Tomie

I really enjoy this film. I've watched it twice - trying desperately to figure out what the hell happened at the end, but to no avail. Strangely though, I still find myself in love with it. I think it had has a great deal to do with Miho Kanno's performance. And also the mood. And that's what it is: a mood movie. I can excuse the plot. I think I'd rather be confused by a plot than have a badly filmed, acted and directed movie. It's kind of artsy to me. If you're looking for a horror movie that makes perfect sense, and will make you say, 'wow, that's clever!' go home. But if you're in a strange mood, and it needs feedin', go for it!

In my neverending quest to find new horror, Asia is where the current wealth seems to lie. But Tomie is one of the few I've seen that is rather worthless. It was boring and it had no payoff whatsoever. I hate it when I've been watching a film for an hour and 20 minutes and then nothing comes together in that last 10 or 15 minutes. It just didn't make any attempt to make sense in the very end. That's what kills me. The idea itself and the beginning of the film were very intriguing. It just completely falls apart in that final reel and I can't forgive it for that. The main thing I will remember about this flick is the incredibly eerie score. I really can't believe there are five of these films already. I guess Tomie really will not die.

Hmm. I mean, aesthetically, it's pretty great. It looks good for something that's going for a grounded and low-key sort of visual thing. It's not quite digital horror, but it scratches the same sort of itch that other Japanese horror films from around this time definable as such do.

I also watched it right after a movie where the music was the worst part (The Place Promised in Our Early Days), so it's nice that the best part of Tomie was the music. I'd almost be surprised if the main theme didn't inspire the title track from Radiohead's Kid A; that song sounds so similar, and came out after this movie.

Unfortunately, it's also a mess narratively. I wasn't a huge fan of Junji Ito's Spiral when I read it last year, and Tomie gives me the impression his stuff is inferior still in the format of a film.

Having been a huge fan of Junji Ito's works (Uzumaki, Tomie, Hellstar Remina) I will do my best to refrain from comparing the manga to the film. NOTE: if you enjoyed the movie, reading the Tomie manga is highly recommended!

Tomie is unlike your typical horror movie where a wraith is lurking down the corridor or the ominous creaking floorboards in a closed room. This one is more subtle and effective at setting an atmosphere where you just know something is not right. I enjoyed the performance by Tomorowo Taguchi as the detective who's agenda is also questionable in this whole affair. Tsukiko (played well by Mami Nakamura) is for the most part in the dark as to what's going on. As time progresses, she begins to come to terms with recent strange events and how they are linked to a shrouded unknown past.

One thing to note: the Tomie manga excels at setting a dark, frightening mood and facial expressions (especially Tomie's) convey strong emotions of pain, fear, anger, betrayal, and obsession; a credit to Ito's talent. Watching the film draws you into the phenomenon of Tomie and is accompanied by an eerie soundtrack sounding like ambient, psychedelic music done by Buffalo Daughter..great stuff!

Based on a manga, and spawning four sequels, this film is about a young lady named Tsukiko (Ms. Nakamura) who has enlisted the help of a psychiatrist (Ms. Doguchi)to try to remember the events of 3 years before, described as an "accident". You find that a fellow schoolgirl named Tomie (Ms. Kanno) was killed, but no one can find the body..because she won't die. This film is more psychological drama than horror film. In the apartment below Tsukiko lives a male student who seems to be raising some mutant strain of something in a box. Is this Tomie re-incarnated? The film moves slowly, and even drags a little at times, but for fans of the manga it is essential viewing. A much better film than it has to be, its watchable. All 5 films are available in a box set. For this film, the concept is intriguing if not wholly essential.