Aggiungi una trama nella tua linguaA bookkeeper who thinks she killed three mobsters is subsequently promoted by her boss to be a hitman.A bookkeeper who thinks she killed three mobsters is subsequently promoted by her boss to be a hitman.A bookkeeper who thinks she killed three mobsters is subsequently promoted by her boss to be a hitman.
- Regia
- Sceneggiatura
- Star
Anthony DeSando
- Mario
- (as Anthony De Sando)
Glenn Thomas Cruz
- John Anderson
- (as Glenn Cruz)
Recensioni in evidenza
The plot line is very funny, and right away you know this movie is going to be good. Diane Keaton is perfect in her role, and the concept is kind of like taking a Woody Allen movie and merging it with a Mafioso theme, all in a really clever and funny way. I can definitely watch his movie over and over and find new things to laugh at. Paul Sorvino is also really good, and Natsha Lyonne was in her prime and still on track for a good career for this one. I have a weakness for movies based in New York City, but this one is especially fun because you see good visuals. Strong cast and the movie progresses well. I love quirky comedies and this one is a must see :)
The cast looked promising, the storyline seemed to hold some laughs, and I was in the mood for some off-beat Diane Keaton gangster comedy.
Well, there are a few laughs to be had through-out the movie, but most of the time I just thought 'when is something interesting going to happen?' and 'when does Diane stop crying/shouting/babbling hysterically?'. I'm used to watching Diane Keaton playing this type of character, but in this case she really overdid it (may be the Director's fault, who knows). An outright terrible performance is made by Anthony DeSando playing the son/sidekick/whatever of Sorvino's character. The part in itself is exceptionally stupid (very cliché), but DeSando manages to make the character appear so stupid, that it isn't even funny (which I believe it was intended to be).
Bob Balaban (as Keaton's brother), Burt Young (as one of the persons she's asked to kill) and sometimes also Maury Chaykin makes the last half the movie somewhat tolerable, after 40 minutes of Keaton freaking out all the time.
The movie isn't exactly terrible, but it is the worst Diane Keaton-flick I've seen for some time.
Well, there are a few laughs to be had through-out the movie, but most of the time I just thought 'when is something interesting going to happen?' and 'when does Diane stop crying/shouting/babbling hysterically?'. I'm used to watching Diane Keaton playing this type of character, but in this case she really overdid it (may be the Director's fault, who knows). An outright terrible performance is made by Anthony DeSando playing the son/sidekick/whatever of Sorvino's character. The part in itself is exceptionally stupid (very cliché), but DeSando manages to make the character appear so stupid, that it isn't even funny (which I believe it was intended to be).
Bob Balaban (as Keaton's brother), Burt Young (as one of the persons she's asked to kill) and sometimes also Maury Chaykin makes the last half the movie somewhat tolerable, after 40 minutes of Keaton freaking out all the time.
The movie isn't exactly terrible, but it is the worst Diane Keaton-flick I've seen for some time.
This irreverent comedy rolls along at a great pace, with Diane Keaton's one-liners and witty banter with the rest of the cast. Its a madcap comedy in the style of the 1930s style of comedy. Kind of like "Bringing Up Baby" meets "The Sopranos". In fact I could recognize a bunch of Sopranos actors playing supporting roles here and there. By the end of the movie the situations get so crazy I was really laughing! Anyone who is a fan of mafia related movies must go see this one. What makes this movie really funny is the interaction between all the talented actors. So, in the end, I rate this movie as 'Excellent' and would recommend to anyone.
I was fortunate enough to see a sneak preview of this truly wacky mob comedy, which hasn't been released yet. It's a great film, on many levels: The plot is so off-beat that you can't help getting drawn in. You get to see awesome actors like Paul Sorvino and Burt Young play with some fabulously funny writing. And director Greg Yaitanes creates a spaghetti-western like world that is just so visually COOL, you have to see this film on the big screen. Hopefully, this movie is coming soon to a theater near you!
Screenwriter Lisa Lutz began writing the screenplay at the age of 21 in 1991
Is she even in business? If someone gave her another chance after this piece of crap, she's up for the most Fortunate Person Of Ever award.This movie sucks to no END...It never ceases to amaze me what the turn into movies...and the fact that they made this writer put it off for a bit? Seriously? I can write better crap than this in my sleep.
OK, so how many lines to I have to type? I don't get this at all. I guess I"m a newbie. I guess I don't understand why there should ever be a limit to what anyone has to say...or a quota? Seriously, I don't care if you have a one word sentence...or even a one word response. I mean, c'mon?
Thanks...is this enough, finally?
This movie is worthless.
Is she even in business? If someone gave her another chance after this piece of crap, she's up for the most Fortunate Person Of Ever award.This movie sucks to no END...It never ceases to amaze me what the turn into movies...and the fact that they made this writer put it off for a bit? Seriously? I can write better crap than this in my sleep.
OK, so how many lines to I have to type? I don't get this at all. I guess I"m a newbie. I guess I don't understand why there should ever be a limit to what anyone has to say...or a quota? Seriously, I don't care if you have a one word sentence...or even a one word response. I mean, c'mon?
Thanks...is this enough, finally?
This movie is worthless.
Lo sapevi?
- QuizScreenwriter Lisa Lutz began writing the screenplay at the age of 21 in 1991, was paid or asked to rewrite it over 25 times, and ultimately had it made into a movie a decade later.
- BlooperWhen Raymond is reaching for the gun on the floor, he has the belt in his hand from one angle and not from the other.
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