Prima che sia notte

There's a lyrical quality to this film that makes the brutality of the oppression it depicts seem almost tangible, and `Before Night Falls, ` directed by Julian Schnabel, is photographed in a way that gives much of it something of a documentary feel (and, indeed, some archival footage is included), which defines the drama and adds to the overall impact of the film. And quite a story it is. The true story of writer Reinaldo Arenas (Javier Bardem), who was born in Cuba in 1943, it touches on his childhood, but concentrates on the '60s and '70s, during which time Arenas was considered a counter-revolutionary by the Cuban government because of his writing, as well as his homosexuality.

Schnabel pulls no punches as he presents an incisive picture of the suffering inflicted upon Arenas (and others) through the wanton mistreatment and discrimination of Castro's regime. Extremely well crafted and delivered, it's a film that makes a powerful statement about many of the things so many take for granted. Like freedom of speech and assembly. For as the film points out, in post-revolution Cuba, a gathering of more than three becomes a criminal offense; a group of people getting together for a poetry reading become criminals of the State, and the punishment for expressing one's own thoughts can be, at the very least, torture and imprisonment.

This is the environment in which Arenas grew and matured, as a person, a poet, a writer; still, he was irrepressible when it came to his work, and managed to create and have some of it published, but only by smuggling it out of Cuba (in one instance to France, where his book was named Best Foreign Novel of the year). It's a ruthless, uncompromising world Schnabel lays bare with his camera, and it's that realistic recreation of that very real time and place that is one of the strengths of this film. But what really drives it and makes it so compelling, is Bardem's incredible portrayal of Arenas.

To say that Bardem's performance was worthy of an Oscar would be an understatement; along with Ed Harris (in `Pollock'), it was quite simply one of the two best of the year (2000). In order to bring Arenas to life, it was necessary for Bardem to capture all of the myriad complexities of the man and the artist, which he did-- and to perfection. It's a challenging role, and Bardem more than lives up to it, with a detailed performance through which he expresses the physical, as well as the emotional aspects of the character: His mannerisms, his walk, the body language that says so much about who he is; how he copes with living in a seemingly hopeless situation. By the end of the movie, because of Bardem, you know who Reinaldo Arenas was, and you're not likely to forget him.

The most poignant scenes in the film are those in which Arenas' words are being recited as the camera creates a visual context for them, looking out through the window of a moving car or bus at the streets, towns, buildings and people, as Arenas describes them. These scenes fill the senses and are virtually transporting; and it is in them that the true poetic nature of Arenas is made manifest. It's beautiful imagery, and the contrast between the beauty of the words and the ugliness of the reality against which it is set is powerful. All of which is beautifully conceived and executed by Schnabel; an excellent piece of filmmaking.

In a dual supporting performance, Johnny Depp is effective as Bon Bon, a `queen' Arenas meets during his incarceration, and also as Lieutenant Victor, who oversees the prison. Each character is unique, and it's quite a showcase for Depp's versatility.

Rounding out the supporting cast are Olivier Martinez (Lazaro), Andrea Di Stefano (Pepe), Sean Penn (Cuco), Michael Wincott (Herberto), Pedro Armendariz Jr. (Reinaldo's Grandfather) and Vito Maria Schnabel (Teenage Reinaldo). A film that is not necessarily entertaining, and at times unpleasant to watch because of it's stark realism, `Before Night Falls' is, nevertheless, thought-provoking, riveting drama that is thoroughly engrossing. And it proves that beauty can indeed be found in the least likely of places. But it also makes you realize that it is up to each individual to care enough to seek it out, and to hopefully have the wisdom to realize it once it is found. And that's the real beauty of a film like this; it affords you the opportunity to do just that. I rate this one 10/10.

Evocative and moving story based on the life of Cuban writer Reinaldo Arenas. The film has excellent acting from Javier Bardem (and smaller but equally excellent performances from Johnny Depp and Sean Penn), wonderful scenery and, most of all, powerful and moving snippets from the work of a novelist whose poetic powers can inspire and lift above the poverty of life or bring emotional poignancy to the depths. This is set in a country where, under Castro's rule, there is no "upper class" - and yet where brutal intolerance can be shown to any 'misfits'. Arenas happens to be homosexual, which is unacceptable, and his poetry extols natural beauty (which is, it seems, seen as counter-revolutionary). The writer survives torture and imprisonment but his works survive and the success of his novels prove an inspiration to him as he survives in abject conditions. The film is a bit slow to start, and occasionally meandering, but overall it provides a powerful piece of cinema.

A film with strong and powerful moments. The movie uses some documentary footage and exposition about the revolution in Cuba and the problems that people went through, but the real story is about a writer and his struggle to find peace and recognition.

