El libro de piedra

After years of looking for this film that is recognized as a forgotten gem of mexican oldstyle horror cinema i found it in a place where i least expected it, now it´s part of my vast collection of hard to find horror and cult films.

This classic film tells the story about a little girl Silvya (Lucy Buj) that because of her behaviour is required to be nursed by a special teacher Julia (Marga López) at home,This teacher is experienced in the field and starts looking after the child´s behavior and her friendship with Hugo,a statue of a little boy with a book that dates 10,000 years old and supposedly talks to her and make her do things, Her wealthy father Eugenio Rubalcaba (Joaquin Cordero) is very disturbed about his daughters way´s and his new wife Mariana (Norma Lazareno) is trying to cope with her step daugters ideas but fears of the statue.

All this characters play their parts well and the atmosphere in this movie is so thick that you can cut it with a knife, locations are well used and the fright factor is there all the time, This is a timeless piece of art that should be taken seriously now a days for next wave horror movie creators. It´s a must see.

Growing up in Milwaukee in the early 80s meant one Spanish channels for my parents and every Friday night was our family night. Unlike your typical family night our idea of family night meant making popcorn and jumping into bed with mom to watch "Noche de pelicula". During Halloween they showed many scary movies and this one along with "Hasta el viento tiene miedo" are engraved in my mind like GEMS in a pile of dirt. This movie is a MUST SEE! I would put this and the before named movie up their with "The Exorcist" and "The Amityville Horror" just for its raw FEAR. Many new horror movies are based on visual effects to produce fear where these classics use plain atmosphere to create a natural fear.

The governess Julia Septién (Marga López) arrives at the real estate of Eugenio Ruvalcaba (Joaquín Cordero) to work with his daughter Silvia (Lucy Buj), who had meningitis when she was very young, and is hired. Eugenio introduces his wife Mariana (Norma Lazareno) and then Julia befriends the girl, who was playing with her friend Hugo. Then she learns from Eugenio and Mariana that Hugo is an imaginary friend. Julia questions Silvia about Hugo, and she learns that the boy is from Eastern Europe that is waiting for his father, a powerful wizard from the Eighteenth Century that will bring him back to life. Soon Silvia's godfather Carlos (Aldo Monti) arrives at home with his dog, but Silvia did not like the dog. Julia finds that Hugo is connected to a creepy statue from Europe in the garden of a boy with a book of stone that was in the real estate when Eugenio bought the property. When weird and macabre things happen in the place, Julia questions whether Hugo is really an imaginary friend or being from the beyond.

"El libro de Piedra", a.k.a "The Book of Stone", is a creepy 1969 Mexican horror movie by the master of horror Carlos Enrique Taboada. The plot is scary and supported by a wonderful black-and-white cinematography. The screenplay is well-written, with explanation for the events, but the conclusion is unexpected and surprising. Looking forward to see other films by Carlos Enrique Taboada. My vote is eight.

Title (Brazil): "O Livro de Pedra" ("The Book of Stone")

Can I make a bit of gratuitous and shameless promotion? "Evil Seeds", put together and edited by Vanessa Morgan, is a must-have book in case you are even slightly fascinated by horror movies featuring evil children! The obvious titles are included, (like "Children of the Corn"), the guilty pleasures ("The Children of Ravensbeck"), and the less-obvious foreign masterpieces ("Who Can Kill a Child?"). But the book also contains essays on several films that are completely obscure and unknown, but worth seeking out, like the Mexican sleeper gem "The Book of Stone".

Many reviewers around here state it's one of the scariest and most unsettling movies they've ever seen. I wouldn't go so far, but it's definitely a great example of a slow (better make that VERY slow-) brooding and 200% atmosphere-driven tale, with the emphasis on meticulous character development and plot accuracy, and not nearly on fake-scares, ghostly apparitions, or special effects. Writer/director Carlos Enrique Taboada found for sure inspiration in the legendary story of "The Tale of the Screw", and for the ambience he rivals Jack Clayton's "The Innocents" (also an adaptation of that same tale). The tale of a young child and her unusual friendship with a boy named Hugo, and her good-hearted governess attempting to get through to her is elegant and mature, but you must be in a certain mood/mindset to watch it. It's not exactly a very cheerful or relaxing thriller.

I saw this movie when I was 9 years old. To this day I don't understand how they allowed children into the movie theatre in Mexico to watch this type of movie. I still remember bits and pieces of it and they all come together to recreate the nightmares I had after watching this movie. Without giving away the ending, the movie is about a rich man who moves into a huge old mansion in the middle of the country with his new young wife and the daughter he had with his first wife. Along with them comes a woman who plays the role of nanny and governess for the young girl. In the enormous backyard, which is mostly covered with weeds and bordered by the woods, the young girls discovers a grave guarded over by the statue of an angel that holds open a huge stone book in his arms. Sometime in the first part of the movie, the young girls confesses to her nanny that she has found a secret playmate, a young boy, but nobody pays attention to her until very mysterious things start to happen and tragedy strikes the new household. I only wish that someday the Mexican Institute of Film would help recover and releases to the general public this and other gems of the Mexican cinema.