The Bank - Il nemico pubblico n° 1

A large corporate bank takes on a young Mathematics PHD boffin who insists that with funds he can fully develop a theory that predicts the movements of the stock market.

Not a bad watch at all, fine acting, a pretty good story and nice cinematography bring together a thoroughly credible piece.

The bank here is the archetypal 'unelected private tyranny' that exist in our times, where they can bully governments, cross borders and refute any kind of ethical principles in the name of greed and profit.

The head of the evil organisation is played very well by Anthony LaPaglia who is utterly convincing and puts in the best performance of the film. In addition, the lead David Wenham is also fairly good and his beautiful love interest Sibylla Budd is not bad either.

I quite enjoyed this movie, each scene looked like a lot of effort had been put into setting it up and directing the actors. The overall feel of the film was very effective for the subject matter but it was missing something that would make it truly memorable and a great film. The ending was not bad but overall the film was just not substantial enough

Worth a watch

It's obvious that the screenwriter/director doesn't much like banks - and not many people do. You're only likely to get friendly attention from them when you have large sums of money to deposit, otherwise you are regarded as one the pests they have to put up with to get enough of the aforementioned type of customer - and they take sizeable fees from you for the privilege. The screenplay here is at its best when fuelling that perception, particularly by the attitudes of the bank's CEO, here portrayed (unnecessarily) as an American being pressured by the bank's directors to make higher profits (having closed most of the branches to achieve that wasn't enough). The guy is greed-driven and doesn't care about people. We get two cases of people's lives being ruined by the bank's loan foreclosures. So far so good. But some things don't quite square with reality - the mentality of bankers generally is not suited to gambling and a CEO isn't likely to test a mathematics whizzkid's theories with real money right at the start. It's improbable that a bank's board would agree to a gamble involving the bank's entire capital. Could the mathematics whizzkid really hide a previous identity so easily, and his real motivation as revealed at the end doesn't go with the ethical disinterest he shows throughout. But the film is very good on a technical level - the science presented (generally) suspends disbelief superbly, the characters are credible, acting passable and the editing is excellent. My acid test of a good film is whether it holds my attention throughout and this film certainly does that. 8 out of 10.

Greed is at the core of this film. It's incredible how money can corrupt people to the point that it will make them do things that ultimately, they will live to regret.

It was a surprise to see this Australian film that only played a couple of weeks in New York. It's a much better picture than some of the very highly regarded ones that came out just about the same time and are still around, while this one went back to Australia, probably.

The director, Robert Connelly presents us with a story that's very plausible. In it, the greedy banker, played with fine assurance by Anthony LaPaglia, wants to be able to get rich with a scheme that is presented to him by the mysterious David Wenham.

Aside from some of the technical aspects of the financial world, it is very entertaining and very nicely acted by all the actors in it.

It's an odd thing that in an age when money is God, banks are regarded as the embodiment of evil. Everyone hates banks, and its easy to get an audience on-side to a bit of bank-bashing. We derive guilty pleasure from seeing a bank get its come-uppance; pleasure, because we resent the humiliation they routinely dish out to us as their customers, as well as the charges, foreclosures and cartel-like behaviour they indulge in at our expense. Guilt, because we too subscribe to dreams of wealth and power, it's just that most of us are not ruthless and callous enough to realise them.

This is a simple, straightforward, well produced thriller with a strong script and some good performances from the main players. The story concerns a maths wiz from country Victoria (David Wenham) who with the aid of chaos theory has developed a program to predict financial market trading. The CEO of Centabank (Anthony La Paglia), pressured by his board for more profits, hires him in Melbourne to perfect the program fro the benefit of the bank. Early results are promising, but our wiz seems to have an agenda of his own. Meanwhile, a failed houseboat operator and his wife are seeking redress against the bank in respect of a dodgy foreign currency loan they were conned into.

Part of the plot is similar to `The Farm', with Colin Friels and Greta Scacchi, recently shown on ABC TV (Australia). Here though we have the extra dimension of the financial market thriller, presented in an understandable way. Techicalities are avoided – all you have to do is watch the graph to see what is going on. The supporting characters are not particularly remarkable but the two leads Wenham and La Piaglia are well defined and well balanced. If the script had not been so good La Piaglia could have been a caricature, but he is instead quite believable, though I'm not sure deriding a gunman for his personal weaknesses is always an effective way of persuading him to put the gun down. David Wenham is good at slightly enigmatic characters (Diver Dan in `Seachange', the boss boy in `The Boys' (also directed by Robert Connolly, the director here) and he gives his character here the required amount of mystery. His love interest (Sybilla Budd) who he meets at work, seems a bit incidental – she's not exactly superfluous but isn't really in on the plot until late in the movie, and in the end, well

The quality of films coming out of Australia always amazes me considering the size of their budgets compared to run-of-the-mill "blockbusters" that Hollywood lavishes millions on.

OK, you have to suspend belief a bit to accept that the caper that is the plot of "The Bank" could actually be pulled off -- or could it? But what the hell, if you watch Hollywood films you suspended your belief a long time ago.

This film is a great example of Less is more. No car chases, nobody gets murdered, hardly any sex. All it has is good writing, good dialog, excellent acting, imaginative filming and special effects and music.

And Anthony Lapaglia is just one of the finest actors around these days. Altogether an enjoyable film.