It took some time for me to get invested. It bothered me a bit because the movie is narrated by the writer and you see his life since he was young. So, you would expect you to be invested right away. But, for me it took some time in first act getting in to the story because here and there stock footage would pop up and it would take me out of it. Once the main character ends up being accused for something he didn't do, the film picks up and his journey becomes riveting.

I like the vintage look of this film, the colors makes it feel like the film was made in the 60's and 70's. Johnny Depp is funny playing two roles, but the actor stealing the show is Javier Bardem who is fantastic in this performance. The movie does a good job in making you understand his motives and ambitions. Even though I didn't care much about his relations, you still understand the fact that it's just how he is personally and he doesn't try to force you to like him. He just appears like himself and doesn't try to be someone he isn't. Which makes the audience respect him.

The scenes in a prison were really hard hitting, especially when he is forced to be in a tiny, tiny cell. That most be horrifying, and Bardem completely made you believe what kind of a traumatic affect it would have on someone. Brilliantly made.

In short, a fantastic performance all the way through (especially towards the finale), but the film is a bit unbalanced and some of the most interesting parts of the story pass by too soon. It stays a little too long on the writer's romantic life in the beginning, and unfortunately that aspect wasn't as compelling as I think the filmmakers were hoping it would be. Everything about the writers escape and the prison scenes are however great and I would still recommend checking it out.

Incredible central performance from Javier Bardem ties the film together and makes you really care what happens. Great supporting players: Sean Penn has one incredible scene early on, who had us convinced he was Cuban. We didn't at all recognise him. Johnny Depp plays two small parts, but two very memorable ones. Growly-voiced Michael Wincott (played the bad guy in The Crow and Along Came a Spider and The Doors' manager in The Doors) is memorable. Andrea di Stefano is great as a central antagonist of Reinaldo, as is the now-Hollywood-famous Olivier Martinez who plays a touching, platonic friend to Reinaldo.

Beautifully photographed and directed in an admirable manner that draws attention to style every now and then in a poetic way very fitting for a bio-pic about a poet, and at other times just utilises style to tells the story very well, and seem not to be fussing about style at all.

There are scenes here where the sound effects track stops and this gorgeous cello music by Carter Burwell (composer of Being John Malkovich, Meet Joe Black, Man who Wasn't There, with another beautiful score) plays while we watch Bardem sitting in a club while people dance around him, and the music tells us he is far away. It is a wonderful scene, akin to Kurosawa's use of music in the brilliant burning of the first castle scene in Ran.

The way the camera tells this story was so marvellous and slick (though using rough camera work to tell moments of uneasiness, importantly this is not over-used as it was in the recent Eternal Sunshine of the Spotless Mind) that i knew the filmmaker had been influenced by American filmmaking, but throughout i had no idea the guy actually WAS American! The TV program misleadingly told us it was a Cuban movie (which it is not - it is an American production with Spanish, Cuban and American actors)

I'm even more shocked considering this is the guy who made Basquiat, which i always thought was more a tele-movie, and more about art than about movie-style. Julian Schnabel, i now learn, was a neo-expressionist painter in the 80's! Basquiat, about an artist, perhaps was a movie where he was making the transition between art-language and movie-language. Before Night Falls uses traditional storytelling, to be sure, but it has such a spellbinding cinematic quality i felt sure its director was one with cinema on the brain. Perhaps Schnabel has caught the bug after all.

Julian Schnabel's "Before Night Falls" initially impresses as an extraordinarily photographed film, by Xavier Perez Grobet and Guillermo Rosas; their use of color is especially beautiful. For someone unaware of the subject (as I was), the narrative is sometimes confusing. The film is a biography of Cuban poet Reinaldo Arenas (1943-1990), who is played by Javier Bardem. Mr. Bardem's characterization is about as convincing as they come; he gradually "paints" his role into your viewing consciousness. And, he carries the story through some rough waters. His performance is definitive "Best Actor" material.

Also, watch out for Sean Penn, under hat and make-up, as he gives young Reinaldo a lift, after the boy leaves home. Later on, during a prison sequence, Johnny Depp essays a couple of amazing characterizations, as "Bon Bon" and "Lieutenant Victor"; Mr. Depp's acting, and his decisions regarding his successful career, are quite admirable. Handsome Andrea Di Stefano (as Pepe) and handsome Oliver Martinez (as Lazaro) are among Bardem's "Best Supporting" boyfriends. In sum, Mr. Schnabel, Bardem, and the photographers deserve accolades for this good nightfall.

Additionally, investigate writer Reinaldo Arenas (as I did): "I am that child of always / Before the panorama of imminent terror / Imminent leprosy, imminent fleas / Of offenses and the imminent crime / I am that repulsive child that improvises a bed / Out of an old cardboard box and waits / Certain that you will accompany me…"

******** Before Night Falls (2000) Julian Schnabel ~ Javier Bardem, Oliver Martinez, Johnny Depp