple of minor stretches -- the catalyzing role of a sexual encounter in finally transforming M. Pignon's personality was one, but wouldn't that be quaintly Gallic? And the transformation of his son was another, but then -- teenagers can sometimes be unpredictable, can't they? And it had only one broad sterotype, Mr. Santini (Gerard Depardieu). I left the theater amazed at how well the various facets of the plot fit so well together that it reminded me then of a Chinese wood block puzzle; now, a week later, that still seems most fitting.
This is _not_ a movie about being gay; that's only the gas that fuels the car that takes the people on that trip. It _is_ an observant, droll film about office politics and the way people's views of others can be distorted by labels. I'm sure -- within a few years -- this will be considered a classic and deservedly so.
Anti-discrimination laws are given a tweaking in this light, amusing French comedy. Auteuil plays an unassuming, rather colorless, 20-year employee of a condom factory. When, one day, he is told that he will be let go due to corporate downsizing, he is suicidally despondent. However, a caring neighbor (Aumont) devises a scheme that will possibly save Auteuil's job. He decides to "out" Auteuil as gay so that the dismissal will look like discrimination, thus panicking the company into keeping him on staff. This act sets into motion a number of comical complications, much of which involve the company macho man/bully (Depardieu) and Auteuil's boss Laroque. The film is pretty superficial and doesn't really delve into all the ramifications of it's storyline situation, but it does provide some easy laughs and some strong performances throughout. Auteuil is properly average, yet eventually ingratiating. Depardieu shows why he's one of France's top actors with a right-on, finely nuanced portrayal. His is probably one of the most complicated characters in the film and he handles it well. Laroque is an attractive and solid presence as well. Aside from a host of good actors, the film also boasts a gorgeous production design. All of the costumes, sets and color schemes come together to create a distinctive and pleasing look. The plot is almost paper thin and characters don't often act as real people would, but this is a farce and, as such, it delivers some amusement and interest. One disconcerting thing is the level of cruelty in some cases. One character is savagely beaten and another has his life virtually destroyed all in the name of "fun". This could be due to a different perspective between a U.S. viewpoint and a French one. It tarnishes the goodwill and fun of the film, but only slightly. Mostly, it is a pretty and frothy concoction (complete with one of the most adorable kittens ever seen on screen) that shouldn't offend or upset any of it's target audience.
This film was recently released in Paris and involved a substantial number of French comedians - Auteuil, Rochefort, Laroque, Derpardieu Lhermitte, Aumont et alia. The acting of Auteil, Depardieu and Rocherfort above all is very amusing and good. I found Thierry Lhermitte's role in this film of less "importance" than in others, e.g. Le Diner de Cons and " Le Père Noël es une Ordure". The situation (probleme of homosexuality being or not being used as a way of firing or not firing someone )relates very much to today and the average spectator will be able to relate to the scenes of the film especially if he or she works in an office. I found the film most amusing, much better than 'Diner de Cons' (which had a bitter side to it). I think this film should better stand the test of time like some of Veber's previous servings ( La Chèvre, Compères Fugitifs ). The other thing is that is is not typically French and should be able to have a truly international appeal. Veber has this gift, I think of being able to be creative outside the French "carcan" and many of his works are remade internationally. Well worth seeing, wherever you come from and especially of you are feeling down in th mouth !!!!!
Lo sapevi?
- QuizThe main set, constructed at the Epinay film studio, is a replica of the Prophyltex factory.
- BlooperAround 00:20:18, Ariane's arm is on the chair's armrest. On the next shot, her arm is on the desk.
- Citazioni
Belone, the neighbour: I was fired for same reason they're keeping you on. Amazing how things evolve, huh?
- ConnessioniFeatured in Francis Veber artisan du rire: La saga Pignon (2001)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Closet
- Luoghi delle riprese
- La Maison du Chocolat, 225 rue due Faubourg Saint-Honoré, Paris 8, Parigi, Francia(Félix buying François chocolates)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 95.130.000 FRF (previsto)
- Lordo Stati Uniti e Canada
- 6.678.894 USD
- Lordo in tutto il mondo
- 50.104.745 USD
- Tempo di esecuzione
- 1h 24min(84 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1
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