Pennuti spennati

A group of small birds nestle comfortably on a telephone wire. When a large bird wants to join them they treat him with contempt and make fun of him. However when he joins them on the wire they learn a very harsh lesson about accepting others.

Shown before Monsters Inc. this short helped make for a longer running time and give a feeling of more value for money. It is a very simple short, with no dialogue. The little birds are really cool with great facial expressions and manage to be really likeable. The big bird looks real goofy and it's easy to join the little birds in mocking him. I suppose that is good because it makes their lesson our lesson.

The animation is superb, the backgrounds are bright and colourful and each feather on each bird looks really realistic. The short is very funny - funnier than it sounds, the little birds are really funny, kids will love it because all the comedy is visual, adults will love it because it's not too childish. It feels better than it is because it is a one-joke short, if they'd had to make this longer I think it would have suffered. However as a short it manages to be short and sweet, it's not very memorable but it is a funny joke.

Overall it is by no means the funniest 5 minutes of my life (!), but it is a very good one-joke short that is funnier that Monsters Inc (but lets not forget that MI actually needed a better story!). Funny, warm but ultimately forgettable.

"For the Birds" has so much funny packed into its miniscule running time. The birds portrayed are easily the funniest looking birds I have ever seen. Their mannerisms are perfectly hilarious. The way they act as a flock all mimicking each other is great. I loved when they teased the bigger goofier looking bird. I think it is safe to say that "For the Birds" is the funniest short film ever made.

For the Birds is a short and cute animated Pixar film about small blue birds underestimating a bigger blue bird. It's for people who like funny short films and would be perfect for kids of all ages!

In this flappy little film we arrive at a telephone wire, where several little birds land and begin jostling and fighting for space. The camera zooms out and we see a big goofy bird (played by Ralph Eggleston, also the director) who tries to make friends with them. The little birds begin mocking the chunky bird, but the big bird flies over anyway and lands right in the middle. The little birds begin pecking, and try to get him off the wire, but karma finds them, with hilarious results!

I loved the animation in this film. It's amazing that we can tell so much about what the characters are thinking without any dialogue! The birds speak only in tweets, squeaks and honks which leads to some funny misunderstandings, especially between the big bird and the little ones.

I also loved the energetic, jazzy soundtrack which made the film feel upbeat and fun. It even matches the action, like when the wire bends and we hear a glissando slide on the guitar as the birds sink towards the ground.

There is also great visual comedy, like when the birds realize too late what is about to happen!

The animation wasn't amazing by today's standards, but for the time it came out this would have looked pretty impressive. It would have been nice to see a little more colour though. One fun fact is that For the Birds originally played before the release of Monsters Inc. In theatres, all the way back in 2001!

Overall, this is a fun film and it only takes up three minutes of your life! I would recommend it to anyone, especially younger children, who are looking for a short funny dose of movie magic.

I remember this short vaguely from my childhood but I didn't Remember it being this funny.

It's very charming. A simple idea executed extremely well with animation that absolutely enhances the story.

A kind of morality tale for children about ostracism but can also be simply enjoyed at face value as a silly "lark".

One of the best Pixar shorts for sure.

I've watched this short a dozen times, and I still laugh out loud at the main gag. This film is comic perfection.

Remember how the Coyote in the Road Runner cartoons always looks plaintively at the camera whenever he makes a mistake, the pupils of his eyes narrowing just before he falls off the cliff, the boulder crushes him, or the dynamite explodes in his face?

That was the kind of touch that made those old cartoons great. And it is clear from this film that the spirits of Chuck Jones, Tex Avery and the other classic animators are alive and well at Pixar.