Gamle mænd i nye biler

I don't know what all these people are complaining about - I saw this movie in a film festival over here and spent most of the movie trying not to p*** myself with laughter. How the characters get in and out of such completely off the wall situations, and the deadpan way they said some of the lines left me in hysterics.

Granted it isn't a perfect film, but it's a good 7/10

I just re-saw this move, and it's just as good as i remembered it. I was curious of it's IMDb rating so I had a peek. just to discover that this jewel of a film currently only have 6.7 is something that I find quite outrageous. so I decided to write my own review, and give credit where credit's due!

I'v read a couple of reviews here, and I see the people who bad-mouth this movie just don't get it.. It's a (black)comedy so it's not supposed to be taken to serious. If you do take it seriously you'r in for 95 minutes of cynical meaningless violence. Well in that case this movie probably isn't for you. As for me, i found it hysterical!

The action sequences are a bit over the top one might say. Then i say:"c'mon c'mon, it's a comedy!", at any rate the surreal car chases and what not is just stating this fact. The effects aren't Hollywood-ish but still not bad for Nordic production, as far as i can see. The dialogue is a work of art itself. Some conversations is just random nonsense, but still just makes the character more believable. And some good linguistic "jokes/spoofs" to, unfortunately some may get lost in translation. With the absurd mix of characters, ranging from sociopathic to suicidal, some just plain insane, you know you'r in for a good pitch black comedy!

By the way I have seen "I Kina Spiser de Hunde" as well, but i didn't find it funny in comparison to this movie. So i like to look at it as two separate movies.. or independent movies, or whatever... just my angle:)

The 1999 Danish black comedy In China They Eat Dogs brought an enjoyable gust of fresh air to the often overly serious Nordic cinema. The prequel Old Men in New Cars casts light on the characters' earlier life: Harald (Kim Bodnia) has just been released from prison and owes a large sum of money to a gangster named Ratko (Slavko Labovic) but doesn't let the debt bother him very much. After his dying father figure Munken (Jens Okking) asks Harald to locate his estranged son Ludvig (Torkel Petersson), Harald and his cook friends Martin and Peter (Nikolaj Lie Kaas and Tomas Villum Jensen) and their new inept assistant Vuk (Brian Patterson) come up with a plan to get Ludvig, a multiple murderer with a sensitive side, out of a Swedish prison. While robbing a bank, they also they also become attached to a suicidal woman Mille (Iben Hjejle) who tags along and evokes new kinds of feelings in Ludvig. Next it is time for an elaborate airplane hijacking...

The main difference to the first movie is the absence of the mild-mannered Arvid, arguably the protagonist of In China They Eat Dogs. Instead, the prequel focuses on Harald and his ever-calm attitude to whatever obstacles life drops in front of him. The semi-reluctant Martin and Peter are the same as before, providing a lot of comedy with their awkward insecurity when things get rough and bodies start piling up, not to mention the always hapless Vuk who keeps getting seriously injured as a running gag in both movies. The main charm of the humour still lies in the deadpan delivery of the gang's outrageously implausible schemes, be it a prison break by bungee cord or an airplane robbery with an ambulance.

The action scenes, while not as numerous as in Hollywood blockbusters, are well designed and both entertaining and exciting. Especially the car chase after the bank robbery deserves a special mention, rarely do we get to see such wreckage in any normal Nordic thriller. The actors also do a good job; especially Kaas and Jensen are great as the manipulatable henchmen of the menacing Kim Bodnia, but Iben Hjejle is a joy to watch as well. Even though the absence of Arvid seems disappointing at first, it soon becomes obvious that Torkel Petersson's Ludvig is more than enough to replace him – Ludvig's homicidal tendencies mix with his caring side rather hilariously.

The familiar absurd undercurrent is still strong and the humour and action are in good balance, so those who enjoyed In China They Eat Dogs have no reason to miss out Old Men in New Cars. In the first movie there was a serious theme under the surface, namely a mild-mannered man's desire to be true to himself, and while the prequel feels a bit more straightforward, it also presents a dramatic story about familial love. In any case, both films belong among the best Danish films I have seen in a good while.

Naturally most people will compare this with the cult movie In china they eat dogs, since it is a sequel with same characters at most.

A comparison is only to value if You have seen the first one of course. Anyway, I would say that I found this more fun then the first but it doesn't mean better. The first has a more serious undertone. And I think it depends on what mode You are in when watching. I didn't have great expectations on this because of the reviews but laughed out loud many times because of silly situations. I would rank both films as 10 stars. So refreshing non-Hollywood made, character, environment.

I wouldn't say that this is so much pulp fiction but more Lock stock movie. There are so many holes in the plot but thats not important. You have to look beyond them and take it for what it is. Black humor at it's best, and as good as In China in every aspect.

A prequel to "I Kina Spiser de Hunde" (In China they Eat Dogs) from 1999 with same writer/dírector/cast (save Dejan Cukic and a few others). This time, we follow Harald (Kim Bodnia) as he is released from jail, only to get involved in a plot to get Swedish serial killer Ludvig (Torkel Petterson) out of prison, so he can meet his estranged father, The Monk (Jens Okking). Once again, peppered with funny dialogue, not as inspired as the original, but with one hilarious scene in which the cooks and Harald futilely tries to speak English to a Swedish hotel receptionist. The car stunts are still clumsy, a notch above the sloppy action sequences from the first film, and the film is loaded with a high mortality rate, but it's uneven and substitutes black humor with a mean spirit, and even asks us to care about these characters, after putting them through numerous outlandish situations and hurling credibility out the window. Kim Bodnia plays it straight, but his tough guy act is getting a little tired by now, but Tomas Villum Jensen and Nikolaj Lie Kaas still make a great comic duo as the put-upon sidekicks. Iben Hjejle is lovely as Ludvig's love-interest, but her role is badly written (even though she gets to punch Bodnia in the face). Jacob Haugaard gets some laughs, too, as a seedy doctor. Note to writer Anders Thomas Jensen: A couple of anachronistic goofs. The film is supposed to take place before the first film, which was released in 1999. If this film is set before that, they couldn't have crossed the bridge between Denmark and Sweden, as it wasn't built at that time, and the national football league wasn't sponsored by SAS then, either.

The supernatural elements of the first film are totally ignored this time around. Okay entertainment, but doesn't hold up to close scrutiny. **½