Tales of Frankenstein

Like a previous poster I was familiar with this unsold pilot mostly through stills in the old Famous Monsters magazine. I recently picked up a cheap DVD (from Alpha Video, who release a lot of interesting stuff) containing TALES OF FRANKENSTEIN with Corman's THE TERROR as a second feature. TERROR I'd seen many times before, but FRANKENSTEIN was truly interesting. It has the unmistakable feel of a 50s TV show but at the same time is reasonably well mounted and maintains a lot of the atmosphere of the old Universal Frankenstein movies, complete with raging thunderstorms and a laboratory full of crackling equipment. It was supposedly a co-production between Columbia Pictures' Screen Gems division and Hammer films, but there's very little Hammer atmosphere here (except for the costume worn by Anton Diffring as Frankenstein, which looks like Peter Cushing's hand me downs). Don Megowen makes a very formidable Monster, with a flat-topped make-up not unlike the old Karloff monster. Which is strange since Universal usually protected their copyright quite aggressively. At any rate, fans of vintage horror could do a lot worse than check this out.

TALES OF FRANKENSTEIN of 1958 is the pilot from the British Hammer Studios, which was never continued as a TV series. This was made right after Hammer's first successful and highly influential Gothic Horror film THE CURSE OF FRANKENSTEIN (1957) starring the great Peter Cushing in the role of the eponymous Baron, a role which he would reprise five more times. On the one hand, it is highly regrettable that TALES OF FRANKENSTEIN, which stars the sinister Anton Diffring, never became a show. On the other hand, it is debatable whether Hammer had made any sequels to their first success, if their had been a FRANKENSTEIN show on TV; since the FRANKENSTEIN sequels from Hammer are entirely great, some arguably even greater than the 1957 film, their not having been produced would be tragic for the world of Horror.

TALES OF FRANKENSTEIN is interesting in particular due to the charismatic performance of Anton Diffring, a specialist for sinister characters, and due to the fact that it mixes the styles of Hammer and the original Universal Horror films. Especially by its looks, this has a stronger resemblance to the Classic Horrors from Universal. The set pieces are Gothic and elegant, and the film has a nice, eerie atmosphere. The storyline is interesting enough: Baron Frankestein (Diffring) is experimenting on his creation, trying to make the monster less aggressive. A terminally ill concert pianist (Richard Bull) and his wife come to Frankenstein's castle in order to ask for the Baron's help...

Overall, this 28-minute flick is a highly interesting little gem that especially Classic Horror fans should not miss. Diffring is great (even though not quite as great as Cushing), the atmosphere is gloomy, and the story interesting. Ignoring the previously made assumption that making the TV show might have resulted in the film sequels not being made, one can only say: Too bad this series was never made. It would have probably been quite something. Not to be missed.

"Dr. Frankenstein has recreated his creature, but wishes to correct his previous mistake. He wishes to prevent his creation from any further murderous rampages by placing the brain of a good man inside the skull of the monster. The arrival of a woman and her terminally ill husband offer the doctor an opportunity to try his new theory," according to the DVD sleeve's synopsis.

Anton Diffring (as Baron Von Frankenstein) is an extremely enjoyable and effective leading man.

If this is, indeed, the pilot for an unsold television series, it's difficult to understand how they were going to come up with the nearly 40 per season story ideas. As a short movie, writer/director Curt Siodmak does surprisingly well in this format, creating a "new" story to work within the existing "Frankenstein" mythos; and, it's much better than the average 1958 half hour teleplay.

****** Tales of Frankenstein (1958) Curt Siodmak ~ Anton Diffring Helen Westcott, Don Megowan

For years the only thing I knew about TALES OF FRANKENSTEIN was from a still I had seen in "Famous Monsters" magazine. Then a promotional trailer for this film/T.V. pilot turned up in the Zacherle video "Horrible Horror." For years I remained very curious about this film/T.V. pilot, but the damn thing was impossible to see. Then one day a copy of this film turned up on the shelves at my favorite video rental store and I was able to satisfy my curiosity.

In TALES OF FRANKENSTEIN the good Dr. Frankenstein has created a being from bits and pieces of dead bodies stolen from graves. He brings the monster to life but discovers its mind is blank. Dr. Frankenstein decides a living brain is needed and is soon met by a dying man and is told by Dr. Frankenstein he can make him immortal if agrees to allow him to be used in an experiment. The dying man gets more than he bargained for when he wakes up in the horrible disfigured body of Frankenstein's creation.

The monster's make-up in the film resembles the classic Universal monster with puffy cheeks giving the impression it is starting to develop acromegaly. The production values are not up to Hammers usual standards. The films sets look very stagey. Then again, this was a 1958 T.V. show, not a feature film. I have heard conflicting accounts on what this T.V. series was supposed to be. One states its was supposed to be a weekly series with each weeks episode telling the tale of a famous monster (i.e one week Dracula, next week The Mummy etc.) Another account claims each week would be about a different adventure in the life of Dr. Frankenstein. The latter seems unlikely. However, its doubtful either could have resulted in a long running series. The show would have ran out of plots very quickly.

Yet another short TV production of the horror perennial whose major point of interest nowadays resides in its being capped by the double-shocker end credits - "Produced by Michael Carreras" and "A Hammer Film Production" - despite the fact that, being shot in black and white and directed by Curt Siodmak, it is clearly emulating the Universal template of almost thirty years previously rather than the fresh angle given by Hammer themselves!; other remnants of that consequently archaic influence are shots lifted from Tod Browning's Dracula (1931; the brides of Dracula) and the INNER SANCTUM series (the talking head). Actually, this above-average program was a co-production between Hammer and Columbia and features both future Hammer (a respectable but dour Anton Diffring in the lead) and past Universal (Ludwig Stossel as a tavern-keeper) alumni. Intended as a pilot for a proposed 26 episode TV horror anthology series to be filmed partly on the Columbia backlot and at Hammer's Bray Studios, it is no surprise that it failed and the plans for the follow-ups aborted. Frankly, the new storyline is weak: despite the fact that Baron Frankenstein has still not completed his life-giving experiments, the villagers are already scared shitless of him(!) and, worse still, an out-of-town couple (including a moribund husband) call on him for a miracle cure!! Even so, the Karloff-like monster - another Universal nod in this anomalous Hammer entry - is suitably menacing (if nothing else) as played by Don Megowan - previously of the Columbia horror programmer THE WEREWOLF (1956), which I will be watching later on during this Halloween Challenge - and, as usual, that wholly intoxicating black-and-white Gothic atmosphere wins the day in the end.